Each character has different head features. In painting, we often use these external features, such as facial contours, facial muscles, facial features, expressions, hairstyle, etc., to express a person’s personality. , age, etc.

This is the facial bone structure of the human body. Only by fully understanding and keeping in mind the position of each bone can we fully draw the facial shape.

This is the muscle structure of the human face. It is the bones and muscles of the face that give the face a three-dimensional appearance.

Extended information:

Problems encountered when learning human avatars

1. The basic shape of the character is inaccurate. Including the movement of the head, the outer contour of the head and face, the position of the facial features, the relationship between the portrait and the neck and shoulders, etc.

2. Incomprehension of the head structure. Lack of anatomy knowledge, inability to see the essence through phenomena, and tight grasp of bones and main muscles to express, making the form loose and lines, light and shade unable to fall into place.

3. The three-dimensional concept is not strong. Since the three-dimensional geometric plaster is clear and easy to distinguish, but the shape of the head is relatively complex, it often falls into partial description and neglects three-dimensional observation and expression, lacking the proper depth.

4. The overall sense is not strong. He picks his eyes, nose, and mouth endlessly. The hair and ears are carelessly done, the relationship between the neck and shoulders is not taken seriously, and the picture is messy and uncoordinated.

5. Not paying attention to the position of the parietal bone. Because hair covers the skull, the space between the frontal and parietal bones is often shortened, making it look extremely uncomfortable.