"Master Sutra". It's not a song, it's a scripture.

On the first day when I came to the gate of ghost, the gate of ghost, the soul of the dead could not stop crying. My eyes never dry up with tears. I am Buddha, Tathagata, Mimi, Mimi, Hong.

The next day I came to Wangxiangtai, Wangxiangtai, Wangxiangtai, the dead souls in the place where they died, they can’t come back, I, Buddha, Tathagata, Mimi, mi, mihong, eh.

On the third day, I came to forget the end of the world, the cliffs of the sky, and the corners of the sea. My little sister is a thread master and a needle, sir, so we two are of the same mind. I am Buddha, Tathagata, Mimi, Mimi, Hong. Pick up, pick up, don’t fall, don’t fall, monk pick up.

Extended information:

Guo Degang currently lives in Beijing. He often participates in various cross talk performances, and is engaged in hosting, acting, film and television, and entertainment programs. He also writes the folklore book "Talking about Beijing" . In terms of cross talk, he once partnered with Mr. Fan Zhenyu, a famous cross talk artist in my country. After Mr. Fan retired, he partnered with Mr. Zhang Wenshun, a famous cross talk artist in Beijing, for a long time, performing traditional cross talk in various theaters in Beijing.

Commonly performed jokes include: "Tie the Doll", "Learning Radio", "Looking for a Tang Hui", "White House Hui", "Japanese Clapper", "Reporting the Name of the Dish", and "Jie Wa" , "Giving a Wife and Presenting a Son", "Layang Movie", "Wuzhuizi", "Sheep on a Tree", etc., and also discovered, preserved and performed some traditional cross talk that are no longer common.

Reference material: Guo Degang’s cross talk selection-Baidu Encyclopedia