Qin Huiwen and Wang Fu Dalong in the TV series "The Great Qin Empire"

Fu Dalong,1born in February 1976, is from Beijing. 1994 Graduated from Performance Department of Beijing Film Academy, Chinese mainland actor, visiting professor of Beijing Performance Academy.

Chinese name

Fu Dalong

Another name

Word: mountain; No: Tianshui Sheng, pillow Yunzi.

nationality

China

nation

Manchu

blood type

O type

height

175CM

weight

65 kg

birthplace

Tianshui City, Gansu Province

date of birth

1976 February? [ 10]

occupation

executant

graduated institutions

Beijing Film Academy

Brokerage company

Beijing Tiandi elite acting broker co., ltd

representative works

Tiangou, war classics, purple sun, romance of Sui and Tang Dynasties, prequel of Detective Di, and the vertical and horizontal of Daqin Empire.

Major achievements

12 outstanding actor of China film huabiao award?

Best Actor in the 26th Golden Rooster Award of China Film?

People's favorite movie star in the 4th Huading Award?

China Film Performing Arts Society 1 1 Golden Phoenix Award?

The 7th Chinese Film Media Awards Best Actor Award

Fu Dalong plays Qin.

As an actor who seldom speaks unkind words, Fu Dalong's most impressive roles are Zhu in The Journey to the West and The Great Qin Empire.

1. Fu Dalong conquered the audience through his performance, and some people wanted him to star in Dafuqin.

Pre-Qin is an era of blood, and the kings of Qin all have their own blood, heroism, publicity, inspirational, enterprising and self-improvement. As a Chinese medicine student, Fu Dalong showed the audience the fortitude of being integrated into the bone marrow. Carry out Shang Yang's political reform from beginning to end; Destroy the plot to restore the old clan in Gan Long; Adhere to the "Oriental Road" in state affairs; Calling the king a relative is a precedent for the official management of Qin state; Believe in people and use talents, not stick to one pattern and have passion.

No matter the tone, expression or eyes, every point of Fu Dalong's performance is incisive, which perfectly explains Qin's domineering, one of the "six generations to stay fierce". In particular, the dialogue between Zan and the dream, the domineering confrontation between the two generations of Qin kings, is actually a competition of acting skills. Every time I think back, I can describe it in one word, wonderful! Describe it in two words, Niu B!

Maybe Fu Dalong's monkey is so impressive. He played the king of Qin in the second film and made a guest appearance in the third film Rise. If you can't see him in the fourth film, you will feel a little sorry. Therefore, some people hope that he can play Dafuqin.

2. The empire of Qin Dynasty is a series, which appeared many times in King of Qin.

The TV series "Empire of the Great Qin Dynasty" is a long historical drama adapted from Mr. Sun Haohui's novel of the same name, which tells the story of the Qin State from weak to strong, competing with the six countries for hegemony and finally dying. A * * * has four books, namely, Fission of Daqin Empire, Vertical and Horizontal of Daqin Empire, Rise of Daqin Empire and Under the World of Daqin Empire.

The whole series tells the story of the rise of Shang Yang's political reform in Qin State, its hegemony with the six eastern countries, and its final demise. There are six kings of Qin in Fierce Six, and Fu Dalong plays the king of Qin Huiwen. The fourth part tells the story of King Qin Zhuang and Ying Zheng. Let Fu Dalong play a stranger or Ying Zheng, and it feels like grandpa has crossed. It is impossible not to play a series, which will ruin the classics.

The scores of the four plays of Empire of Daqin are very high, especially the first two plays, Douban scored 9.3, and only Hugh's Nirvana in Fire ranked with them. Therefore, the role choice of the fourth part will definitely be carefully considered. One person plays two kings of Qin at the same time, and only rubbish plays can save money.

The audience's impression of him is the king of Qin, and they can't accept him playing other roles.

Fu Dalong is a pure performer whose name is unfamiliar to the audience. You can call him gluttonous or gluttonous, but few people can match his name with himself. Occasionally appearing in interviews under the stage, he still talks about his works and acting skills.

He is very strict with the script. Not accepting bad plays is his first principle, and not choosing repetitive roles is his second principle, so his image on the screen has never been fixed. Even in the most difficult period, when he was in a dilemma and worked around to make money, he did not violate his principles, nor did he accept advertisements and business endorsements, nor did he participate in variety shows.

In the fourth part, if Fu Dalong doesn't play the king of Qin, other characters feel that it doesn't meet his temperament. Lv Buwei the villain? Villains _ _? Prime minister Reese? General Wang Jian? General Meng Tian? Or become _? I can't help it Who made his monks and nuns leave such a deep impression on everyone? Therefore, we are still looking forward to his next play.

Fu Dalong once said in an interview that he was most afraid of being famous. If an actor is overexposed, it is difficult for him to find inspiration in his later roles. There are not many good actors like him now. In the third season of National Treasure, Fu Dalong will appear as the guardian of national treasure and the old king of Qin. We will wait and see.

I'm glad to answer your question. First of all, Fu Dalong, the second part of the Daqin Empire, has already acted in novels. After all, the same person played two people in different eras, and these two people are still a family. In terms of relationship, they played grandparents. I don't think any director or producer would do that. Secondly, there is absolutely nothing to say about Fu Dalong's acting skills, but he still feels like a person, whether he is acting Yan or acting. If he plays Ying Zheng again, it is also a question whether the road can be changed. The third is whether the audience can accept it. Although everyone likes Fu Dalong, I don't think the audience will agree. Not to mention the visual fatigue, it is easy to cross the stage, so that people don't know whether he plays a coward or Zheng. Maybe the audience will think he crossed!

I'm Shahai Guzang, and I'll answer! First of all, I think this is a hot topic at the moment. Because of his popularity, many friends shouted that Fu Dalong should play Ying Zheng. Why not invite Fu Dalong to play it? Let me talk about my personal opinion.

Playing Qin Shihuang requires responsibility and responsibility, and it needs to be similar in shape and spirit, so I think it is necessary to look like it first. So what is Qin Shihuang's face like? There are few records about the face of the first emperor in history.

One of them, Records of the First Qin Emperor, records: "The King of Qin is a bee, with long eyes, a loyal bird and a loyal jackal."

Simple translation, Qin Shihuang has a high nose, slender eyes, chicken breasts and hoarse voice; Historical Records is an official history. There are still elements of blackening the first emperor, but in general, the first emperor has a slender face, a high nose and a hoarse voice.

According to the restoration of the once unearthed skull of Qin Shihuang, combined with the description in historical records, it should be roughly the above characteristics.

Let's take a look at Fu Dalong's handsome and full of talent, which really doesn't meet the characteristics of "bee quasi". Another Fu Dalong has a rich voice, such as Hong Zhong, which does not conform to the characteristics of Qin Shihuang's eccentricity. After all, the original sound can better highlight the character's temperament, so it is not suitable for Ying Zheng, the king of Qin.

With long eyes, long face, high nose and hoarse voice, Edward Zhang pretends to be very similar.

On the other hand, Edward Zhang's appearance in Dafuqin should be carefully selected by the director group, and finally Edward Zhang was chosen after face-to-face archaeological argumentation, which is quite in line with Qin Shihuang's five senses, while Edward Zhang's hoarse voice is also very in line with the characteristics of Li Sheng, which is probably why the director group finally chose Edward Zhang. After all, such a masterpiece must be careful in choosing the protagonist!

Fu Dalong has performed Qin Huiwen's performance in the second part of Daqin's trilogy "The Horizon of Daqin Empire", and he did it very well. In fact, there are few records of Qin Huiwen in history, but he still played him vividly with his own interpretation of history.

If you play Qin Shihuang in the same drama, it is obvious that the audience's perception will be immersed in the aftertaste of the role of Qin Wang, which will definitely affect the evaluation of the current drama, so Fu Dalong can't be invited to play again.

Excellent actors have their own schedules. There is no denying that Fu Dalong is also a very good actor. As you can see, he starred in the documentary "National Treasure", so he didn't have any schedule to perform in Daqin House.

Based on the above three factors, Fu Dalong, who is full of acting skills, once again failed to meet the strong demands of his drama friends and played Qin Shihuang in Dafuqin. There are inevitable historical reasons and personal factors that cannot be predicted for your reference.

Fu Dalong's face is too round to co-star with an emperor, especially Qin Shihuang, the first emperor through the ages.

Zhang Lu's long face gives people a sense of majesty and is very suitable for playing the mighty and domineering Qin Shihuang.

I think the founding emperors are basically long-faced, such as Qin Shihuang, such as Liu Bang, such as Zhu Yuanzhang and so on.

Liu Bang and Xiang Yu, Liu Bang has a long face and Xiang Yu has a round face. As a result, Liu Bang defeated Xiang Yu and established the Han Dynasty.

Zhu Yuanzhang's face is so long that it's hard to see what he can draw. Some folks can't bear to see it. Obviously, it is exaggerated and funny, and it is not credible. But long face is an indisputable fact.

Do you want to be your wife's grandfather and grandson? You can guarantee that it won't play. .

The most taboo of soap operas is that an actor repeats different roles and remains the protagonist. I think if I can do it all over again, the director will ask Fu Dalong to make the last film. The first few parts also have the consideration of testing water. If you want to have a good market response, the first few films must be the best. So please Fu Dalong and Yu Entai are first-class strength groups. But Edward Zhang didn't have a rotten tail. He is also a powerful person and can be easily brought to the scene. After his face was re-carved, it was most like the face of the king of Qin. The director is not a casual person without any basis.

In the second part, the king of Qin is Fu Dalong. In part four, won't Fu Dalong be allowed to dance?

Mainly to change the impression that Qin Shihuang has always given. Fu Tailong is also very domineering.

TV series "Daqin Empire"

The TV series of Daqin Empire is a serious drama, and it has not been changed indiscriminately. Most of them are in line with history.

There are four TV dramas in the Daqin Empire, namely fission, vertical and horizontal, rise and the world, and the fourth world has not been released yet. It is mainly based on Sun Haohui's historical novel of the same name "Daqin Empire". The content of the TV series "Daqin Empire" is basically faithful to the original work and has its own characteristics, but it is neither a historical drama nor a divine drama, and can only be regarded as a TV series based on historical deduction. The main reasons are as follows:

1. Some of the contents of The Empire of Daqin reflect the important historical events and figures of Qin State, but with the feelings of the author and screenwriter, it is different from the real history and does not belong to historical drama. The closest of the three is the first fission. In the first fission, the TV series restored the historical events of Shang Yang's political reform and showed the historical period of Qin State. Many details are basically close to history, which is the closest TV series to historical drama among the three. But the difference is that, in order to beautify the characters in the play, the characterization and arrangement of Shang Yang and Qin Xiaogong are too romantic and deviate from the principle of loyalty to history, so they can't be regarded as plays strictly. The second "Vertical and Horizontal" and the third "Rise" added the author's deduction more, but only grasped the main line of historical events and made more deduction under this main line.

Second, the main content of "Empire of the Great Qin Dynasty" revolves around the major historical events of the State of Qin, and there is nothing too out of line in scriptwriting, which cannot be classified as a drama at all. Qin Xiaogong, King Xiang of Qin, Shang Yang, Su Qin, Zhang Yi, Mozi and Bai Qi are all real historical figures. In major historical events, it is also based on historical records. Actors in the performance, but also quite satisfactory, there is no out-of-line performance. In the battle of the battlefield, they also basically reflect the characteristics of Qin, so they can't be regarded as dramas.

Third, "Daqin Empire" belongs to a historical TV series in ancient costume adapted from real history. Daqin Empire mainly talks about Shang Yang's political reform, Lian Heng's reunification, the battle of Changping and other historical events that have a decisive influence on the State of Qin. However, the characters in the play have added more authors' views in shaping their emotions and personalities, which has changed the real characters recorded in the history books, only made the characters in the play look more perfect, and were regarded as the opinions of one family, which could not fairly reflect history.

To sum up, "Daqin Empire" is a historical drama similar to "Romance of the Three Kingdoms". Not a play, not a play. If you like, you can learn something about the customs of Qin.

It can be seen that The Rise of the Great Qin Empire tried to present a sense of history when adapting the novel, and put the drama on the coat of "historical drama", but the screenwriter wanted to maintain a fierce drama conflict. If you compare the original with the TV series, you will find that the original has greatly changed the TV series. In the original work, Su Qin appeared in the second novel Horizon of National Destiny, which was a role against Zhang Yi, while Su Qin's vigorous "Death Room" in The Rise of Daqin Empire was quite different from the original work. What is written in the original book is Qi's provocation, which almost broke the country. The main person who accomplished this is that Qi met this point and had little to do with Su Qin.

For the reprocessing of the past events of the Warring States Period, the original author Sun Haohui mainly refers to the Historical Records, the Capital Governing the Bamboo Slips and other classic historical books, while the depiction of strategists such as Su Qin in the TV series mainly refers to the important historical materials unearthed from the Han Tomb of Mawangdui in Changsha. These historical materials preserved letters including Su Qin's true words and deeds.

The screenwriter is very clever, because there are many gaps and contradictions in the historical materials of the Spring and Autumn Period and the Warring States Period, so it makes sense to choose one.

At the same time, in The Rise of the Daqin Empire, the author's "re-creation" of the original works and historical materials aims to make the content more compact and the conflict more concentrated. Therefore, in the first ten episodes, the writers should vigorously shape the roles of Meng Changjun, Su Qin, Wang Qi and Chu Huaiwang. And concentrated the drama conflict on them and the Qin school, and even played down the roles of Chun, Tian Ti and Lv Zhonglian.

For example, the image of Meng Changjun. There are historical materials such as "A cock crows and a dog steals", "Disagreement with the King of Qi", "Gong Xue enters Qin" and "Allied forces invade Hangu Pass". As for whether Meng Changjun really attacked the Qin Dynasty by publishing personal grievances, and whether he sent Chu Huaiwang, who was poor, back to the State of Qin to "get a famous start", because these involve the psychology of the characters and there are gaps in historical materials, it is understandable that the creators should ponder and process them according to their own needs.

However, when the creator's intention to intensify the drama conflict or highlight the turning point of characters is too obvious, it will inevitably make the audience feel "deja vu" and make the plot development "deliberate". For example, the image of Qin Xiang in TV series. In the original work, "the millet of victory" is extremely talented and is a rare juvenile maturity. How can you not express the weight in your words? " It can be seen that the young Qin Xiang portrayed in the original work is quite shrewd. However, in the TV series, he appeared as an idiot, like an ambitious fool, and did something wrong, which led to the situation that Meng Changjun allied forces broke through Hangu Pass. The writer's intention of this design is nothing more than giving a suitable reason for Qin's arrangement, so that the audience can see the footsteps of those who have achieved great things, from childish to mature.

Compared with the young "fool" Qin, two characters seem to be born with "perspective eyes". One is Queen Xuan, and the other is Yan and Qin. The two of them seem to be in control step by step, and their predictions are extremely accurate. When Su Qin explained his "true intentions" to Zhao Haoqi, the king of Qin, he explained his good intentions in this life. His image is like a heaven and man. People say that great wisdom is close to the devil Zhu Gekongming, and there is nothing wrong with Su Qin in the rise of Daqin Empire. Interestingly, it is rumored that in real life, Wang Yi, who plays Su Qin, is actually the boyfriend who plays Queen Xuan.

Finally, after talking about the concept and function, we might as well talk about the historical damage caused by the rise of Daqin Empire. Eye-catching Douban users posted a list of these injuries, such as:

Here are some ideas of the crew, such as bird's nest. It is not necessary to use something that did not exist in the Warring States period to highlight Meng Changjun's "uniqueness" and "arrogance and extravagance". But some serious injuries are based on safety considerations or artistic display effects. The safety of actors is very important these days, and a lot of riding scenes are challenging. If anything happens, it will not be worth the loss. In fact, many crews don't need to kiss up immediately, but really show their intentions. As for high stools and red carpets, it is estimated that the presentation effect is taken into account.

In fact, if we have to take a more serious look at how positive "historical drama" is and what is a serious injury, probably the biggest serious injury is dialogue. But if all the dialogues in historical materials are used, it is estimated that the audience will not buy it again. Mr. Guo Moruo is controversial, but his account of the accident seems reasonable.

Daqin Empire is a conscience drama, and the story is not fabricated, which basically corresponds to historical facts. Figures and costumes have basically recovered their original historical appearance, and there is no problem with the official title system in various countries. There is no joke that a general soldier jumped out of the Tang Dynasty and a soldier in the Song Dynasty was gnawing corn like other TV dramas.

Qin people use black as the basic tone, and imperial robes and crowns are highly restored to historical objects. Qin didn't become a prime minister. At that time, he was also called Liang Zao, who was in charge of the military and political affairs. This is both a position and a title, and Gongsun Yan served. Zhang Yi became prime minister but was mainly in charge of foreign affairs, similar to the Secretary of State of the United States. These are all in line with history.

Only the script adapted on the basis of respecting history has vitality, can it show the heroism of Lao Qin at that time, and then arouse the audience's voice. I hope that such high-level plays will appear one after another in the future.

As for whether a play is a historical play or a joke, my opinion may still be somewhat different. In my eyes, I will not ask too much for the artistic treatment of narrative, but I will definitely pursue two points. If I can meet these standards, I will personally include them in the play.

1 Did this play get some inexplicable plots, and most of these inexplicable plots were incompatible with the character environment and cultural characteristics at that time. Many directors and screenwriters like to do a lot of inexplicable things in order to show off their level and shape their roles. For example, in the New Three Kingdoms, Cao Cao peed in public.

Whether this play can better reflect the historical environment at that time. Such as etiquette, service and so on. It's not picky to ask for a complete replica. But there shouldn't be much difference. Some plays are about the Warring States period, when tomatoes and peppers were fried and chairs and embroidered big beds were everywhere. This kind of joke is almost impossible?

The above two points are indispensable. Judging from the above two points, the "Daqin Empire" scored 1.8 points and 2.67 points, with a total score of more than half. It can be called a historical drama, and there are bound to be many unsatisfactory places, but I can use it as a means of artistic treatment, because it is not a history book after all.

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I think apart from history, Empire of the Qin Dynasty is really a good film and television drama, but with the addition of history, the result is a bit unsatisfactory. If you want to watch a historical drama, I think The Rise of Great Powers is a historical drama.

Art comes from life and is higher than life.

Daqin Empire still respects historical facts and truly restores history. But its essence is a historical film and television drama. If it is adapted from Mr. Sun Haohui's novel of the same name, the novel will certainly be artistically processed according to the audience's viewing preferences.

The TV series "Daqin Empire" is a historical costume drama adapted from the history of the Qin Dynasty. Although it is not a historical drama, it is also a historical costume drama based on the history of the Qin Dynasty, which is slightly adapted by the director and screenwriter, but it is by no means a drama.

It can only be said that TV dramas close to history cannot represent history!

Complete version of Qin TV series

The order of the trilogy is:

Part I: Fission of Daqin Empire.

The second part: the vertical and horizontal of Daqin Empire.

The third part: the rise of Daqin Empire.

Part IV: Dafuqin

Fission of the Great Qin Empire is a story about the state of Qin just beginning a powerful fission. With the help of Shang Yang, Qin Xiaogong began to split into a powerful country. Qin Xiaogong, the ancestor of Qin Shihuang, laid a solid foundation for the State of Qin.

The Great Qin Empire is the story of Wang Yan of Qin Huiwen. There are both the monarch and the minister who hand in hand with Zhang Yi, and the well-known "enemies" and the emotional entanglements between the enemies and Zhou Ba, and there are many things to watch.

The Rise of the Daqin Empire tells the story of Zhao Xiang and Ying Ji, the king of Qin, who, with the help of Bai Qi and Wei Ran, made Qin rise rapidly to become a powerful country. There is also the story of the first Empress Xuan in history. The story of Hougong began to have a strong color in the Daqin Empire.

Ode to the Great Qin Dynasty mainly tells the story of Qin Shihuang's unification of six countries, and Ying Zheng, the hero, is also inextricably linked with the first three novels. Ying Ji, Zhao Xiang, King of Qin, was Ying Zheng's great-grandfather. He has never really met Ying Zheng, and he also appeared in the first few episodes of Dafuqin. Ying Zheng is the child who appeared in his dream before his death and could achieve the hegemony of Qin.

Extended data:

The TV series "The Empire of Daqin" is a long historical drama adapted from Mr. Sun Haohui's novel of the same name. At present, four dramas have been broadcast, namely Fission of Daqin Empire, Vertical and Horizontal of Daqin Empire, Rise of Daqin Empire and Ode to Daqin. The four works in the series, from the first broadcast to the end, * * * lasted 1 1 year.

The series "Daqin Empire" tells the story of the Qin State in the Warring States period, which changed from weak to strong through reform, went east to compete with the six countries for hegemony, then unified the whole country, established the Qin Dynasty, and finally went to extinction. It is an epic that shows the magnificent Warring States period with Qin Wei as the main point of view.

The work pays attention to respecting historical facts, only carries out moderate artistic processing, and incorporates many latest archaeological historical materials. In order to restore the historical truth as much as possible, the crew invited several historians as historical consultants to conduct detailed textual research on the characters, artifacts and historical events in the play, and to show the audience why Qin Shihuang was able to unify China.

It was a small country that was poor and weak, and it took the Qin people more than ten generations to realize their dream of a great country. Through deduction, we can clear the fog of history and let more viewers re-understand this history in the form of TV series.

Use of reference materials: Baidu Encyclopedia-Daqin Empire