"The Most Beautiful Dialogue: A Critique of Movie Love Dialogue" is a paperback book published by 364. The price of this book is: 2015-8, the number of pages:, I have carefully compiled some readers' comments in the article bar My thoughts after reading, I hope it will be helpful to everyone.

It's safe, you're too selfish.

The good student Xiao Si knew that his favorite girl Xiao Ming had affairs with many boys, and even got involved with his buddy Xiao Ma. During the quarrel, he stabbed his beloved Xiao Ming to death.

Little Four: I don’t want others to look down on you.

Xiao Ming: What are you talking about? Shouldn't you study hard at home?

Little Four: Xiao Ming, I know everything about you, but I don’t care. Because only I know, only I can help you, I am your only hope now. Just like Honey before, that's why you still can't forget Honey. Because, now, I am Honey.

Xiao Ming: You mean, you want to help me change me, right? Why are you like others? I misjudged you. You are the same as those who were good to me before. To be good to me is to exchange my feelings for you with me, so that you will be safe. You are too selfish. Want to change me? I am just like this world, and this world will not change. Who do you think you are?

Little Four: You have no future, you are shameless, you have no future!

*The boy's knife penetrates the girl's heart. This is one of the most shocking moments in Taiwanese movies. Director Yang Dechang geniusly tells a magnificent and cruel history of youth, allowing us to witness the tragedy of a young man struggling to grow up between emotion and violence. His aborted first love, tangled family relationships, and violent society are all set against a distorted historical background. Next, who is the real murderer? The fallen youth is like the tape of Elvis Presley's "Sunny Days" that was given to Xiao Si when the kitten visited the prison at the end of the film. It was ruthlessly thrown into the trash can before he could listen to it.

"The Kuling Street Teenage Murder Incident" | A Brighter Summer Day | 1991 | Taiwan, China | Director: Edward Yang | Screenwriter: Lai Mingtang/Yang Dechang/Yang Shunqing/Honghong|The 4th Tokyo International Film Festival Main Competition Section Jury Grand Prize, FIPRESCI Award

Thoughts after reading "The Most Beautiful Dialogue: A Critique of Movie Love Dialogue" (2): NO.5. "Sunny Days" We seem to have seen it somewhere before, right?

Middle school student Ma Xiaojun likes to sneak into strangers' homes. He was moved by a photo of a girl hanging behind a mosquito net. Until one day he finally met this girl on the street.

Ma Xiaojun: Hey! Why! Why!

Milan: (Turns around suddenly and stands still) Are you calling me?

Ma Xiaojun: Huh? ah! We seem to have met somewhere, right?

Milan: Come on, little kid, how old are you to do this?

[Ma Xiaojun laughs. Milan turned and walked away. Ma Xiaojun chased after him.

Ma Xiaojun: Huh? Wait, don't leave! ——Hey, do you live in the building in front?

Milan: Are you a student of that middle school?

Ma Xiaojun: Yes! I've seen you. That day at the door of the police station, you came out with a female police officer. Why? Can we recognize each other?

Milan: Is it necessary?

Ma Xiaojun: Yes!

Milan: I don’t think it’s necessary.

Ma Xiaojun: How about we make friends.

Milan: (stops) You look like a bad boy at first glance.

*For Milan, Ma Xiaojun is just a suitor who met unexpectedly on the street; for Ma Xiaojun, Milan is the one he has been waiting for for a long time to meet. The dialogue, one hot and one cold, perfectly expresses Ma Xiaojun's immaturity and Milan's maturity. Jiang Wen's adaptation adds a lot of interest to Wang Shuo's original work "The Ferocious Animals". In the film, the adult Ma Xiaojun says: "I now suspect that the first acquaintance with Milan was faked." Whether we actually met on the street is not the most important. Yes, the important thing is whether the sun was really shining during those days?

Thoughts after reading "The Most Beautiful Dialogue: A Critique of Movie Love Dialogue" (Part 3): NO.03. "Under the Berlin Sky" I spent most of the time looking for trouble. I waited all my life just to listen. The oath of love...

Berlin is guarded by two angels, Damir and Cassirer. The circus trapeze artist Mario is facing unemployment, which makes Damir move his mortal heart, and he decides to become a mortal to love her.

[Outside the circus tent, Mario, wearing a bathrobe, leaned on the Renault car and talked to herself, while the angel Damir was eavesdropping on her thoughts.

Mario (OS): All the people I know well have stayed or will stay in my memory, from beginning to end, so perfect that one doubts this is true. Finally, I have to return to the outside of the city. Who am I? I will find my ins and outs. ——Most of the time, I am looking for trouble. I wait all my life, just to listen to the vows of love, and then I leave far away.

[Damir puts a hand on Mario's shoulder.

Mario (OS): How wonderful it would be if someone could say to me, "I love you so much today!" As long as I raise my head, the world is right in front of me, and my heart is filled with emotion.

[At the firewall opposite, an elephant was practicing handstands, and both Damir and Mario smiled.

Mario (OS): When I was a little girl, I imagined living on an island and being a powerful and independent woman.

[Alsi came over and sat on the steps of the sleeping car to play the piano. Mario walked over and put his angel wings on Alsi's back.

Mario (OS): The expression of a small animal, lost in the woods. Who are you? I don't know anymore. I am no longer an actor on the swing...

*The two angels guarding Berlin have different personalities. Cassirer is a cold and serious bystander, while Damir is a compassionate and soft-hearted person. Interestingly, the love-hungry actress Mario also plays an angel in the circus, but of course her wings are just props. Mario is a false angel, and Damir is a real angel, but in his heart, there is no difference between her and the real angel, so the angel Damir also has a heart-warming passion and begins his first love. Everyone needs the protection of others, and even the guardian angel himself needs the protection of an angel even if he is a human being.

"Under the Berlin Sky" | Wings of Desire | 1987 | France/West Germany | Director: Wim Wenders | Screenwriter: Wim Wenders/Peter Handke/Richard De Reitinger

Comments after reading "The Most Beautiful Dialogue: A Critique of Movie Love Dialogue" (4): NO.1. "Crouching Tiger, Hidden Dragon" I want to tell you in this tone, I have always loved you deeply With you

O.1. "Crouching Tiger, Hidden Dragon" I want to tell you in this tone that I have always loved you deeply.

Heroes Li Mubai and Yu Xiulian have been in love with each other for many years but have never expressed their love. In order to rescue Yu Jiaolong, Li Mubai was poisoned by the nine-turn purple-yin needle of the blue-eyed fox. Before he died of the poison, he expressed his true love for Yu Xiulian with his last breath.

Li Mubai: Xiulian.

Yu Xiulian: Don’t be angry.

Li Mubai: Life has come to an end, I only have one breath left.

Yu Xiulian: With this tone, you should be weak even if you practice your spirit. Liberation and attainment of Taoism, eternal tranquility, have always been the aspirations of Wudang practitioners.

Lift this breath and reach the state you pursue in this life. Don't let it go and waste it on me.

Li Mubai: I have wasted this life... I want to tell you in this tone that I have always loved you deeply. ——I would rather wander around you and be a wild ghost for seven days. Follow you! Even if I fall into the darkest place, my love... will not let me become a lonely soul forever.

There is a kind of deep love called mutual affection, and there is a kind of confession called tacit understanding. Since Li Mubai and Yu Xiulian loved each other deeply, why did they never get together during their lifetimes? Compared with the fast, direct and passionate love relationships of the younger generation like Yu Jiaolong and Luo Xiaohu, the love of the older generation seems particularly restrained and profound. A life spent forgetting each other in the world was wasted. Li Mubai practiced until death and realized that he should save his last breath to express his love to his beloved.

Chinese and American "Crouching Tiger, Hidden Dragon" | Crouching Tiger, Hidden Dragon | 2000 | Director: Ang Lee | Screenwriters: Wang Dulu, Wang Huiling

"The Most Beautiful Dialogue: Review of Movie Love Dialogue" Thoughts after reading "Classic" (5): NO.02. "Wild Strawberry" I think he is extremely intelligent and noble in character, but I think I am so insignificant.

Seventy-nine-year-old Isaac returned to the summer villa of his youth. He entered his memories and saw his first love, Sarah.

[Old Isaac stood by the stairs, listening to the conversation Sarah had with her sister Charlotta on the stairs.

Sarah: Isaac is very elegant, he is too elegant, too noble, and too sensitive. He is willing to recite poetry with me and talk about the afterlife. He likes to play piano duets. He He only likes to kiss in dark places and talks about sin. I thought he was extremely intelligent and morally noble, and I thought I was so insignificant. You can't deny that I am indeed insignificant, but sometimes I feel that I am many years older than Isaac. Do you understand what I want to say? Although I am the same age as him, I always feel that he is still a little boy, but Siegfried is so energetic and exciting. But I'm going home anyway, I don't want to spend the whole summer here with the twins and the rest of you making fun of me... No, I don't want that.

Charlotta: I should argue with Siegfried. I have to argue with him. If he still pesters you and won’t let go, I’ll make sure he will have to play more games this summer. Day labor. My father was able to deal with it easily. He also thought that Siegfried was a useless snack and it was necessary to let him do something to save him from messing around.

Sarah: Little Isaac is so pitiful, he is so kind to me. This is all so unfair.

**The works of soul film master Bergman are always full of philosophy and poetry. Isaac, an octogenarian medical professor in Stockholm, was on his way to receive an honorary degree from his alma mater where he graduated half a century ago. He reviewed his life and conveyed the old man's insights and speculations on life through constant flashbacks of fantasy and memories. . The memory of first love is particularly impressive. Although Sarah, who picked wild strawberries, eventually married someone else, the greenness and freshness of the wild strawberries will forever remain in Isaac’s aftertaste of youth.

"Wild Strawberries" | Wild Strawberries | 1957 | Sweden | Screenwriter/Director: Ingmar Bergman | The 23rd Venice Italian Film Critics Award/The 8th Berlin International Film Festival Golden Bear Award, FIPRESCI International Film Critics Award