Hou's "Newly Bought Monkey" is also about meeting old friends, purchasing from the company and arranging the role of "waiting for purchase", which is actually laying the groundwork for the bottom burden. As for buying monkeys, the reason is exactly the same as Master Ma. But the difference is that Ma Sanye used a lot of space in his performance, and described the character "Ma Daha" in detail through a series of details, such as "Ma Daha" being late for work, writing a wrong notice to the buyer who went to Jinzhou Road to make goods, posting the wrong food factory and furniture factory.
It vividly depicts a careless, careless and hilarious character, and at the same time makes a reasonable foreshadowing for the later misspelling of "monkey brand soap". However, due to the limited performance time of the party, the Hou version only explained the typo "Ma Xiaoha", but did not describe and shape it in depth. The slurred speech of "Ma Xiaoha" is not necessarily related to sloppy work.
The overall artistic achievements, more than hou. Since the new era, Jiang Kun has been born, and has the potential to surpass Ma Ji in achievements, fame and influence. He has also contributed a series of famous cross talks, among which there are many satirical and influential works. However, with the overall decline of crosstalk art, with the relative relaxation of artistic skills and efforts, and probably the official standard consciousness in the industry, there are few influential works in recent years.
This may not be his own reason, but it is a pity after all. In cross talk, Jiang Kun can hardly sing, which limits his achievements in by going up one flight of stairs to some extent. So it takes some time to be called a master. To some extent, a master is more difficult than a master. At one stage, without a higher level of peers, your artistic attainments and contributions are relatively large, almost the same, and you can barely be called a master.
Jiang Kun is called a master. What does Ma Ji call it? Hou called it a master. Why did Hou call it? The old lady thinks that we should not always choose hats and ribbons in terms of titles. Crosstalk performers can be regarded as artists, which is their greatest title. Only the civilization and progress of the society can have the social status of engaging in this art, and they should work hard for how this art can make new achievements in the present, instead of drawing a conclusion for the title. They are not masters, let alone masters, they are just chess pieces in the history of cross talk.