Many people say that although four beautiful women self-destructed their images and the ugly woman finally turned over, the film is really tasteless, and the exaggerated style is totally beyond my liking. Because when it comes to Hong Kong men (or southern men? ) It is particularly natural to evaluate women's appearance. I don't know if I think of this film. Pork chop? Is it derogatory in Cantonese? Looking at the style of the opening subtitles, I think it should be the same template as "Li Goo Goo" and "Left Eye Damn". Karen Mok's style really surprised me. Behind a few beautiful women didn't shoot very beautifully, but some of Jordan chan's limbs were in place.
Up to now, this is a world of looking at faces, and the importance of looks is unquestionable. Most people can't deny that they like each other's looks first, and the inner beauty can only be discovered after a long time together. The story in the play is much more ingenious, and the beauty dressed as pork chop is still not too ugly, so there are not many surprises when the middle of the movie turns beautiful and reversed. If we want to say that we should not judge people by their appearances or objectify women, then we can only say that the director has no sincerity in this subject, and it is just a gimmick to borrow a pretty girl to dress up as an ugly girl, wasting a lot of male goddesses, and the bad guys have to make up their faces and make them boring. The only thing to watch is a plastic surgeon.
It is said that it was the first time that Michele Monique Reis sacrificed her image to dress up ugly, and the makeup inside was really ugly. At that time, it seemed to be popular to dress up as ugly, and the plot was not clearly remembered, except that the story was blunt. Only? Beauty is ugly? As a stunt, I have no intention of portraying characters and arranging stories, and the characters are pale and shallow, which is very boring in Jing Wong movies. At last, I felt a little sympathy for the villain, and the story of the ugly girl's turnaround was not very amazing, but unexpectedly violent. I'm afraid this is the most ugly movie that I've ever seen.
It is also a comedy movie, the American nonsense "Brother Boar", as a so-called youthful comedy, the director gave it too much content. It is also necessary to talk about the family of addicts and their reintegration into society, and to talk about the bottomless line of brotherhood. And the degree to which social networks, video networks are integrated into people's lives. Talk about sex and marriage, sex and love. Talk about how to solve the psychological problems of embarrassment and escape. Irony, black humor. It's really beyond the interpretation of those pork chops inside.
The people of the two island countries speak American English very well! Transsexuals are too bright. Although it is said to be a comedy, only the transvestite played by Ron and natural to stay played by Nan Ge can poke me at the joke. It's hard to Get the joke, and since it's all a nonsense comedy, what is the ending of giving back such a corny princess and knight? I feel that this movie can only be made because the brother in the movie can be so cheap. It's really miserable to be his brother, and the younger brother who can't escape his brother's clutches finally retaliates. Some small details are very funny, and the love story of two people is very fresh. If you want to leave, I will accompany you. Chris still feels cute and cute when he plays the role of cheap.
In contrast, "Major League of Pork Chops" is full of fun. If I become thinner and more beautiful, the boy I love will love me. If I become thinner and more beautiful, the boy who loves me will be more active. If I become thinner and more beautiful, will my world be different? It's a funny nonsense Hong Kong drama. It's quite boring to watch it when you are bored! The vulgar taste of youth is still nostalgic today.
In fact, I have been wondering whether these audio-visual portraits that left a happy and beautiful impression on childhood and adolescence will be affirmed by some people no matter how bad they are. Just like the Hong Kong films, Chinese dramas and Japanese dramas that I watched when I was a child after 1980s and 1990s, when I saw Korean dramas replayed after 1990s and early thirties, I would feel sad. In the past, Hong Kong films were so good that there should be jokes, beautiful women and handsome men. This is a typical Jing Wong funny film, so don't be too demanding.