Feng Zhi, once regarded by Lu Xun as the greatest lyric poet in China, often walked quietly on the mountain path near Kunming in those years. Every spring evening and early autumn, the creeping weeds on the hillside are covered in clumps, and they are stained with dreamy pale white. They are so weak and humble, but they always refuse to give up their due efforts, and they are arrogant and arrogant, silently achieving their own death and life. Feng Zhinei found the grass at his feet with deep affection, which was contributed by the special atmosphere during the war. 1937, due to the outbreak of War of Resistance against Japanese Aggression, Feng Zhi moved in with Tongji University, and after all the way to Kunming, Feng Zhi began to teach in The National SouthWest Associated University. Because the city was often attacked by Japanese air, Feng Zhi's family later moved to a hut in Yangjiashan Forest Farm in Kunming. It is far away from the hubbub, the scenery is primitive, everything in nature is really revealed, and people are talking all the time. The thatched cottage period was the period when Feng Zhi was most immersed in nature and mystery. The three most cherished books in his life, Sonnets, Landscape and Wu Zixu, were all born in the thatched cottage of the forest farm. Until his later years, Feng Zhi still recalled the thatched cottage years in his life in "Set the Setting Sun". "The sound of wind and rain, the sound of clouds and trees are all thought-provoking." He also deliberately mentioned the "modest and white" mouse grass on the roadside, which became one of the interesting things he recommended to his friends at that time. If others agree with him, he will feel as happy as a child. Without the gloom of the war, without married with children's wandering sense of separation from chaos, Feng Zhi would not appreciate the sweetness of natural life without interference with the world when he settled down temporarily. Having witnessed too many ugly world situations during the Anti-Japanese War, Feng Zhi paid tribute to a clump of clean grass that survived tenaciously. Cultivate one's temperament and temper one's personality through the clearing of landscape and vegetation. The spirit of "modesty and whiteness" of the mouse grass is subtly introduced into his body, nourishing his thoughts and unconsciously flowing out from under his pen. More than half of the chapters written in Landscape at this time show the artistic view and outlook on life of returning to nature. The whole "Landscape" exudes a feeling of late spring or early autumn. It is written calmly, simple and clear, and the gentle lyrical style always reveals distant meditation. Feng Zhi's writing style is as quiet as tea, and his mature heart gives people not agitation and enthusiasm, but indifference and consideration. Feng Zhi is not as arrogant as ordinary literati, and reads the overlapping historical and humanistic meanings in the landscape. On the contrary, he tries to peel off the external cultural pollution attached to the landscape for thousands of years, return it to its original state, and return the proud people to their equal position in nature. Feng Zhi withdrew from the glare of strange mountains and rivers and heroes and celebrities, and even shelved the current situation at home and abroad at that time. He only focused on ordinary landscapes and anonymous people, who were as vast and humble as roadside grass. The most important theme of Landscape is to care about the interrelated and ever-changing relationship between man and nature, and to express the communication and fusion of life between man and everything in the universe. He is a prayer in the temple of nature, not distracted by the past and the future, but devoted himself to the eternal present with bated breath, insisting on completing his mission: seeking the depth of existence among the gods and men of heaven and earth. He worships for a grass and a flower, because these flowers and plants, loyal to the world, keep an eternal childhood on their small soft bodies-a natural heart without dyeing. Compared with them, human beings inhabit the emperor, being melodramatic and disturbing their own life rhythm as a part of nature. Feng Zhi praised an old man who lived by instinct like an old tree. This old man, who was immersed in materialization and walked with nature, reached the realm of "real person" as stated in the philosophy of Laozi and Zhuangzi. I often think of a person's life, so I can't help praying to you. You are a bunch of white grass, and you have never failed to live up to a name; But you avoid all names, live a small life, live up to the nobility and whiteness, and silently achieve your life and death. All descriptions and noises come to your side, and some fade away, and some turn into your silence. This is your great pride, but it is done in your denial. I pray to you, for life. -a kind of nostalgia, which made the above words come true.