-Reading Tang Shaoyao's landscape painting landscape painting has always been a very important part of Chinese painting creation. In the history of painting in China, landscape painting has a long history. In the Southern Dynasty, Zong Bing said, "Mountains and rivers show flattery, while benevolent people are happy." In the Eastern Jin Dynasty, Wang Weiyan said, "With a single pen, it is too empty." This paper expounded the functions and characteristics of landscape painting creation, which became the theoretical basis for the early creation of landscape painting. Landscape painting has been gradually developed since Wei and Jin Dynasties, and has made great progress in the Sui, Tang and Five Dynasties. In the Song, Yuan, Ming and Qing Dynasties, many artists have come forth in large numbers, and their masterpieces have appeared one after another, which has become the carrier for many painters to express their feelings and hearts and express their aesthetic ideals and pursuits. Up to now, landscape painting has gradually formed a diversified situation, with increasingly rich concepts and styles. Some painters are trying to outline the contemporary features of landscape painting and are doing useful explorations in this field. On the one hand, they capture the flavor of the times and integrate more forms of pursuit, so that landscape painting can fit in with the times and glow with new vitality and vitality. Tang Shaoyao, a landscape painter, is such a diligent and tireless explorer. Tang Shaoyao, a native of Chaohu, Anhui Province, graduated from the Fine Arts Department of Anhui Education College. Billion loved Danqing when he was young, but his luck was bad and he almost dropped out of school. However, Tang Yao did not give up, and has been obsessed with the pursuit of painting and calligraphy. It can be said that his painting creation mainly depends on his diligence, perseverance and firm belief in art. Tang Shaoyao devoted himself to studying the history of Chinese and Western art. He especially admired the landscape paintings of the "Four Kings" and Shi Tao in the early Qing Dynasty, understood the essence of their paintings, learned their pen and ink styles and spiritual connotations, and melted them in his own creation. 1992, Tang Shaoyao went to the Beijing Academy of Painting to study Chinese painting and accepted that it was Wang Wenfang's artistic view: no matter "old school" or "new school", as long as it was good, As a result, he has more clearly defined his creative direction, and he is not confined to one school or one family. He strives to pursue his artistic ideals and strive for the harmony and unity of pen and ink, form and artistic conception. Tang Shaoyao's landscape painting creation is rooted in his long-term life of Huishan and Wanshui. He was born and raised in Sri Lanka, and he has deep feelings and ardent love for his hometown landscape. For decades, he has never seen enough mountains and rivers in his hometown, and he has never been tired of painting. Guo Xi in the Song Dynasty said, "If you take the mountains and rivers, you will see the meaning of the mountains and rivers." It is the mountains and rivers in his hometown that give Tang Shaoyao endless creative inspiration. He wants to show his artistic pursuit through small rural scenery and Shan Ye scenery, and see the world with small things and infinite with limited energy. In his creation, Tang Shaoyao is not limited to the inherent formula, but constantly transcends himself in the continuous exploration of techniques. Tang Shaoyao summarized the unique painting symbols from the specific natural landscape and gradually formed his own unique artistic language. The skills of modern ink painting art, the distortion and exaggeration of abstract art, the strong color of western painting, and the accumulated accomplishment in art teaching in colleges and universities for many years have everything in his paintings. His works are full of composition, layered, complicated but not chaotic, and they are angry in the complexity; Skilled and fluent lines, rich colors, appropriate movement and profound artistic conception. In his creation, Tang Shaoyao also pays equal attention to work, ink, color and line, which makes his works blend elegance and vulgarity, unique and has a strong sense of form and decoration. The meaning of "writing" and the detail of "work" complement each other in his pictures, achieving good visual effects and conforming to the aesthetics of modern people.

Nowadays, Tang Shaoyao's fresh, bright, colorful and life-rich landscape paintings have been affirmed by more and more people. He successfully blended modern artistic elements into traditional landscape paintings, strived to expand the new situation of landscape paintings, and took a solid step in the innovation of landscape paintings. However, the humble Tang Shaoyao is not satisfied with the achievements he has made. He is still impetuous and unassuming, and continues to March on the road of artistic exploration, constantly pushing Xin Chen and surpassing himself. I believe that with the growth of experience, the expansion of vision and the improvement of art and aesthetics, Tang Shaoyao, who is in the golden age, will surely reach a new artistic peak, and we expect more excellent works from him.