Yan Zhenqing's cursive "For Seats" has not existed for a long time. Fortunately, it has been treasured by calligraphers of all ages. Competing to publish the stone handed down from ancient times, there are two carved stones, which are unique to them. Therefore, the calligraphy circle in China has reached the height of standard cursive script-the immortal cursive script that looks directly at people's initial heart and writes thoughts, and can be displayed in the world. It is really lucky for heaven and the calligraphy circle.
The Book of Seats was written by Yan Zhenqing at the age of 56 on November 14th, the second year of Tang Guangde (764), and addressed to Guo Yingai, a servant. Duke Lu wrote this manuscript for the sake of maintaining the discipline of the imperial court, protecting the loyalty of heroes and cracking down on the arrogance of treacherous court officials. Loyalty is filled in the heart, given to the text, and shaped in the book. The whole article is rational, well-organized, well-written, energetic and unstoppable, which makes calligraphers of all ages fall for it.
Su Dongpo, the head of "Song Sijia", most admired Lu Gong's book, which is the ultimate book. Yu Yankai, an arrogant and carefree scholar in the book world, scoffed at Minangong and called it "the father of evil faith", but he never complained about Lu Gong's "competing for a seat" and "offering a memorial to his nephew" and praised it as "the first book in Yan Xingshu". Huang Luzhi, the only person who could resist cursive script in the Song Dynasty, can directly say, "Look at Lu Gong's post and show off his extraordinary strength, which is quite romantic in Jin, Sui and Tang Dynasties." Looking back at Europe, Yu, Chu, Xue and Xu Shenbei are all embarrassed. Is it true that only Zhang Changshi and Lu Guild wrote calligraphy after the second Queen? ".
In the past ten years, every time I helped this post, I felt that Lu Gong had no intention of writing this manuscript, but his mood was naturally in the book. It can really be said that "the book can't be fixed, the chapters are ups and downs, and the structure is natural", and it is a "magnificent epic and giant symphony" that has become China's cursive script.
A series of rational voices
The book in the right place starts from the first line "November" and gradually expands to the line 17 "It's hard to talk at night", which is the preface of Lu Gong's manuscript.
The first line of words is like a spring of heart flowing out of a valley, gurgling out, gentle and slightly spiritual. The second line is staggered and swaying, and the third line is ups and downs, which sets a strong character for the whole writing.
This passage from four to twelve lines is Lu Gong's statement of Guo Ying's love. The writing is cold and angry, the conflict looms under the rational narrative, the words are high, the atmosphere is heavy, and the rolling thunder has fallen from the sky and shocked the eardrum. When the book comes to the phrase "urging is fear, beauty is beauty, and it is difficult to always be", the inner agitation gradually goes hand in hand with the rational statement. The eleven lines of "old saying" are stubborn and solid, which laid a solid and powerful first record for the debate. The latter one is written like a flowing stream, adding lyrical adagio to the sonorous excitement. From 13 to 17, it was the stage of Lu Gong's "putting down the canon and explaining the truth". From "Shu Yue" to the last five lines, the meaning of the text is dense and long, which inspires the deaf and inspires the lofty spirit of ancient and modern times. Therefore, in the strong expression of "big rhythm, strong stamping and tense", Lu Gong's manuscript knocked out the shocking drums of the first movement and established a powerful introduction to "taking the lead" for the next chapter.
After the first stage of Lu Gong's "contention for seats", the manuscript appeared a period of near silence.
Then, Duke Lu brushed away the forbearing silence and raised his heart again, which really caused an uproar. In the second movement of the debate, people eagerly mentioned texts and books.
Second, to the point, angry contempt.
The second movement begins with 18 lines of "from ancient times to the present" sentences, and the glyphs meet, which shows the intention of Lu Gong to rewrite events from distant time and space, and the words promote the mystery of the gods, showing Lu Gong's rigorous, slow, fluent and one-stop narrative skills. This passage, from the use of pen, structure and meaning, is beyond Jin and Sui Qingyi, and it is about his own face. This passage refers to Guo Yingai, a courtier, who flatters officials, humiliates loyal officials and confuses official ranks "regardless of class and rank." Go to the book and say, "If you are interested in pleasing the military, you will ignore the eyes of hundreds of people, no different from a person who steals gold by stealth." The words and expressions are stirring, the writing is clear, and the traitor's heart is stabbed. Especially the last sentence, which is full of numbers and glyphs, is exciting and beyond the reach of human beings for thousands of years-the charm can no longer be heard. After that, the lines are swaying and jumping, so they add vivid and free images in addition to rigidity. It's the sentence "Zhenqing stole the military capacity ....." that adds life, and the strokes are getting stronger and stronger, and the words are round and wide, and then the whole article comes to a climax for the second time.
Duke Lu drummed again, and the bell rang again. The profusion of meaning is in the heart, and the surge of power is at the end of the pen, which gives people a heart-breaking shock. However, from "practicing Sanskrit, going deep into the Buddha's Sea" to "expressing one's will", sentence by sentence, either positive or oblique, or abrupt, ups and downs are bizarre, which constitutes a unique and innovative wonderful chapter of Lu Gong.
However, Duke Lu did not stop there, but added a few small words between the lines to express his thoughts, which broke the balance between the lines in the past, increased the density of sparse lines at once, and added a close "polyphony" to the melody of big operation. These small words are written freely, such as "paving the way with stones, both positive and negative, drifting with the flow", which shows Lu Gong's extraordinary ability to "see the strange in the plain and see the big in the small". Coupled with the long hook curve on the left side of the word "Buddha Sea", it is like a stubborn and hard-working wave of "Shen Sha Tie Ji". The meaning of "Long live the withered vine" is one after another, meaning that future generations will never be ambitious and amazed. With a wave of his hand, the Duke of Lu laid a high position that he no longer enjoyed.
The title of "competing for seats" really stands out in the debate between line 30 and line 5 1 in the middle section. The content and feelings of words come together, and "book is sound" can coexist. It is a "symphonic masterpiece" of cursive script in the history of writing, roaring and shocking, constantly shocking the hearts of later generations.
Three topics (drama): rich money and colorful spiritual catharsis
The beginning of this topic should be from "village teeth" at the end of line 13 to "unwilling to be military friends" at line 51. Lu Gong's writing changed from violent explosion to wise and rational narration, which rekindled the fire of justice in his heart. The combination of literature, calligraphy, reason and meaning constitutes the gorgeous theme of sports.
From the prime minister's "four lines", on the principle of ranking up and down, the writing is religious and orderly. The style of writing is completely unfinished, compact and impeccable, showing a large-scale situation that Lu Gong is familiar with and flexible.
Especially from the beginning of the book to "I have never made a mistake" and the last two lines, the writing is emotional, and the whole line of words is uneven, flexible and changeable, and more and more flickering. It shows the deliberate intention of writing and plays the whole magnificent movement of Lu's misplaced flight.
However, in a passage reprimanding the adulterer in the book, from "opening up politics and making special progress" to "shocking the ancient times, unheard of", Duke Lu's brushwork is rigorous and neat, his pen is pressed and released, his painting is heavy and straight, and his structure is tight and neat. From top to bottom, the spirit did not make a painting open and discouraged, forming a solemn feeling of a solid pillar as a whole. At this point, the long scroll of calligraphy has entered an angry stage of simplicity, rigidity and all-round progress.
From the book to "the court has its own order" and then to the nine lines of * * *, it is the stage when Duke Lu fully stated his original intention and heartfelt traces. More than a hundred words in the whole paragraph are full of twists and turns, and the rigidity contains a round turning point and dignified brushwork, which tells the original intention of Lu Gongxing's drafting.
When Lu Gong writes a book, every time he comes out with his heart, he doesn't make the same painting, the same words and the same lines. For example, in the line "every line has its own order", the size, weight, pitch and posture of the characters are different; I wrote the words "each column has its own order", but it is clear and clear; The hexagram of "but with high merit" suddenly unfolded, with sparse spacing between words, and was written purely in a clumsy way. The pen was pressed steadily, the painting was solid and the bones were quite fleshy; The sentence "Enze Dean" is written in a continuous way. There are three interesting sentences in one line, which shows that Duke Lu accused Guo Ying, a courtier, of being loyal and flattering and arranging seats in disorder. Quoting the saying of "the ancients said: the three friends who win are good, and the three friends who lose are evil", exhaling and reprimanding "I would rather be a friend of military tolerance than a friend of military gentleness", and my heart ignited the fire of righteousness, and the spirit of loyalty and righteousness rose again. In this way, the pen is unstoppable, and the meaning of the pen is flowing, which shows Lu Gong's "leak mark" method. The writing of this passage, such as fleeting time, melting gold and flowing clouds, clearly shows the spiritual traces of Duke Lu.
Yan lambasted Guo Yingai and Yu Chaoen for being soft friends. The theme has passed and it's time to stop. However, due to the repeated mistakes of Guo, Yu and two people, Duke Lu has a sequel, which forms the alternation of love, literature and books, and the book is full of new trends.
Four sequels: surge of emotion
Since the sentence "Another Yesterday .....", the theme "Competing for seats" has passed and continues to ring, which is another climax of the transaction.
The next five lines are written in nearly 100 words, which shows that Lu Gong is angry again. In the first line, the cursive writing of "Fu Fei Society" began, and the two-character and three-character combination writing appeared constantly. This is different from the independent writing in the previous paragraph, which highlights Lu Gong's special feelings of coherent thinking, dense momentum and emotional indignation at this stage. In addition, the brushwork of this passage is closely arranged, the structure is wide, the spacing between words is urgent and there is no gap, and the deviation of qi forms the most compact and steep stage of the whole article, which constitutes Xia Yunnong's dense and choppy slapping feeling, and does not give the prostitute any chance to pause and breathe.
From the fifty-fourth line of the book, "If the state supplements it, the county order makes it", a coherent book sets up another situation. The glyph is unfolded, the line spacing is increased, the momentum is vertical, and the brushwork is round, playing the adagio with the most trumpet-shaped warm cycle in the whole article. The movement of Lu Gong's rounded lines shows fortitude and boldness in softness, from which we can see Lu Gong's extraordinary skill of "turning steel wire into soft fingers".
In addition, this passage shows the face of Lu Gongcao and the running script. In the past, historians often called Lu Gong "the sage of grass", and Zhang Xu's grass method also said that he talked with Dian Su about "jumping into the grass unexpectedly". However, Lu Gong's cursive script is rare in the world. Therefore, cursive script is rarely seen in other posts of Lu Gong, because it is very precious.
Recently, when everyone read this post, they felt more and more that Lu Gong's words were from the heart, but the words used were in line with the ancient law. There are three proofs. First, the characters vary from place to place. They are tall and thin, and their pitch is inflated. They are in a state that only makes them live without stagnation. Second, the opening and closing changes between words, together with the changes of Chinese characters' strokes, are unique and never identical. For example, the words "Shang Shu", "Shang Shu" and "Shi Ci Shi" appear repeatedly, but the meaning of the book is never the same, or open or close, or stretch or shrink, which is similar to various breaths and conforms to the principle of heaven and earth movement; Third, the spirit is well connected, the situation is subject to the will, both oblique and smooth, and there are no bad hobbies at home, indicating that the owner is lucky.
In addition, this paragraph of text is written in big characters and heavy pens, which makes the whole paragraph surge like a flood, lifting the sky and waves, generating a deafening noise. So that readers, readers, learners and appreciators can be enriched and sublimated.
Yan's "Contention for Seats" was written again in the previous paragraph, which pushed the whole article to a climax. Duke Lu, however, came to an abrupt end in the high passion of heated debate, giving people a tragic feeling of saving the nation from extinction, the Yellow River rushing to the hukou, and the day disappearing in the clouds.
The thunderbolt burst and stopped abruptly, but it didn't end.
From "competing for seats" in line 69 to "according to the official history of Song Dynasty", the whole article is the final stage.
At this time, the words burst and the emotions were fierce. He shouted "The court discipline must be preserved, and it is too bad to be afraid of the body" and stabbed Guo and Yu with a throat alarm. Before his voice dropped, Duke Lu suddenly sent a sentence, "I will be shocked and angry tomorrow, and those who are responsible for it will speak." Suddenly, the whole article came to an abrupt end. This is really heartbreaking for the adulterer, and there is no way to save it.
The four-character book at the end of the whole article shows the inner strength of Lu Gong in controlling the overall situation and throughout. In the second half of the writing, you can see the bending of the disc and the shaking of the halberd. Among them, the word "Li Qu" is especially curved with gold and sword. The word "bad" stands out from the great power, and a large number of straight books directly hit people's hearts. Its determination is the clue of "modern calligraphy", which is amazing.
In the last two lines, Duke Lu "speaks for the son of heaven". Write with the trend of letting the river go directly, and finally write the word "what to say" with the flashing gesture of the electric switch. It is concise, powerful and fascinating, and will eventually become a masterpiece.
After the age of 56, Lu Gong's writing style is more refined and pure, but he has never seen such a huge cursive scroll in the world. Every time there are great doubts and great regrets. So, is Lu Gong's book incompetent, ineffective, poorly written and with little ink? No, I think it's because in his later years, Duke Lu no longer had the opportunity to fight for Ding Chao and the world war as he did in his middle age, and to show his true intentions.
As we all know, all the "exquisite" books in the world can be obtained by people; The symphonic history that can make people sad needs a golden opportunity, the release of the fire of inspiration in the calligrapher's life, the smooth heart and hands and many other reasons to complete.
Striving to be a post is a huge running script structure when it has three good qualities: smooth light, endless literary thinking and lofty righteousness.
Therefore, I am lucky for Duke Lu, lucky for the history of the book, and lucky to have such a magnificent running script in the world.
For example, China's book history didn't show loyalty and new Yan Zhenqing, and Yan Zhenqing didn't feel indignant at that time. Instead, he directly wrote the book "Competing for Seats", which was circulated without others' knowledge. That is to say, Lu Gong's "Competing for Seats" didn't get such a high bid in the long river of calligraphy, which was shocking and showed the richness of national culture. What would happen to our calligraphy? ......
I dare not think so.
Good or bad luck is tragic and magnificent, and China's cursive masterpiece is symphonic-Lu Gong's "Fighting for Seats"!
"Cui Xuelu" was rewritten on1September, 1997 10.