Teaching plan of "sameness and ever-changing" (1)
[Instructional Design ABC]
Design a
First, enter the class
1. From the topic, put? Same thing? With? Ever changing? These two contradictory words seem to be difficult to understand when put together. What should the article write? But just look at the subtitle and you will know, what is the article about? Synaesthesia between music, painting and architecture? . So,? Synaesthesia between music, painting and architecture? What does it mean? Is this synaesthesia the synaesthesia in figures of speech? Read the article carefully, and the answer is in it.
2. From the design of the national emblem of the People's Republic of China and the Monument to the People's Heroes, which leads to the designer? Liang Sicheng, a modern architect in China, then introduces Liang Sicheng's situation to stimulate students' interest in learning.
Second, self-study
1. Read the opening paragraph and find out what is in the title? Same thing? And? Ever changing? The meaning of.
Clear:? Same thing? It means repetition. Ever changing? It refers to change. The meaning of this paragraph is that any continuous artistic creation needs both repetition and change. Only by repetition without change, the work will be monotonous and boring; As long as it changes without repetition, it is easy to fall into a mess. ? Synaesthesia between music, painting and architecture? It refers to the repetition and change in these artistic creations. This paragraph is the outline of the full text.
2. Read paragraphs 2-7 by yourself and summarize the main points of these paragraphs.
Clarity: These paragraphs mean that as a continuous artistic creation, music, dance and painting are the unity of repetition and change. Two or three paragraphs talk about music, the fourth paragraph talks about dancing, and the fifth, sixth and seventh paragraphs talk about painting. Music is an art that lasts for a long time. The repetition of music refers to its theme, and the change refers to its variation. Trout? The quintet is taken as an example to illustrate. Dance is mostly an art that combines time and space. Almost all dances are repeated in changes, which means the repetition of actions. In the painting? Handroll? Much is also a comprehensive and continuous art of time and space, with the unity of repetition and change. The author takes Zhang Zeduan's? Riverside map on Qingming Festival? And Li Gonglin? Grazing map? Take an example to illustrate.
3. Read paragraph 8- 15 by yourself and summarize the main points of these paragraphs.
Clarity: The meaning of these paragraphs is that as an art with continuous space, most buildings are the organic unity of sameness and ever-changing. The author lists the Great Hall of the People, the Forbidden City, the humorous garden and the promenade of the Summer Palace and other buildings, which strongly proves this point. The author explained in detail the corridors of the Forbidden City and the Summer Palace. From Zhonghua Gate to Tiananmen Square, the Forbidden City is a thousand-step corridor arranged in one breath. From Tiananmen Square to Wumen Gate, there are repeated courtrooms, and after entering Wumen Gate, there are similar halls. Every group of buildings in the whole Forbidden City are all built in a unified specification and form, even with colored paintings and carvings. The same repetition shows the atmosphere of royal weather. However, there are changes in the unification, that is, the change from the facing room to the main hall, and the difference between the main body of the main hall and the corridors, buildings and doors on both sides is also a change, and the change does not make people feel single. The promenade of the Summer Palace is the same, all of which are endless repetitions, but the flower window on the lakeside cloister in front of the promenade is a change. The change of the flower window is the prelude to the promenade, and repetition and change are harmonious and unified.
4. Read the last paragraph by yourself and make clear the purpose of writing.
The last paragraph criticizes the shortcomings of some of our residential designs, which are either dazzling or repetitive, that is, single sameness or ever-changing, and fails to combine the two to remind architects to pay attention.
Design b
Is it best to use the design a in the class? 2? When introducing the author, it is best to point out that Lian Sicheng is Liang Qichao's son and Lin Huiyin's husband, so that students will naturally be interested and be conducive to teaching.
After reading the text, you can provide students with the following questions for them to think about.
1. When talking about repetition and change in artistic creation, why should the author emphasize it? Sustainability. Sustainability? What is the meaning of?
2. Some people think that although the subtitle of this article is? Music, painting, architecture? But the article focuses on architecture, and talking about music and painting is also about architecture. Do you agree with this view?
3. The article comes up with a bold idea when talking about the promenade of the Summer Palace:? Of the hundreds of pillars and beams in the 800-meter corridor, 20 were used? One? . 20 in a row One? What is the expression effect of?
When talking about the repetition and change of architecture, the author said:? Countless buildings in ancient and modern times, at home and abroad, with few exceptions, almost all use various components or other components repeatedly as one of the important means to achieve artistic effects. ? The following article also said:? Turning over a history of world architecture, all outstanding individual buildings or groups, a street or a square often win by the unity of repetition and change of building image. ? However, when giving examples, only China's architectural examples are cited, and foreign examples are not cited. Does this mean that the materials in this article are insufficient?
The discussion is clear:
1. If there is no continuity, there will be no repetition and change.
Talking about music and painting is really about architecture, which is written in the penultimate paragraph of the article? Every street is an axis? Handroll? , a song? Music? Without the music and paintings mentioned above, then? Handroll? And? Music? The statement has lost its support.
3.20? One? It gives people a sense of boredom in language, which is unacceptable. In other words, the pillars of the promenade don't need so many different shapes at all, and the uniform columns can give people a special feeling. The promenade needs repetition, not change.
You can express your opinions on this issue, and you don't have to insist on agreement.
Design c
After the teacher guides the students to read the text quickly, they can accurately grasp the point of view of the article, and then, combined with the content of the text, let the students find some examples from their familiar songs (music) or buildings to specifically talk about their understanding of repetition and change.
Teachers can also prepare some materials to join the students' discussion.
Teaching plan of "sameness and ever-changing" (2)
1. Appreciate the beauty of China culture and art shown in the text and understand the artistic laws revealed by the author.
2. Learn the rigorous and dialectical analysis of things in this paper, and feel the broad vision and deep accumulation reflected in the analogy.
3. Further strengthen the ability to summarize and analyze the content of the article.
(Explanation: After finishing the first two lessons, students have initially understood the methods of raising the key points, and this lesson takes the text as an example to further consolidate and strengthen the knowledge and methods they have learned. The training of thinking and appreciation of the beauty of culture and art are students' eternal learning contents. )
? 1. Arrange for students to consult Mr. Liang Sicheng's relevant materials (such as his resume, academic achievements, personal anecdotes, etc.) before class, and encourage qualified, interested and capable students to search and learn some knowledge of architecture and architectural history, grasp the writing background of his works, and deepen their understanding and grasp of the connotation of the articles.
? Clear: Liang Sicheng, the eldest son of Liang Qichao, was born in Xinhui, Guangdong Province in 190 1 year, and died in Beijing in 1972/month. He is a contemporary architect, architectural theorist and educator in China, the main designer of the national emblem of the Chinese people and the monument to the people's heroes, and founded the architecture departments of Tsinghua University and Northeastern University. Liang Sicheng also made outstanding achievements in architectural theory. In the 1950s, his proposals and calls on Beijing's urban renewal and cultural relics protection attracted much attention, which made people sigh and thought-provoking.
? 2. Read through the full text, savor the beauty of music, painting and architecture in the traditional culture of China described in the text, grasp the following keywords, chew their connotations, and draw key sentences to express the central point in the textbook.
? Temporal and spatial continuity
? The same and ever-changing
? Repetition and change, theme and variation
? Clear:
? (1) The author describes the beauty of music, painting and architecture in China traditional culture with extensive knowledge and exquisite observation of the beauty in traditional culture. Reading this text also needs readers' wisdom, imagination and chewing, and teachers' reminding and help.
? (2) Are keywords the symbol of the main theme of the article? Notes? The teacher's instruction of key words is to ask for clues and clarify the context.
? (3) The key sentences that express the central idea in the text are:
? In artistic creation, there is often a problem of repetition and change. Only by repetition without change, the work will be monotonous and boring; Only change without repetition, it is easy to get into a mess.
? 3. What is the subtitle of the text? Synaesthesia between music, painting and architecture? . ? Synaesthesia? As rhetoric, what are its characteristics? Can you cite some examples from the poems you have learned? In this article? Synaesthesia? What should be the meaning of?
? Clear:? Synaesthesia? This is a psychological phenomenon formed by the interaction of different senses, so as to describe the rhetorical device of using one sensory impression to describe another sensory feeling in language. Mr. Qian Zhongshu once said this? Synaesthesia? In daily experience, vision, smell, hearing and taste can often communicate with each other, and the fields of eyes, ears, tongue, nose and body can be borderless. Color seems to have temperature, sound seems to have image, cold and warm seems to have weight, and smell seems to have physique. For example, in Moonlight on the Lotus Pond? Like a faint song on a tall building in the distance? A description of the faint fragrance of lotus.
? But in this article? Synaesthesia? The connotation of the word is different from the above situation, it refers to the artistic law that is interlinked between different art categories.
? 4. The repetition and changes in music, stage art and painting are described in detail in the text. Please organize the author's explanation on the characteristics of music, stage art and painting in tabular form, and think about the relationship among music, painting and architecture in the text.
? Clear:
? (1) Put it in the table of Exercise 2 after class? Content? Change to? Art category? ，? Features? Change to? Performance? Yes, guide the students to fill it out in class.
? (2) It is important to analyze the relationship between the two tables, and grasp the author's writing technique of analogizing the relationship between repetition and change in architectural art through music, painting and other art categories.
? 5. In fact, the structure of the full text also embodies the same and ever-changing artistic principles. Please analyze it.
? Clear: Music, stage art, painting and architecture are changing the unique expressions of different arts, and the same is the same artistic law; One item, one section in order, the structure is steady and simple, but through repeated emphasis on? Ever changing? In the artistic creation? Same thing? The artistic law of.
? 6.? We have some standard designs for residential areas? Same thing? Until the child cries and can't find a home? , intriguing, please taste the author through? The child cried and couldn't find his home? This detail conveys the ideological content.
? Clear: Simple and popular language reveals the role of architects and the relationship between architecture and human existence. The words are simple, but they contain profound thoughts. People have been separated by modern architecture and put in a standardized space, which has been alienated. Some people say that modern architecture is a new slum. Without intimacy, people can't find their homes, just like children crying and can't find their homes? People have been isolated and imprisoned by the tension and oppression of life. This sentence shows Mr. Liang's anxiety and deep humanistic concern for the wrong thoughts in contemporary urban construction as a master architect.
? 7. Please use the ideas and knowledge introduced in the text to talk about your comments or opinions on the buildings in your city.
? Clearly: many disadvantages of modern urban architecture mentioned in Mr. Liang's article have not completely disappeared from our side. Students can pay attention to observation and thinking, evaluate the city features around them, care about their hometown and society, and further enhance their aesthetic quality with the help of what they have learned.
? (Explanation: The design of self-study program must respect people's cognitive laws, from the whole to the part, from the surface to the deep, from in-class to out-of-class, not divorced from textbooks, not rigidly adhered to textbooks, so that students' thinking can rely on and expand. )
?
? This article is a scientific and technological exposition with rich contents and involving many disciplines, which is quite representative and influential in China's architectural theory. However, the author did not pretend to write it as an obscure lecture, but it is simple and simple, and its character and style can be used as a learning model for our younger generations.
? What is the focus of this unit? On the basis of reading, extract the main points of the article? ，? On the basis of reading the article, explore its more subtle connotation? . Two? Foundation? The most important, so the key is to read, and clarify the context of the article during reading; At the beginning of the article, the gist of the article was clearly put forward, and the outline was drawn, and it was not annoying to say it, and then it was explained, like a few treasures. Its plain language, clear hierarchy and complete structure all make it? Extract the main points of the article? It is not difficult.
? Mr. Liang Sicheng is a master with high academic achievements in the field of architecture, and also has a profound heritage of Chinese studies. His father Liang Qichao told him that the achievements of a great writer and artist often need the help of many environments and incidental knowledge. China ancestors said yes? The extensive knowledge of reading thousands of books and walking Wan Li Road has been fully reflected in the article, which will give us a sense of happiness in reading, but it may bring obstacles to reading; More importantly, we need to deeply understand the author's love for human civilization, traditional culture and architectural civilization. Only by immersing ourselves in the rich cultural atmosphere filled with the article and sensing the glory of civilization presented in the article can we? Explore its more subtle connotation? .
?
? 1. Read the text? As for the long corridor section of the Summer Palace, try to analyze the repetition and change of its language;
? As for the promenade of the Summer Palace, it can be said that it is the same. However, it is the endless repetition that gives visitors the special feeling that only it can give people. Dare to come up with an absurd idea: hundreds of columns, hundreds of beams, a square, a circle, an octagon and a hexagon in that 800-meter corridor? ; A fat one, a thin one, a curved one and a straight one? ; A wood, a stone, a copper, a reinforced concrete? ; A red, a green, a yellow and a blue? ; A plain and unadorned, a high-floating dragon, a shallow carved grass, and a painted group flower? ; Like this? Ever changing? Arranged in the past, what will the corridor look like!
? Clear: a series of twenty? One? Strengthened in a repetitive way? Fang? Round? Octagonal? The so-called hexagon? Ever changing? The jumble and? Ridiculous? .
? 2. China culture pays attention to the beauty of implication, please use? Synaesthesia of China's Poetry, Drama and Architecture? Write a short article for the subtitle.
? Reference train of thought: China culture emphasizes implicit beauty. Poetry, painting, architecture and even drama are all the same: painting attaches importance to the meaning outside the painting, what is important is vivid, and what is important is the artistic conception hidden under the picture; It is not as direct, realistic, logical and accurate as western painting. China's painting pictures are extremely simple, leaving a large blank and using little color, so ink painting is very popular, and what is important is to leave space for imagination and aftertaste for the audience. Buildings, such as Suzhou gardens, are either winding paths, winding corridors or winding caves in rockeries. The open water is too open and direct, so build a pavilion. If you want to know the scenery in the pavilion, you have to pass the Jiuqu 18 Bridge first. In order to make people a scene, a world, imagination and aftertaste. This is similar to the artistic conception in our poems and paintings.
? China art is like old wine. Artists want it? Read thousands of books and take Wan Li Road? You must integrate your own cultivation and accumulation of culture, the vicissitudes of life and the observation of nature to have good works. People who taste poetry and painting should drink fine products as slowly as wine tasting, so as to suck up the taste and appreciate the poetry. Here? Poetic? Actually, it is implicit.