Are Su Shi and Su Dongpo the same person?
Yes.
Su Shi (January 8, 1037 - August 24, 1101), also known as Zizhan and Hezhong, was also known as Dongpo layman, and was known as Su Dongpo and Su Xian in the world. Han nationality, a native of Meishan, Meizhou (now part of Meishan City, Sichuan Province) in the Northern Song Dynasty, and his ancestral home is Luancheng.
In the second year of Jiayou (1057), Su Shi became a Jinshi. During the reign of Emperor Shenzong of the Song Dynasty, he served in Fengxiang, Hangzhou, Mizhou, Xuzhou, Huzhou and other places. In the third year of Yuanfeng (1080), he was framed for the "Wutai Poetry Case" and was demoted to Huangzhou as deputy envoy of Tuanlian. After Zhezong of the Song Dynasty came to the throne, he served as a bachelor of Hanlin, a bachelor of imperial examination, and a minister of the Ministry of Rites. He also went to Hangzhou, Yingzhou, Yangzhou, Dingzhou and other places. In his later years, he was demoted to Huizhou and Danzhou because of the new party's rule. Emperor Huizong of the Song Dynasty was pardoned and returned to the north, but died of illness in Changzhou on the way. During the reign of Emperor Gaozong of the Song Dynasty, he was posthumously given the title of Grand Master, with the posthumous title "Wenzhong".
Su Shi is the representative of the highest achievements in literature in the Song Dynasty, and has achieved high achievements in poetry, lyrics, prose, calligraphy, and painting. His poems have broad themes, are fresh and bold, are good at using exaggerated metaphors, and have a unique style. Together with Huang Tingjian, he is also known as "Su Huang". He is a representative of the bold and unrestrained style of poetry, and together with Xin Qiji, he is also known as "Su Xin"; his prose writings are grand and bold, and he is known as "Ou Su" together with Ouyang Xiu, and is one of the "Eight Great Masters of the Tang and Song Dynasties"; Su Shi is also good at He is one of the "Four Masters of Song Dynasty" in calligraphy; he is especially good at painting with ink bamboo, strange rocks, dead wood, etc. There are "Dongpo Seven Collections", "Dongpo Yi Zhuan", "Dongpo Yuefu" and so on. Are Su Dongpo and Su Shi the same person?
They are the same person.
Su Shi (Northern Song Dynasty writer)
The synonym Su Dongpo (Song Dynasty writer) generally refers to Su Shi (Northern Song Dynasty writer)
Su Shi (January 8, 1037) -August 24, 1101), also named Zizhan, also named Hezhong, named Dongpo Jushi, and known as Su Dongpo and Su Xian[1-3]. Han nationality, a native of Meishan, Meizhou (now part of Meishan City, Sichuan Province) in the Northern Song Dynasty. His ancestral home is Luancheng, Hebei Province. He is a famous writer, calligrapher and painter in the Northern Song Dynasty.
In the second year of Jiayou (1057), Su Shi became a Jinshi. During the reign of Emperor Shenzong of the Song Dynasty, he served in Fengxiang, Hangzhou, Mizhou, Xuzhou, Huzhou and other places. In the third year of Yuanfeng (1080), he was framed for the "Wutai Poetry Case" and was demoted to Huangzhou as deputy envoy of Tuanlian. After Zhezong of the Song Dynasty came to the throne, he served as a bachelor of Hanlin, a bachelor of imperial examination, and a minister of the Ministry of Rites. He also went to Hangzhou, Yingzhou, Yangzhou, Dingzhou and other places. In his later years, he was demoted to Huizhou and Danzhou because of the new party's rule. Emperor Huizong of the Song Dynasty was pardoned and returned to the north, but died of illness in Changzhou on the way. During the reign of Emperor Gaozong of the Song Dynasty, he was posthumously given the title of Grand Master, with the posthumous title "Wenzhong".
Su Shi is the representative of the highest achievements in literature in the Song Dynasty, and has achieved high achievements in poetry, lyrics, prose, calligraphy, and painting. His poems have broad themes, are fresh and bold, are good at using exaggerated metaphors, and have a unique style. Together with Huang Tingjian, they are called "Su Huang"; His writings are grand and bold, and he is known as "Ou Su" together with Ouyang Xiu, and is one of the "Eight Great Masters of the Tang and Song Dynasties". Su Shi was also good at calligraphy and was one of the "Four Masters of the Song Dynasty"; he was good at painting, especially good at ink bamboo, strange rocks, dead wood, etc. There are "Dongpo Seven Collections", "Dongpo Yi Zhuan", "Dongpo Yuefu" and so on. Are Su Dongpo and Su Shi the same person?
This question is so powerful. .
Su Shi, also known as Zizhan and Hezhong, was also known as "Dongpo Jushi", and the world called him "Su Dongpo". Han nationality, a native of Meizhou (now Meishan, Sichuan, Meishan City in the Northern Song Dynasty), and his ancestral home is Luancheng. He was a famous writer, calligrapher, painter, lyricist, poet, and gourmet in the Northern Song Dynasty. He was one of the eight great writers of the Tang and Song Dynasties and a representative of the Bold and Unconstrained poets. His poems, lyrics, fuses, and prose are all of high achievement, and he is good at calligraphy and painting. He is a rare all-rounder in the history of Chinese literature and art, and he is also recognized as one of the most outstanding people in the history of China's thousands of years of literature and art. His prose is called Ou Su together with Ouyang Xiu; his poems are called Su Huang together with Huang Tingjian; his poetry is called Su Xin together with Xin Qiji; his calligraphy is listed as one of the four major calligraphers of the Northern Song Dynasty: "Su, Huang, Mi, and Cai"; his paintings are pioneers. Huzhou School of Painting. Are Su Shi and Su Dongpo the same person?
Su Shi
(1101～1037)
A writer, calligrapher and painter in the Song Dynasty. His courtesy name is Zizhan, his nickname is Hezhong, and his nickname is Dongpo Jushi. A native of Meishan, Meizhou (now part of Sichuan).
Life
In the first year of Jiayou's reign (1056), Su Shi left Sichuan for the first time to take part in the imperial examination in Beijing. The following year, he and his younger brother Zhe were admitted to the imperial examination, and were deeply appreciated by the examiner Ouyang Xiu. In the sixth year of Jiayou's reign, he entered the third class of the secondary school system and was awarded the title of judge of Dali and the judge of Fengxiang Mansion. Later, his father Su Xun died of illness in Bianjing, and he returned home to support the funeral. At the beginning of the second year of Xining (1069), he returned to serve in the court. Because he had many differences with Wang Anshi's reform ideas, he requested external transfer. From the fourth year of Xining to the early Yuanfeng period, he was sent to Hangzhou, Mizhou, Xuzhou, Huzhou and other places as local officials. Innovation eliminates disadvantages and facilitates the people according to the law, which has considerable political achievements. In the second year of Yuanfeng (1079), he was imprisoned for the so-called crime of slandering the imperial court with poetry. After being released by luck, he was demoted to Huangzhou. In the first year of Yuanyou (1086), the old party came into power. Su Shi was transferred back to Kyoto and held positions such as Zhongshusheren, Hanlin bachelor, and Zhizhigao. However, there were differences with the old party on the issue of abolishing the Removal of Service Law. In the fourth year of Yuanyou's reign, he came to Hangzhou. Six years after he was recalled, Jia Yi and others found an opportunity to make false accusations. Su Shi asked for a foreign appointment and was sent to Yingzhou, Yangzhou and Dingzhou successively.
During this period, he continued to carry out certain reforms within his ability. In the first year of Shaosheng's reign, Zhe Zong came into power, the new party gained power, and he dismissed Yuanyou's old ministers. Su Shi was demoted again and again, from Yingzhou (today's Yingde, Guangdong), Huizhou, to Danzhou (today's Danxian County, Hainan). It was not until the third year of Yuanfu (1100) that Song Huizong came to the throne that he was pardoned and returned to the north. He died in Changzhou in July of the first year of Jingguo's reign (1101). Su Shi influenced Buddhism and Laoism on the basis of the Confucian system. He combined Confucianism, Buddhism and Laoism, and almost all of them were attractive to him. In his early years, he had the Confucian political ideal of assisting the emperor in governing the country, managing the world and benefiting the people, and was determined to reform the sluggish habits of the Northern Song Dynasty. On the one hand, the thoughts of Buddha and Lao Lao help him to observe problems more clearly, and behind a detached and broad-minded attitude, he still insists on the pursuit of life and beautiful things; on the other hand, the nihilism of life and death, right and wrong, and serious escapism from reality negative effects. This thought and attitude towards life are clearly reflected in his creations. Su Shi's political path was bumpy. Because he advocated reform but did not agree with Wang Anshi's reform, he not only conflicted with the reformists, but also had some differences with the conservatives who maintained the status quo. Su Shi was a clear man on the inside and one who paid attention to moral integrity. This made him neither tolerated by Yuanfeng nor the conservatives who maintained the status quo. He failed to aspire to Yuanyou, and was even more devastated by Shaosheng. However, this just helped him deepen his experience and expand his horizons, which enabled him to achieve great success in literature.
Literary Achievements
Su Shi devoted his entire life to literary and artistic creation. He attaches great importance to the social function of literature, opposes "luxury and luxury but cheapness", and emphasizes that authors should have a fulfilling life experience. He believes that writing should be "like flowing clouds and flowing water, with no fixed quality at the beginning", "literature and science should be natural and full of gestures" ("A Letter of Thanks to the Civil Teachers"), and we should dare to innovate and be original, "create new ideas in the law, and express wonderful principles in the bold and unrestrained" Outside" ("Book of Wu Daozi's Paintings"). Su Shi attached great importance to the exploration of literary and artistic creation skills. He explained "Ci Da" by saying "seeking the beauty of things is like catching a shadow in the wind, making the thing clear in the heart", and further "making it clear in the mouth and hands" ("Thanks to the People"). "Master's Book") has touched upon the special laws of literary and artistic creation. Su Shi's creative practice reflects his literary and artistic views. He is a man with many creative talents and has made unique achievements in poetry, lyrics, prose and other aspects.
Su Shi has more than 2,700 poems in existence today, with a wide range of themes and rich content. Sympathy for the people and concern for production are a prominent content of Su's poetry. But more places have criticized the shortcomings of the new law. Some poems that care about production, such as "Ciyunzhang Preaching Happy Rain", "Reply to Luliang Zhongtuntian", "Carbon", "Yangma Song", "Visiting Boluo Xiangji Temple", etc., express the suffering of the people and criticize the current ills. , sincere and unpretentious, has developed many social themes that were rarely touched upon by predecessors, drawn from a wide range of materials, and had novel meanings. Su Shi's landscape poems and rational poems have the highest artistic value and are the most popular. Poems such as "Visiting Jinshan Temple", "Evening Scene at Wanghai Tower", "Drunk Book at Wanghu Tower", "Drinking on the Lake at First Sunny and Later Rain", etc., describe the night scenery of the Yangtze River, the sunny rain in the south of the Yangtze River, and the scenic scenery of the West Lake; "Climbing the Guangli Pavilion at the top of Changshan Mountain", Poems such as "Hundred Steps of Hong" and "Dengzhou Haishi" vividly describe the local scenery and scenic spots in Jiangbei. Su Shi was not only good at observing and capturing the different characteristics of scenery in various places, but also described the freshness and simplicity of the rural environment with joyful emotions. The rural scenery poems written in Lingnan reflect the author's harmonious relationship with the people of Huizhou and the Li people. Su Shi was good at understanding new and wonderful ideas from daily life and ordinary natural scenes, and he wrote thought-provoking and interesting poems. For example, chapters such as "Inscriptions on the Wall of the Western Forest", "Poems on the Qin", and "Sizhou Sangha Pagoda" convey meaning directly from the scene, and because the objects embody the meaning, the meaning lies beyond the words, and the aftertaste is endless. There are also poems that are often full of cheerful and optimistic sentiments, reflecting the spirit of not being afraid of adversity and disdainful of hardships. In addition, Su Shi wrote many poems about poems, paintings and calligraphy appreciation, such as "Reading Meng Jiao's Poems", "The Picture of the Mountains of the Yanjiang River in the Collection of Wang Dingguo", "Shi Cang Shu Zui Mo Tang", etc. Su's poems are unrestrained and lively, full of elegance, overflowing with talents and ideas, springing up wherever they touch, artistically unique, and become a masterpiece of a generation. Su Shi had a keen sense of perception and a sharp writing style. No matter how he described scenery, objects or human feelings, he could write things vividly and with full of emotion. Su's poems are rich in imagination, full of curiosity, novel and appropriate metaphors, and fascinating. Su's poems sometimes directly express his feelings, make brilliant comments, and are full of momentum and literary thoughts. The argumentative nature of Su's poems certainly contributes to the freedom of expression and the smoothness of style, but it also has an impact on the image and rhythmic beauty of the poem. Moreover, due to the constant social interaction, some harmonious poems are close to word games; Showing off his knowledge, some works contain too many references or are crude and lengthy, all of which affected his creative achievements. Su Shi was able to master all ancient and modern styles with ease, but he was better at ancient styles and seven-character styles. His Seven Ancients are magnificent and unpredictable, best reflecting his unrestrained talent, his wonderful writing and full of wonder. Wugu's writing is simple and unpretentious, his words are clear and full of flavor, and he wins by being natural and wonderful. Su Shi's Qilu is also outstanding, with natural charm and flowing style. It is slightly similar to the poetry style of Bai Juyi and Liu Yuxi, but even more strange. Su Shi made less effort in the five-character style and the five-character style. However, the Qijue was written beautifully and brightly, and there are many famous poems that are widely read.
In the Ci world of the Northern Song Dynasty, Su Shi broke through the barrier that Ci poems must be fragrant and soft, and created a number of poems with a completely new style, paving the way for the rapid development of Ci style. Judging from the 340 to 50 Dongpo Ci poems that have survived today, we can see that Su Shi's innovations in Ci style were multifaceted.
Su Shi expanded the function of his words to reflect social life. He not only used words to describe traditional themes such as love, parting, and travel, but also used words to express his ambitions to serve the country, rural life, and relegated life, etc., which expanded the realm of his words. He used vigorous brushstrokes to depict heroic characters to express his ambition and passion to serve the country, such as (Jiang Chengzi) "I talk about being crazy as a teenager" and other chapters. In his words, Su Shi poured more into himself and expressed his personality. (Man Jiang Hong) "Jiang Han Xi Lai" refers to the nostalgia of the past, and uses Mi Heng's experience to imply a sense of resentment; (Ding Feng Bo) "Don't listen to the sound of beating leaves in the forest" uses small things in daily life to reflect the spirit of not being afraid of ups and downs and living calmly. attitude towards life. The five poems written in Xuzhou (Huanxisha) use fresh and elegant language to vividly describe rural production and life scenes, including the yellow boy, the old man, the mulberry picker, the silk reeler, the melon seller, etc. Various rural characters. It can be said that Su Shi can express any content of life that can be written into poetry. Su Ci made some innovations in writing power and structure. He writes lyrics with the heroic momentum and vigorous writing force of poetry, and his style is mostly vigorous, passionate and exciting. For example (Eight Tones of Ganzhou) "The sentimental wind is rolling thousands of miles away", the writing style is like an abrupt snow-capped mountain, rolling towards the ground.
Yuanyou, a poet who used poetic syntax to write lyrics, began with Su Shi. Su Shi rewrote Tao Yuanming's "Returning Poems" into (Shaobian), and Han Yu's "Listening to Yingshi Playing the Qin Poems" into (Shui Diao Ge Tou), which can also be regarded as innovative in terms of word style. In the past, poets rarely set titles other than the title of the poem. Many of Su Shi's poems not only used titles, but some also included small prefaces. The small prefaces could be hundreds of words long. They were full of literary talent and quite fascinating. Su Shi used poetry as lyrics to expand the expressive power of the lyrics. Su Ci has a distinctive ideal color. Some works are full of imagination and excitement. For example, "When will the bright moon come" in "Shui Diao Song Tou", "Looking far from the height" in (Nian Nujiao), "Come back and come home" in (Man Ting Fang), etc. These chapters are spiritually inherited from Qu Yuan and Li Bai, and open to the public at the bottom. Some of Xin Qiji's pure and simple works. In terms of language and music, Su Shi's innovative spirit is also reflected. The language of Su's poems mostly absorbs vocabulary from poetry and poetry, as well as historical biographies and spoken language. It is famous for its Qingxiong style, which has changed the previous style of poets using gold and gold. He attaches great importance to music, but does not stick to music. Su Shi's poetry style shows diverse characteristics. In addition to the magnificent poems such as "The Great River Goes East", other works are either clear and spacious, some are fresh and meaningful, or some are charming and lingering, all with their own charm. For example, (Jiang Chengzi) mourns the death of his wife, with a deep love; (Shui Long Yin) sings about poplar flowers, lingering resentment; (Die Lian Hua) writes about the beauty's laughter stirring up the spring sorrow of passers-by outside the wall, and the style is charming and moving.
Su Shi worked very hard on prose. With his solid skills and unrestrained talent, he developed Ouyang Xiu Ping's easy and soothing writing style and opened up a new world for prose creation. Papers on history and political affairs, including memorials, advance policies, historical reviews, etc., are mostly works closely related to Su Shi's political life. In addition to some large and unreasonable chapters with a strong sense of systemism, there are indeed many excellent chapters that are well-targeted and insightful. For example, "Advancing Policy", "Ideology on Governance", "Liu Hou Lun", etc., they have novel insights, do not fall into stereotypes, are eloquent, have vertical and horizontal writing styles, and are good at changing, reflecting the influence of prose such as "Mencius" and "Warring States Policy" . Prose narrative travel narratives have the highest artistic value among Soviet prose, and there are many widely read masterpieces. There are biographical texts on stelae describing people, such as "Stele of Han Wengong Temple in Chaozhou", and essays on pavilions and pavilions, such as "The Story of Xiyu Pavilion". His travel notes describing scenery are particularly good at capturing the characteristics of the scenery and embodying theoretical interests, such as "The Story of Shizhong Mountain" and the "Red Cliff Ode" before and after. Su Shi's narrative prose often combines discussion, description and lyricism. In terms of style, he is unconventional and innovative; in terms of style, he takes shape from things and is unrestrained; he can better reflect the texts of "Zhuangzi" and Zen Buddhism. Impact. Essays such as letters, inscriptions, narratives and postscripts also occupy an important position in the collection of Dongpo. The written letters and letters, such as "Shangmei Zhi Le Shu", "Selecting Letters with Li Gong", etc., are mostly written in a free and easy way, without any artificial engraving, which makes people feel Insights from the heart can best reveal the author's frank, cheerful and funny personality. Su Shi wrote many inscriptions, prefaces and postscripts, as well as miscellaneous works, commented on poems and paintings, talked about calligraphy, and summarized his creative experience. Such as "Collected Narratives Before Traveling to the South", "Books on Wu Daozi's Paintings", etc. In addition, Su Shi also wrote some essays describing his academic experiences, such as "Ri Yu", "Jia Shuo", etc. The writing method can draw examples from nearby situations, explain the profound things in simple terms, and also contain many unique insights in content. Su Shi also has a widely circulated notebook "Dongpo Zhilin". This book was mentioned by Dongpo during his lifetime, but was not completed. The current version has been edited by later generations. "Zhilin" collected in "Barnyard Sea" has a lot of content. In addition to historical theory, there are also many essays, miscellaneous thoughts, and trivial notes, which describe people's notes and events. The words are concise and clear, and the writing is free and affectionate. For example, "Night Tour of Chengtian Temple" and "Night Tour of Songfeng Pavilion" can be picked up casually to reveal the artistic conception and temperament. This type of writing actually started a school of essays in the late Ming Dynasty. There is also "Qiu Chi Notes", which was also compiled by later generations. Su Shi's works have a wide range of influence. He enthusiastically rewarded underachievers and cultivated many talents. His works were widely circulated in the Song Dynasty and played an important role in the development of Song Dynasty literature. Su's poetry was highly praised by poets of the Jin Dynasty, writers of the Gong'an School of the Ming Dynasty, and poets of the Zongsong School of the Qing Dynasty. Su Wen has been a scholar for a long time, and his sketches and essays are the forerunners of sketches in the Ming and Qing Dynasties. Until the Qing Dynasty, Su Ci was still followed by Chen Weisong and other poets. Su Shi's large number of works are the precious legacy he left to future generations.
Su Shi was talented, not only in poetry and prose, but also in calligraphy and painting.
He studied calligraphy throughout the Jin and Tang dynasties, and became a master of his own. He was good at running script and regular script, and his writing style was full of flesh and bones, with natural ups and downs. Together with Cai Xiang, Huang Tingjian and Mi Fu, he was known as one of the "Four Calligraphers of the Song Dynasty". The handwritten writings handed down from ancient times include "Poetry on Cold Food in Huangzhou", "Ode on Red Cliff", "Essay on Replying to Civil Teachers", "Spring Scenery in Dongting and Two Fu Volumes on Zhongshan Pine Mash", etc. Su Shi was very insightful in his discussion of painting, advocating "spiritual resemblance" and "expressiveness", and proposed that "there is painting in poetry" and "poetry in painting", which was very influential in the history of painting. He is good at painting bamboo and stone, has a common academic background but has his own style. Among Su Shi's original paintings, only "Pictures of Ancient Trees and Strange Rocks" remain today. Su Shi's academic works include "Yi Zhuan" and "Book Biography".
The collection of Su Shi's poems and essays includes Chengzong Chenghua's "Dongpo Seven Collections" in the Ming Dynasty. Chronicles including appendices, 112 volumes. There is a printed version of the Qing Dynasty's official version and a printed version of "Four Essentials". Since the Song Dynasty, annotations of Su Shi's works have continued to appear. The more famous ones include Cha Shenxing's "Supplementary Notes on Dongpo Chronological Poems", Feng Yingliu's "Combined Notes on Su Wenzhong's Poems", and Wang Wengao's "Annotations on Su Wenzhong's Poems". "Collection", "Collected Poems of Su Shi" edited by Kong Fanli and published by Zhonghua Book Company in 1982. The annotations include a selection of "The Collected Works of Jingjin Dongpo" compiled by Qiu Ye of the Southern Song Dynasty, "The Complete Works of Mr. Dongpo" by Mao Wei in the late Ming Dynasty, and "Collected Works of Su Shi" edited by Kong Fanli published by Zhonghua Book Company in 1986. Annotations to the lyrics include the chronicle "Dongpo Yuefu" written by the contemporary Zhu Zumou and the "Dongpo Yuefu Jian" written by the contemporary Long Yusheng.
Writer, calligrapher and painter of Song Dynasty. His courtesy name is Zizhan, his nickname is Hezhong, and his nickname is Dongpo Jushi. A native of Meishan, Meizhou (now part of Sichuan). Born into a poor landlord family. He received tutoring when he was young and was deeply influenced by his father Su Xun. His mother Cheng also "taught him books personally". He has a long history and "studies the classics and history, and writes thousands of words every day" (Su Che's "Mr. Dongpo's Epitaph").
Life and Thoughts In the first year of Jiayou (1056), Su Shi left Sichuan for the first time to go to Beijing to take the imperial examination. The following year, he and his younger brother Zhe were awarded Jinshi together, and were deeply appreciated by the examiner Ouyang Xiu. Later, he returned to Shu because of his mother's death. In the fourth year of Jiayou's reign, he went to Beijing again along the Yangtze River and through Jiangling. In the sixth year of Jiayou's reign, he entered the third class of the middle school system and was awarded the title of judge of Dali and the judge of Fengxiang Mansion. During this period, Su Shi wrote a large number of policy papers and called for reforms in response to political shortcomings such as lack of finances, weak troops, and redundant officials.
When Su Shi Fengxiang finished his term of office, his father Su Xun died of illness in Bianjing, and he returned home to support the funeral. At the beginning of the second year of Xining (1069), he returned to serve in the court. At that time, Shenzong used Wang Anshi to reform. Su Shi's reform ideas were very different from Wang Anshi's reform ideas. For example, Wang Anshi advocated the "Great Ming Law", managed finance in various ways, and quickly implemented the new law throughout the country. Su Shi emphasized the selection of officials and opposed "reforming the system through legislation" (Part 3 of "Strategy"); he advocated "frugal use for honest gain" but did not agree with "expanding the door to seek profits" (Part 10 of "Cebi"). 8); He also proposed that "haste makes waste" and "easy attacks lead to failure", and advocated prudence in the steps of reform. Therefore, he wrote consecutive letters opposing the reform. Since his opinions were not adopted, he requested external transfer. From the fourth year of Xining to the early Yuanfeng period, he was sent to Hangzhou, Mizhou, Xuzhou, Huzhou and other places as local officials. During this period, he punished ruthless officials, exterminated locusts for disaster relief, fought floods and protected embankments, and carried out certain reforms in the city government, which had the effect of "convenience of the people according to the law".
Su Shi was dissatisfied with the reform. Especially when he saw the shortcomings in the implementation of the new law, he "dare not ignore it silently" and always "felt satire on the meaning of the poet" ("Mr. Dongpo's Epitaph") ). After Wang Anshi resigned as prime minister, new bureaucrats such as He Zhengchen and Li Ding learned from Su Shi's poems and articles, compiled accusations, and impeached Su Shi for "criticizing Chengyu" and "harboring evil intentions". In the second year of Yuanfeng (1079), he He was arrested from Huzhou, thrown into prison, and questioned about his crime of slandering the imperial court. This led to the famous literary prison "Wutai Poetry Case" in the Northern Song Dynasty. After several months of torture, Su Shi was luckily released and demoted to Huangzhou. In the derogatory life during the Yuanfeng period, although he was forced to say that he would shut himself up and reflect on his mistakes, he did not remain silent. He still cared about reality, sympathized with the people, and wrote many valuable works. In the seventh year of Yuanfeng, Su Shi was demoted to Ruzhou. When he left Huangzhou and headed north, he passed by Jinling and paid a visit to retired prime minister Wang Anshi. Although the two had different political views, they still maintained a personal relationship. They traveled to Jiangshan together and sang in harmony with each other.
In the eighth year of Yuanfeng, Shenzong died of illness, Zhezong was young, and Empress Dowager Gao came to the court. The following year, Yuanyou was changed to Yuanyou, and Sima Guang of the old party was appointed to govern. Su Shi was transferred back to Kyoto and served as Zhongshusheren, Hanlin bachelor, and Zhizhigao and other positions. He disagreed with Sima Guang's "exclusive desire to change Xi Ning's method, and did not stop weighing the pros and cons and took advantage of his strengths." There were differences with the old party on the issue of abolishing the Removal of Service Law. Su Shi believed that the two evils of military service and exemption were equal in severity, and the people would not necessarily be happy if they were to exchange one for the other. . Six years after the recall, Jia Yi and others found an opportunity to make false accusations. Su Shi "seven seals and begged to remove a county" ("Begging for External Support to Avoid Jia Yi Zhazi"), and was sent to Yingzhou, Yangzhou, and Dingzhou successively. In Hangzhou, Su Shi reduced taxes to relieve famines, dug lakes and built embankments; in Dingzhou, he improved military discipline and strengthened border preparations. In an era when Yuanyou's conservative atmosphere filled the court, he still continued to carry out certain reforms within his ability.
In the first year of Shaosheng's reign, Zhezong came into power, the new party gained power and denounced Yuanyou's old ministers. Su Shi became the target of these upstarts, and was demoted again and again, from Yingzhou (today's Yingde, Guangdong), Huizhou, to As far as Danzhou (now Danxian County, Hainan). Although "there was no food and medicine, no medicine or stone" at that time, and the conditions were extremely difficult, Su Shi was able to "eat taro, drink water, and write books for pleasure." He also expressed deep sympathy for the people of Huizhou and the Li people.
It was not until the third year of Yuanfu (1100) that Song Huizong came to the throne that he was pardoned and returned to the north. He died in Changzhou in July of the first year of Jingguo's reign (1101). Su Dongpo and Su Shi are not the same person, right?
? Su Shi? Also known as Zizhan, also known as "Dongpo Jushi", so the world calls him "Su Dongpo". A famous writer, calligrapher, painter, lyricist and poet in the Northern Song Dynasty , one of the Eight Great Masters of the Tang and Song Dynasties, a representative of the bold poets
Are Su Dongpo and Su Shi the same person
Su Shi (January 8, 1037 - August 24, 1101) , named Zizhan, also named Hezhong, nicknamed "Dongpo Jushi", and the world called him "Su Dongpo". Han nationality, a native of Meizhou (now Meishan, Sichuan, Meishan City in the Northern Song Dynasty), and his ancestral home is Luancheng. He was a famous writer, calligrapher, painter, lyricist, poet, and gourmet in the Northern Song Dynasty. He was one of the eight great writers of the Tang and Song Dynasties and a representative of the Bold and Unconstrained poets. His poems, lyrics, fuses, and prose are all of high achievement, and he is good at calligraphy and painting. He is a rare all-rounder in the history of Chinese literature and art, and he is also recognized as one of the most outstanding people in the history of China's thousands of years of literature and art. His prose is called Ou Su together with Ouyang Xiu; his poems are called Su Huang together with Huang Tingjian; his poetry is called Su Xin together with Xin Qiji; his calligraphy is listed as one of the four major calligraphers of the Northern Song Dynasty: "Su, Huang, Mi, and Cai"; his paintings are pioneers. Huzhou School of Painting. Are Su Shi and Su Dongpo the same person
Su Shi is Su Dongpo
Dongpo is his nickname
It was when he was demoted to Huangzhou, he was in Dongpo He built a snow hall, so he named himself Dongpo
Su Huang Mi Cai refers to the four major calligraphers of the Song Dynasty, referring to Su Shi, Huang Tingjian, Mi Fu, and Cai Jing. Are Su Dongpo and Su Shi the same? Personal
Of course, the same person!
Please accept it, thank you! Are Su Dongpo and Su Wu the same person?
No, dynasties are different.
Su Wu (140 BC - 60 BC), courtesy name Ziqing, Han nationality, was born in Duling (now Xi'an, Shaanxi Province), and was the son of Su Jian, the prefect of the county. Minister of the Western Han Dynasty.
During the reign of Emperor Wu, he was Lang. In the first year of Tianhan (100 BC), he was ordered to send Zhonglang General Chijie as an envoy to the Xiongnu, but he was detained. The Huns nobles threatened and induced him to surrender many times. Later they moved him to the North Sea (today's Lake Baikal) to herd sheep, and threatened to release him back to the country only if the sheep had a son. Su Wu went through many hardships and stayed with the Xiongnu for nineteen years without giving up.
In the sixth year of the First Yuan Dynasty (81 BC), Fang was released and returned to the Han Dynasty. After Su Wu's death, Emperor Xuan of the Han Dynasty listed him as one of the eleven heroes of Qilin Pavilion, which showed his integrity.
Su Shi (January 8, 1037 - August 24, 1101), also known as Zizhan and Hezhong, was also known as Dongpo layman, and was known as Su Dongpo and Su Xian in the world. Han nationality, a native of Meishan, Meizhou (now part of Meishan City, Sichuan Province) in the Northern Song Dynasty. His ancestral home is Luancheng, Hebei Province. He is a famous writer, calligrapher and painter in the Northern Song Dynasty.
Su Shi is the representative of the highest achievements in literature in the Song Dynasty, and has achieved high achievements in poetry, lyrics, prose, calligraphy, and painting. His poems have broad themes, are fresh and bold, are good at using exaggerated metaphors, and have a unique style. Together with Huang Tingjian, they are called "Su Huang"; His writings are grand and bold, and he is known as "Ou Su" together with Ouyang Xiu, and is one of the "Eight Great Masters of the Tang and Song Dynasties". Su Shi was also good at calligraphy and was one of the "Four Masters of the Song Dynasty"; he was good at painting, especially good at ink bamboo, strange rocks, dead wood, etc. There are "Dongpo Seven Collections", "Dongpo Yi Zhuan", "Dongpo Yuefu" and so on.