Design instructions 1:
As a Chinese decoration style and other Western, Southeast Asian and other decoration styles are very different, first of all, the cultural atmosphere created is different, each style of decoration has its own specific cultural background as a support to convey a specific cultural atmosphere in the pursuit of people's lives, so the new Chinese classicism style is based on traditional Chinese classical culture as a background, creating a very rich Chinese romantic mood living space, mahogany, blue and white porcelain, alabaster teapots and some mahogany crafts, etc. are embodied in the Chinese style. Is to Chinese traditional classical culture as the background, to create a very rich Chinese romantic mood of the living space, mahogany, blue and white porcelain, alabaster teapots and some mahogany handicrafts, etc. are embodied in the rich beauty of the East, which is the new Chinese classicism style and other styles of the different places. This minimalist style penetrates the Oriental Chinese civilization for thousands of years, so whether it is Chinese or foreigners are very much like this new Chinese decorating style, it is not only never out of date, and the more time the more the more charming oriental charm.
Design note 2:
New Chinese style is very concerned about the sense of space levels, in the need to isolate the line of sight, the use of Chinese screens or window panes, Chinese wooden doors, crafts partitions, minimalist Chinese "Pokou Shelf", through this new way of separating the unit type of housing will show the Chinese home of the beauty of levels. Layers of beauty. Then some minimalist modeling as the basis, added Chinese elements, so that the overall space feels richer, big but not empty, thick but not heavy, stylish and not depressing.
LIVING ROOM: The living room is a collision of traditional and modern living room styles, and the designer uses modern decorative techniques and furniture, combined with classical Chinese decorative elements, to present a spatial atmosphere that is both ancient and modern. The ancient color of Chinese style and the simple elegance of modern style naturally connect, so that the practicality of life and the pursuit of traditional culture at the same time to get satisfied. The video wall is simple and modern, but in the eye-catching position decorated with Chinese calligraphy, this wonderful combination gives people a strong visual willpower, and becomes a soft combination of fashion and classical.
Living room: the living room in terms of color adheres to the traditional classical style of elegance and nobility, but with the difference of adding a lot of modern elements, presenting the characteristics of fashion. In the choice of accessories is more simple, less extravagant decorations, more fluent expression of the essence of traditional culture. In order to add a little warmth to the room, decorated with exquisite lamps and elegant wall paintings, so that the whole room in a strong ancient charm permeated with a little modern flavor.
Study: Almost all of the home design, have not skipped this part of the study. On the one hand, of course, because reading is a human being **** have a habit or hobby across the race and borders, time and space. On the other hand, when most aspects of home design are only in the performance of its own function and form, the study is always set up in a very measured and rich way to convey the home owner's heart, thus enhancing the owner's identity and taste.
Design note 3:
Wu land of elegant style, ink Jiangnan, leaving countless literati trails, but also left people's impression of a thick and thin appropriate ink scroll. This is the thinking and mood we want to express in this case. According to the owner's pursuit of elegant and natural life, we use a lot of symbols with a strong language of the Suzhou Garden, and remove the complexity and keep the simplicity. Borrowing the design techniques of Suzhou gardens, the owner's room in the "borrowed scenery and talk about the room". Strive to use the new "Yu Yuan" to interpret the Chinese style. Numerous use of wood color, doubly literati temperament, the use of color culture combined with the humanistic temperament of the symbols of Yu Yuan, both modern and traditional new Chinese style to play to the fullest. In the spatial design, the stairwell for the consideration of the patio, so that it is integrated into the living room, adhering to the principle of spatial permeability in the design of Suzhou gardens, the two "borrowed" each other's exchanges and interoperability. Move step by step, enjoy the space. The lattice window as a partition, leakage and desire, on the one hand, should be the need for light, on the other hand, in line with the design of Suzhou garden design in the division and communication of the consent of the design approach. Bedroom bed surrounded by fabric yarn, let the space in the birth of space. Make the small space bigger and more. That is, this case of space design unique
Materials used, ebony, beige marble, for the room atmosphere, ebony deep and low-key, no lack of modernity, the TV cabinet boldly choose to hang beige marble, and dark wood flooring material contrast, complement each other, the use of pink tulle in the daughter's room, the space for the bed "wear" on a layer of haze. The use of pink tulle in the daughter's room "wears" a layer of haze for the bed space, intriguing.
Living room and master bedroom in a calm wood tone, the daughter's room is inclined to the light color system, the TV back wall selection of large areas of white paving color, not only to make people's vision to get extended, relaxation, but also embodies the Suzhou Garden space design in the limited space to create a sense of depth of design concepts, lattice window partition, choose black, with a sense of mystery, wandering in the ancient and modern, and suddenly for the whole! The living room adds a layer of mysterious veil, coincides with the color culture, for the space to add a few minutes of simplicity and elegant temperament,
Very representative of the Suzhou Garden symbols of language, so that this ordinary space highlights the side of the wind is not flat, the TV backdrop using the "10,000 words less than the head" of the auspicious pattern, meaning that the happiness of the continuation of the sofa, the background wall put the lattice window "the head", the sofa is a "lattice window" in a limited space to create depth design concepts. The background wall of the lattice window "moved" on the wall, the window instead of painting, the natural flow of the symbolic language, symbolically leading the Suzhou Garden atmosphere into this small space, leaky windows, the classic symbols of the language of the Suzhou Garden, with which to do the partition, highlighting the flavor of the Suzhou Garden, the living room furniture both modern minimalist sofa, but also traditional and classical Ming furniture, in the furniture Design also do not forget to add this heavy for the new Chinese style, the master bedroom traditional pattern of white carpet, antique lamp, Ming style chair. The beauty of the mood of the Su culture in the right way, penetrate into every corner.
Modern people's fast-paced pace of life, the lack of a "stop" gesture, the case of light classical, abandoned the modern style modern style completely minimalist dull and monotonous, in the spatial design, materials, colors, furniture and decorative furnishings on the re-creation of the ancient culture of the Suzhou Garden, so that it is integrated into the space, the ancient colors, simple and stylish. Ancient colors, simple and fashionable, no hustle and bustle, a serene and distant.
Design note 4:
The style definition is new Chinese style, in thinking about the design of this small house, the first factor to consider is the use of space, but if the use of purely Chinese approach is not only very high cost and will take up a lot of space, in order to make this small space look neat atmosphere, so decided to use a combination of modern and Chinese new Chinese style to create this small house. New Chinese style is not the full meaning of the retro Ming Qing, but through the classical elements of Chinese style, to express the elegant and subtle, dignified and rich Oriental spirit of the pursuit of the realm of meaning.
The composition of Chinese style is mainly reflected in the traditional furniture (mostly Ming and Qing dynasty furniture), decorations in black and red as the main decorative colors. The interior mostly adopts symmetrical layout, elegant style, simple and beautiful shape, strong and mature colors. Traditional Chinese interior decoration art is characterized by symmetrical and balanced layout, upright and steady, fully reflecting the spirit of traditional Chinese aesthetics. In this case, the color and style of Chinese style are chosen as the main tone and then combined with the simplicity, nature and fluency of modern minimalist style to create a new Chinese style. The design of this set of floor plans, advocating four white floor to the furniture to reflect the overall beauty of the space, without excessive decoration to occupy the space of the practical area, four white floor has many benefits, the most critical point is very environmentally friendly, because it is not like wallpaper as will be used to glue, so will not release formaldehyde and other harmful substances. Another benefit of the four white floor is the natural, smooth and more relaxed expression of the minimalist style, will not let too much cluttered decoration to destroy the atmosphere.
Design Note 5:
The new Chinese style has changed the stereotypical impression given by the traditional Chinese style of ancient colors and carved beams and painted buildings, and replaced it with close to nature, simple, simple but rich in connotation. Simple and hard straight lines and plate furniture with western industrial design color, with Chinese style use, more catering to the Chinese home to pursue introverted rustic design style, make the new Chinese more practical.
Rainforest brown, white polished tiles echoing the pure space, annotated dark language, elegant and simple space and mahogany furniture with contrasting, bright hues, mosaic mirror in front of a combination of Chinese landscape paintings hung on the surface, highlighting the deliberate design texture, but also creates a contrast of depths and shades, the hierarchy of the exquisite style.
Design note 6:
The overall style is positioned as a new Chinese style. For the two young owners of the characteristics of the style design elements in the style of more modern design techniques, in the overall shape of the design of more simple straight-line design, the local shape of the use of some Chinese design elements, including the later selection of furniture will also be used in some Chinese furniture, so as to reflect some of the nostalgia of the lifestyle; according to the owners of the tendency of the color, most of the materials used in the cold tones, partially interspersed with warm-toned furniture. Interspersed with warm-colored furniture and accessories to reflect the warm feeling of the room; the overall shape of the design is simple and atmospheric, as a villa design, I personally think that in addition to the overall design of the main key to grasp after the design in the details of the design should reflect the humane and quality of life, such as the design of the kitchen sliding door handles, both the Chinese modeling and its functional arrangements, and then for example, the sofa background modeling, specially made stainless steel with Chinese modeling sandblasting.
When the modern encounter classical, will inevitably touch block out of the gorgeous sparks, in black, white, gray modern space, interpretation of the flavor of neoclassicism.
Design Note 7:
The initial design requirements of this case is the Chinese style, but the designer after many communications with the customer, to reach **** knowledge: the requirements to maintain the Chinese style of the grace of the noble temperament, but to avoid the dullness of the Chinese style. So always thought to do the style is: modern environment with Chinese elements of modern Chinese style.
The focus of the design process was on how modern and classical were integrated and the proportion of each of them. The designer endeavors to create an open spatial form, so that various design elements (such as Chinese flavor of the window, calligraphy, poetry, stone and modern glass, stainless steel and other elements) can be organically integrated, while accurately grasping the proportion of Chinese elements, so that the Chinese elements become the main body, but not dominant, and to strive to interpret the charm of the Chinese style from a completely new point of view.
Design Note 8:
This case absorbs the modern and simple life flow, and realizes comfortable living life with the indoor living space that meets the living habits of modern people. The spatial arrangement within it, such as the living room, dining room, bedroom, study, etc., fully reflects the requirements of modern life. In terms of interior color, this case uses red, dark red, white and other colors to create a modern Chinese atmosphere. In addition to retaining the Chinese flavor, modern materials such as marble, glass, light strips, bull's-eye lamps and other modern materials are also added, so that the space also contains a modern living atmosphere; soft tones are used in the lighting, breaking through the candlelight environment of traditional Chinese lighting, and simple geometric shaped lamps and lanterns are used. In the furniture, the use of simple and tough linear furniture, not only can reflect the modern pursuit of simple life living requirements, but also cater to the Chinese furniture design style of introverted simplicity, so that the modern Chinese style is more practical, more modern. These details are arranged to inject the classical Chinese beauty into the simple and practical modern design.
Design Note 9:
Modern Chinese a black tile and white wall
This case choose modern Chinese (Hui) style. Black tiles and white walls, clear brick door leather, stone carvings, wood carvings, pillars, color and lustre is a major feature of the Huizhou style of architecture. And the most concise description is four words a black tile and white wall! This design extracts its idea, the black tile and white walls into the interior, to express a gentle and elegant, and the general Hui style will give a person a feeling of too cold, like a cold beauty, so in this design into a traditional tenderness. Auspicious clouds, floral motifs, and well-designed furniture, with dark wood modeling, white walls, gray brick, so that both the traditional Hui ideas, but also to make it not lose the strong flavor of gentleness, warm and cold harmony, exquisite as poetry. The highlight of the design is a modern generation, but did not go with the traditional Ming and Qing dynasties as delicate and childish, but in the essence of China's 5,000 years into the surface to extract a specific, through the changes, so that it is also ancient and modern, simple and generous