hand drawing Skills

Hand-drawing is an important required course for students who are engaged in architecture, clothing display design, window design, home soft decoration design, space floral design, art, garden, environmental art, photography, industrial design, visual communication and other majors. The following are my hand drawing skills and steps, hoping to help you!

first, after the design concept is mature, start with a pencil to show every part of the structure in place.

2. Before painting with black Gou Xianbi, you should know which part you are going to focus on, and then start painting from this part, and at the same time show the light reception, darkness and texture of the object.

note: large structural lines can be sketched directly with the help of tools and small structural lines, especially silk fabrics such as sofas and carpets, so as to avoid the rigidity of the picture.

third, after depicting the visual center of gravity, begin to stretch the space, blur the vision and other positions. After completion, decorate the scenery and trinkets in place, further adjust the lines and faces of the picture, and break the stiff feeling of the picture.

note: usually, we should pay attention to the collection of jewelry materials, and put jewelry with different shapes according to different styles of space.

The above is the drawing process of the black-and-white manuscript, and five points should be paid attention to in this process:

1. The perspective and proportional relationship of the object should be accurate.

2. The clever use of dots can increase the texture of objects and the motion of pictures.

For example, silk fabrics, glass, stone, etc., the texture can be enhanced by dots. (You can feel it in all works)

3. Pay attention to the thread delivery, generally, the intensity is greater when you start and close the pen, and it is lighter during the middle operation, so that the thread strength has a sense of elegance.

4. Pay attention to the depiction of the light and dark sides of the object to enhance the three-dimensional sense of the object. If colored, the three-dimensional sense and the change of light and shadow can be engraved a little weaker, whereas the three-dimensional sense is stronger.

5. In the black-and-white manuscript, the texture of the object is also very important, so it is necessary to show the texture and grain of the object.

Fourth, first consider the overall color tone of the picture, and then consider the local color contrast, even the application of the overall brush strokes and the' change' of the detailed brush strokes. Do it before you do it, describe it in detail, and pay attention to the texture and light and shadow of the object. There is also the change of brush strokes. Don't paint flat, draw from shallow to deep, pay attention to the change of reality and reality, and try not to let the color seep out of the outline of the object.

5. Spread and polish the whole picture, and use flexible brushstrokes. The point to be mentioned here is colored lead, which can play a great role in the coordination of the whole picture, including the depiction of long-term vision and special depiction.

6. Adjust the balance and density of the picture, pay attention to the change of the color of the object, take the environmental color into account, further strengthen the structural lines blurred by coloring, modify the wrong structural lines and the color of the oozing outline with correction fluid, and brighten the high light spot of the object and the luminous point of the light source. ;