For example, the story of "Yulouchun" that was quietly broadcast last night was inconclusive, but the filter did dissuade many people, and it was gray, and it felt that the phone would be dead in the next second.
The netizen teased: "Can we have some dead filters? There is no blessing of gray tone in the sense of advanced. Don't we deserve to see the actors' faces? " .
However, since The Story of Yan Xi Palace won the favor of a group of artists, the "advanced gray" filter has been widely used, and plain and light colors have become the standards of costume dramas, and everyone has imitated it and achieved results.
After JUNG WOO tasted the sweetness of The Story of Yan Xi Palace, he never embarked on the road of "advanced grey". The fiery military academy with the style of blood and the hymn with the theme of the prosperous Tang Dynasty are both representatives of the "advanced gray" filter.
As we all know, in the past, he preferred candy styles, such as brightly colored palace lock heart jade and palace lock pearl curtains with obvious Abao color.
One is overcorrected, one is overcorrected, one is dark, and the other is Barbie powder, which is not a high-end color anyway.
What color is the most attractive? As far as the audience's feedback is concerned, the natural and full tone is most suitable for the human eye and is a real visible color.
Therefore, The Story of Yan Xi Palace was only popular for a while, but it had no stamina. However, the rating of Royal Love in Ruyi Palace soared. Aside from the actors, plot and acting skills, the tone and scenery of the whole play can be called a must.
There are no heavy filters, no gray tones imposed later, and the makeup on the actor's face is also very clear.
The formation of more colors depends on the colors of clothing and the director's lighting, and finally presents enamel-like colors and glazed texture, creating a classical and legendary atmosphere under mottled light and fine lenses.
Director Wang Jun's skill is profound, and the combination of lens and color is just right.
For example, Zhou Xun's repose in the deep palace, watching the snow falling all over the sky, the natural light hitting his face, and the actor's indifferent expression can not help but remind people of the poem "No one can see tears in the golden house".
It's beautiful and comfortable to sit in the deep palace and pull out a scene casually.
There are no batch retouching, no colors with excessive saturation, only clear colors.
Of course, it is undeniable that the costumes of the first few episodes of Mr Right in the Palace are a little rustic, especially those of Zhou Xun, which may be the reason why the play lost to The Story of Yan Xi Palace.
The previous work "Empresses in the Palace" is also one of the most comfortable costume dramas in the past decade. Now, if you watch it again, you will be amazed at the lighting technology of the crew. There is no filter in the original image quality, and the makeup is clearly visible.
The most important thing is that the actors' faces are obviously coated with a lot of powder, but under the director's lens, they are naturally clear, not fake white, but real and exquisite.
This is not only the credit of the stylist, but also the credit of the director, lighting engineer and post-colorist.
User comments: "Clear and bright, the picture is soft and silky."
One year earlier than the empresses, Sky Balcony is also full of colors, and it is also directed by Wang Jun, and the picture is like an oil painting.
The original picture cut by hand is like this.
Nature, atmosphere and comfort ...
In addition to these Qing dynasty dramas, the color matching of the midday sun has to be praised. In "The Wind in nirvana in fire", did you know that it should be green and fat, while Qingpingle does not rely on filters to highlight the aesthetic feeling?
As a sequel to Nirvana in Fire, The Wind in the Woods is not as beautiful as expected, but its color scheme is more comfortable than the last one. The clothes are simple and elegant, neither plain nor black, and the color is true. There is basically no filter, and the brightness is full of the charm of ink landscape painting.
Zhang Huiwen, the actor of Lin, also contributed the best appearance in the play.
Not to mention how amazing Tong Liya's version of "Late Snow in Meng" and Liu Haoran's version of "Xiao Ping Jing" are, even Huang Xiaoming, the founder, succeeded in getting rid of oil.
Tone is more important than filter. One depends on the early efforts and the other depends on the later period, which is obviously insufficient. For example, "The Legend of the New White Niang" was a mess in the early stage, and the color matching in the later stage could not be saved. This film is even more "poorly pasted and poorly white", and a good TV series has been animated.
At noon, the other two costume dramas were directed by Zhang Kaizhou. Although his director level has been criticized by many people, he has no choice in aesthetics, and he can catch up just by looking at the color.
Night plays like Do You Know use candlelight instead of the common "big lights". When candlelight shines on the actor's face, a sense of life and realism will come to mind.
Especially in other costume dramas, when the room is brighter than 18 incandescent lamp at night, the lighting picture of Know It or Not is in sharp contrast.
Its "dark" is different from "high-grade gray", the latter is too deliberate, while the former is more natural, so there is no need to be bright or false.
This high-grade tan is not added by the post-filter, but is caused by the previous scenery and lighting, also known as full color.
By "Qing Ping Le", Kaizhou Zhang added bright colors, light but not plain, elegant, and many pictures are very similar to the ancient paintings handed down from the Song Dynasty.
Night market, warm yellow lights, exquisite composition and beautiful movies.
Look at the static picture, it's too detailed and flowery, and the picture is beautiful.
Compared with the gorgeous Abao color, the "advanced gray" filter may be more acceptable, but it is not an advanced tone, and it is not suitable for every play. When the "gray" is too heavy, the most basic color of the actor is gone. No wonder netizens call it "the filter of the underworld".
The color of a play must first meet the most basic conditions, that is, it is natural and true, and then it can be adjusted through costumes and later stage, otherwise the "advanced" brought by this "eclipse" will be rejected by the audience sooner or later.