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Does anyone know how to pronounce these two words?

gluttony

Zhuyin: tāo tiè

[ Edit this paragraph] Simple explanation

1. A legendary monster who is greedy and disabled. In ancient Zhong Ding, the shape of the head was carved on the Yi wares for decoration. "Lu's Spring and Autumn Annals": "Zhou Ding is gluttonous, with Kubinashi's body, and cannibalism is not swallowed, which is harmful to his body." "The Miraculous Classic of Southwest Wilderness Classic": "The southwest is crowded with people, hairy, wearing tapirs on their heads, greedy as wolves, good at accumulating wealth, and not eating people's valleys. The strong take the old and the weak, and they are afraid of beating orders, which is called gluttony." Song Shaobo's Record after Hearing: Volume 26: "At the beginning of Shao Shengchu, the ancestor was an official in Chang 'an Mansion, and he sold soup and cakes in front of the temple of Emperor Gaozu in Xicheng. He got a white jade, which was carved with clouds and dragons, and was built as a sacred mountain in the sea, which was enough for gluttony and was a treasure of three generations."

2. Metaphor is insatiable and greedy. "Biography of Wei Shu Huan Xuan": "Taking the arrogance of concubines is almost the same as six bodies, which makes Shangshu servants shoot as matchmakers, and the long history is to welcome guests, feast and celebrate the long autumn." Sun Hua in the Qing Dynasty's "Making Su Xing": "It makes the officials gluttonous, and the imperial edict is empty." Zhang Binglin's "on behalf of the discussion": "Therefore, the greedy husband is surplus to the court and gluttonous to the big court."

3. Especially gluttons. The first act of Cao Yu's Peking Man: "And he is the most particular about eating. He is a famous glutton and is good at tasting the beauty and evil of food."

4. Metaphor is greed; Greed and disability. "The Book of the Old Tang Dynasty, the Biography of Wenyuan, Liu Yan": "There is no policy of Qing Hui in the home, but there is a gluttony; There is no loyalty in the festival, but there is a crime of rape. " Ai Qing's poem "Reed Flute Ma Qian": "Its gluttonous whale swallowing can make the rich land in the East suffer more than the locust attack and drought, and it is deep and beyond rescue!"

5. devour greedily. Tang Du Fu's poem "Munch": "Dressed as a thief, gluttonous with a beard." Qing Liyu's "Naihetian Partner Vinegar": "In the end, you will not be gluttonous, and the first guests will endure emptiness." Nie Gannu's "A Brief Talk on Lu Xun's Wild Grass": "The evil spirits of human beings are perched on these living bones, and they are feasting on human flesh in their dead lives."

6. According to legend, it was one of the four murderers of Yao and Shun. "Zuo Zhuan Wen Gong Eighteen Years": "Shun Chen Yao, a guest in four doors, flowed to four fierce families, Hundun, Qiong Qi, and gluttonous, and voted for four generations to resist the charm. It is because Yao collapsed and the world was like one, wearing Shun with one heart, thinking that it was the son of heaven, and using it to raise sixteen phases to eliminate the four evils. " "Lu's Spring and Autumn Annals": "The north of the Wild Goose Gate, the country where eagles live, the country that needs to be seen, the land of gluttony and Qiong Qi." See "Four Fierces".

7. compound surname. In the Southern Dynasties, Liang Shizu gave Wang Ji of Wuling a surname of gluttonous. See Biography of Liang Shu Wuling Wang.

[ Edit this paragraph] Interpretation

1. A legendary greedy monster. In ancient Zhong Ding, the shape of the head was carved on the Yi wares for decoration.

2. Metaphor is insatiable and greedy.

3. Especially gluttons.

4. Metaphor is greed; Greed and disability.

5. devour greedily.

6. According to legend, it was one of the four murderers of Yao and Shun.

7. compound surname. In the Southern Dynasties, the ancestors of Liang gave Wang Ji of Wuling the surname of Taotie. See Biography of Liang Shu Wuling Wang.

8. It is said that dragons have nine children, one of whom is gluttony (ranked fifth).

"gluttony" is a mythical beast in China's ancient legends. Its greatest feature is that it can eat. It is an imaginary mysterious monster. This monster has no body because he can eat his own body too much. He only has a big head and a big mouth. He is very greedy and eats whatever he sees. Because he eats too much, he is finally killed. It is a symbol of greed, so it is often used to describe gluttonous or greedy people.

9. In {Online Game Hatred House}, gluttony is a set of artifacts, and only three things can coexist. When the fourth thing appears, one of the first three things will be automatically recovered by the system.

11. One of the seven deadly sins in the Divine Comedy, gluttony-wasting food, or overeating, drinking too much or hoarding too much food. (Dante's point of view is' excessive greed for pleasure ')

[ Edit this paragraph] Historical records

It is recorded in Ci Hai that gluttony is "the legendary evil beast of gluttony. In ancient Zhong Ding, the shape of its head was carved as a decoration. "

Ci Hai explains the word gluttony: gluttony means "greed", and The Book of Rites and Music in Han Dynasty: "Greedy risks" Yan Shigu's note: "Greedy means gluttony." Especially gluttony.

The Miraculous Sutra Southwest Wilderness Sutra: "There are people in the southwest, with hairy bodies and tapirs on their heads. Greed is like evil, accumulating wealth without using it, and being good at stealing people's grain (the original sentence "Good at accumulating wealth without eating people's grain", according to the "Historical Records of the Five Emperors", justice was introduced and changed). The strong take the old and the weak, and fear the strong and strike the single, which is called gluttony. "The Spring and Autumn Annals" is a gluttonous person, and Jinyun is also a talented person. "

In the 18th year of Zuo Zhuan and Wengong, it is said: "The Jinyun family is a scholar, greedy for food and drink, taking bribes from goods, invading desires and being extravagant, and cannot be greedy; Accumulate and accumulate facts, and don't know the truth; Regardless of the widowed, there is no pity for the poor. The people of the world are more fierce than three, which is called gluttony. " This is the so-called "Spring and Autumn Annals" in the Divine Classic.

An Overview of Lu's Spring and Autumn Annals: "Zhou Ding was gluttonous and had Kubinashi's body, but he didn't swallow his body when he ate, so it's even more rewarding to say so."

Song Luobi's Biography of Human-God says: "The God of Human-God is not common in appearance, and the three generations of Yi wares are full of images of human-god, which is the precept of those who are greedy for abuse. Its image rate is animal-shaped, and it is rich in meat wings. " If you slap what you say, you are almost gluttonous.

Zuo Zhuan said that gluttony was "a scholar of Jinyun", while Jia Xuan was quoted in Records of the Five Emperors: "Jinyun's family, Jiang's surname, was a descendant of Yan Emperor, and was an official of Jinyun when he was the Yellow Emperor." The surname of Jiang Chiyou is also a descendant of Emperor Yan (Biography of the Road History Chiyou), so Chiyou is probably the "incompetent" gluttony of Jinyun. And the "bird" recorded in Shan Hai Jing Bei Ci Er Jing, Guo Pu thought it was the gluttony of Zuo Zhuan.

"supernatural beings * animals": there are evil animals in the extreme south of China, with black eyes, long neck and four feet, fierce in nature and extremely greedy. If the March is swift and swift, it will be a disaster.

There is a cloud in the Classic of Mountains and Seas and the Classic of North Mountain: "There is more jade on the mountain of Gouwu, and more copper under it. There is a beast, which looks like a sheep's body and a human face. Its eyes are under the armpits, and its teeth are claws. Its sound is like a baby, and it is called a man-eater.

There is a cloud in the Miraculous Classic of the Wild West: "Gluttony, the name of the animal, the body is like an ox, the face is human, and the eyes are under the armpit, eating people."

▲ There are three problems to be noted in the above paragraphs.

First, gluttony is a kind of "evil beast", not a fish, snake, python and crocodile, not a fish or reptile. There are also gluttonous patterns on Shang and Zhou Ding in Ci Hai. As long as you have a look, you can recognize who that ferocious beast looks like, very much like the front of a wolf, with round eyes and fierce eyes.

second, gluttony and gluttony. This characteristic clearly points out the characteristics of wolves. "Extremely gluttonous" is one of the most prominent characteristics of coyotes. We have raised wolves and know this nature of wolves too well. We can cite countless examples of wolf gluttony. There is no animal more gluttonous than a wolf. If you don't believe me, you can ask the old herder who is the most "gluttonous beast" in the world. The answer must be a wolf. As everyone knows, "greed" is synonymous with wolf nature. Dong Zhongshu said that the greed for wolves is a common custom in Qin Dynasty, and he also juxtaposed greed with wolves. People in China always describe gluttony as "gorging", and they also rank wolves ahead of tigers. Wolves are more gluttonous than tigers. When describing greed, they all say "wolf ambition", not "tiger ambition".

because gluttony has the characteristics of two wolves, namely "evil beast" and "gluttonous", and gluttonous patterns are like wolves. Therefore, the legendary gluttony is probably a wolf, or a beast evolved from a wolf.

thirdly, gluttony has become the main decoration of Shang and Zhou Ding, which involves a series of problems. Baoding is the important weapon of the Chinese nation in the bronze age. In the Zhou Dynasty, the "Ding" of "keeping one word and keeping nine" was an artifact and ritual vessel symbolizing the supreme kingship, and it was also a sacrificial vessel to worship the heavens and ancestors. Ding was in the position of a national "totem pole" in the eyes of Chinese ancestors. Therefore, only the totem belonging to the nation is qualified to ascend such a lofty position, and it is engraved and cast on the treasure tripod. This phenomenon also reflects two problems: First, by the Shang and Zhou Dynasties, the Huaxia nationality might still worship the wolf totem, at least the beast totem, and the totem worship legacy of the ancestors of Yandi Huangdi nationality might still exist, while the Huaxia nationality in the Zhou Dynasty was more deeply influenced by the wolf totem, because the Zhou Dynasty originated from Xirong, and Xirong was mostly a nomadic people who worshipped the wolf totem. Secondly, the "dragon" at that time may not have been generally accepted, and it has not really become the national totem of the Huaxia nationality. Otherwise, the Baoding symbolizing the royal power will definitely take the dragon as the main decoration. Moreover, at that time, Zhou Tianzi had not yet sat in the dragon throne, and at that time, he continued the nomadic legacy of Yanhuang and sat on the floor.

The decorative patterns on Zhou Ding are mainly composed of gluttonous patterns and moire patterns, with gluttony as the center and moire patterns surrounding it. Obviously, the gluttonous beast is in the sky, sticking its head out of the clouds and looking down at the world. Its body is hidden in the clouds. I don't know if there is a snake body or a dragon body, but if the dragon body is attached behind the gluttonous head, it is not far from the later standard dragon. Therefore, I think there may be a transition stage between the wolf totem and the dragon totem. Gluttony not only has the character of a wolf, but also has the ferocious face of the context.

The real name and prototype of the beast referred to in the animal face pattern have long been buried in an era that cannot be reproduced. Later generations named it gluttony because of its ferocious, mysterious and horrible face, and some of them have human heads in their mouths. Gluttony was originally used in Zuo Zhuan to describe the heartless and unjust people who were greedy for money and food. Scholars in modern times have pointed out that it is far-fetched to name the animal face pattern as a gluttonous man, which goes against the social and cultural conditions of Shang and Zhou Dynasties.

Because of its fierce and horrible face and notorious gluttony, it is almost impossible to find traces of this beast in the cultural and artistic evolution of China. In the mid-Western Zhou Dynasty, animal ornamentation, which had prevailed for hundreds of years, suddenly withdrew from the field of bronze decorative main patterns. However, several animal patterns, such as dragons, tigers, phoenixes and turtles, which appeared on bronzes at the same time with the gluttonous patterns, appeared in large numbers in the official and folk cultures in the later cultural evolution, becoming the most famous mascots in China culture and the endless theme of artistic expression. Dragons, in particular, in the Bronze Age, most of them also had the same ferocious faces as gluttonous patterns. In terms of mystery, power and status, dragons were far inferior to gluttony in the Bronze Age. However, the dragon later ascended the highest throne of China's cultural and political symbol, and "gluttony", the supreme of the Bronze Age, was hard to find.

[ edit this paragraph] gluttonous grain

what exactly does gluttonous grain mean? There have always been different arguments, and so far there is no conclusion. Some say it's cattle, sheep, tigers, deer and mandrills. Among these theories, gluttony is the loudest. Many scholars engaged in the study of primitive culture and art believe that the gluttonous pattern is the exaggeration and deformation of the tiger pattern. In ancient times, the tiger was also a very important god beast, and the shape of a wizard riding a tiger appeared in later cultural relics. In the long cultural history of China, before the worship of "Dragon and Phoenix", there was a long stage of dragon and tiger worship. Long Hudou's pattern modeling was very popular from the Eastern Zhou Dynasty to the Western Han Dynasty, among which the dragon and tiger fighting figure unearthed from Mawangdui Han Tomb was the most exquisite and extraordinary. The ancients thought that the tiger was a yang beast, "the cloud follows the dragon and the wind follows the tiger." Fighting between dragons and tigers indicates intercourse between yin and yang. In the Han Dynasty, black dragon, White Tiger, Suzaku and Xuanwu represented the four astronomical officials of the Middle East, West, South and North. At least, in the early history of China, the status of the tiger was not below that of the dragon. However, the description of the magical power of the tiger in ancient books is obviously difficult to compare with the prominent position of gluttony in bronze ware.

it is said that the dragon gave birth to nine sons, and the fifth son was called gluttony (tāo tiè), which was a fierce and cruel Warcraft in ancient times. It liked cannibalism and had a large appetite. From this point, it is not difficult to see that gluttony was actually a concrete manifestation of the dark side of society at that time, and people also resented the oppression of the slave society and entrusted their feelings with gluttony. Comparing gluttony to a cannibal slave society is the most important meaning of ancient gluttony culture.

Because gluttony is a fierce Warcraft with great power, it is regarded as a possession symbol by many ethnic minorities in the north, and its patterns are engraved on utensils and food dishes, thinking that it can be used by gluttony's powerful power to avoid being swallowed up by other beasts and gradually replace the original cruel side of eating people.

at present, the main meaning of gluttony is the symbol of food culture.

"gluttony" is a mythical beast in China's ancient legends. Its greatest feature is that it can eat.

The real name and prototype of the beast referred to in the animal face pattern have long been buried in an era that cannot be reproduced. Later generations named it gluttony because of its ferocious, mysterious and horrible face, and some of them have human heads in their mouths. Gluttony was originally used in Zuo Zhuan to describe the heartless and unjust people who were greedy for money and food. Scholars in modern times have pointed out that it is far-fetched to name the animal face pattern as a gluttonous man, which goes against the social and cultural conditions of Shang and Zhou Dynasties.

Because of its fierce and horrible face and notorious gluttony, it is almost impossible to find traces of this beast in the cultural and artistic evolution of China. In the mid-Western Zhou Dynasty, animal ornamentation, which had prevailed for hundreds of years, suddenly withdrew from the field of bronze decorative main patterns. However, several animal patterns, such as dragons, tigers, phoenixes and turtles, which appeared on bronzes at the same time with the gluttonous patterns, appeared in large numbers in the official and folk cultures in the later cultural evolution, becoming the most famous mascots in China culture and the endless theme of artistic expression. Dragons, in particular, in the Bronze Age, most of them also had the same ferocious faces as gluttonous patterns. In terms of mystery, power and status, dragons were far inferior to gluttony in the Bronze Age. However, the dragon later ascended the highest throne of China's cultural and political symbol, and "gluttony", the supreme of the Bronze Age, was hard to find.

According to legend, gluttony is the result of resentment of Chiyou's beheading after he was defeated by Yanhuang II. It can devour all things, be sealed by the Yellow Emperor with a Xuanyuan sword, and be guarded by the lion clan for generations.

Modern meaning: it comes from Mr. Boursicaud, a French advertising collector, who is the founder of "Advertising Gluttony Night" and an advertising professional. The important thing about its success is that it provides an excellent place for young audiences to vent their feelings. It is a cheerful and rational vent, hot but not crazy. " Advertising gluttony night is an advertising feast for the audience, which is to make everyone present eat enough. The global screening of advertising gluttony night entered its 24th year (starting in 1984). Every advertising night, the streets are full of carnival scenes of wearing masks, waving balloons, shouting and singing. "And" gluttony "in modern culture also indicates the relaxation of the soul and the satisfaction of desire. To postpone the meaning of "gluttony" means a special feast.

extended meaning: it has the meaning of a photography feast and a big gathering, and it is also a metaphor for a glutton. At the same time, it is also an endless desire for photography. Be a glutton, but eat this big meal with your eyes, ears and heart, not your mouth.

related words:

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