Its evaluation among the public is also excellent, and its actors are extremely dedicated. In particular, Brian Krans, a white actor in the film, specially reserved an electric wheelchair at home to practice his performance.
When structuralism prevailed, the film still focused on the first sentence of the work by narrative analysis, and in their view, the first sentence at the beginning must contain the general situation of the whole story and the significance of the upcoming narrative.
This kind of beginning can especially create a harmonious reading contract. But just looking at this movie, the opening picture of Out of Reach looks like a gangster movie, but it is not.
At the beginning of the story, a young man, driving a Maserati, ran wildly on the road with a big beard. The police followed closely, and they stepped on the gas, thinking they had escaped the police, but they didn't.
Finally, they were caught by the police. With the help of a friend who pretended to be ill, they left safely. The two people in this Maserati are the two protagonists of the story, Philip and Dale.
Philip is a successful writer and businessman, but he was paralyzed from the neck down in a paragliding accident. From then on, Philip lived an isolated life.
Because life is inconvenient, he came up with an idea to choose a life assistant to take charge of his daily life, help him eat, bathe, dress, drive, and even wipe his ass in the toilet.
Another hero is Dale, who is a black man. He was taken to the police station for petty theft and detained for five months. He met the conditions for release and came out of the police station.
These two seemingly unrelated people met under an accidental condition. Phillips, who needs nurses, will one day openly recruit nurses, and the salary is extremely high and the treatment is generous.