When a young person starts to watch a Chinese cartoon, you would think that he just wants to change his taste once in a while; when three or five young people become obsessed with the new Chinese style of dress or ancient style of dress, you may shrug your shoulders and say: "Fashion is always reincarnated and repeated"; however, when more and more young people's hands appear in the single product of the Chinese elements, and even young creators begin to use traditional culture as their art, culture and culture, and so on. However, when more and more young people have Chinese elements in their hands, and even young creators begin to use traditional culture as the core of their art and music works, you really realize that young people are "chasing after the old" in style, and this is reflected in their love for Chinese style.
In the eyes of young people, the elements of the national style with its unique texture are no longer stereotypical and old-fashioned, but are unrivaled. Dance works added to the elements of the national style of young people addicted to this visual impact; film and television works in the soft and delicate but also have a decisive momentum, but also let the young people have a kind of summer "thud" drink a glass of ice-cold Coke like a feeling of ease.
Chinese style is the source of happiness for the new generation, and they believe that Chinese style is the "aesthetic vanguard of Generation Z". With the support of traditional culture, all modern creations, whether they are film and television productions, art performances, or design peripherals, are full of texture and oriental aesthetics.
In the eyes of young people, Chinese style is a new generation of trend-setting, synonymous with creativity, and a perfect work of art in this age of entertainment. In the hands of the Z-generation, the national style has already transcended the traditional concept and has been played out in countless new ways.