Han Sanming, a coal miner, came to Fengjie from Fenyang to find his ex-wife whom he had not seen for 16 years. They met by the Yangtze River, looked at each other and decided to remarry. Shen Hong, a female nurse, came to Fengjie from Taiyuan to find her husband who had not returned for two years. They embraced in front of the Three Gorges Dam, and a dancer broke up and decided to divorce. The old counties have been flooded, but the new ones have not been built yet. Some should be picked up and some should be discarded. Version 2 An ordinary coal miner in Shanxi 16 years ago bought a daughter-in-law from Sichuan. My daughter-in-law was just pregnant and was rescued by the public security bureau. 16 later, coal miners went to the Three Gorges area to find their daughters. Because of the Three Gorges Project, the county where his ex-wife lives has long been flooded, and his ex-wife's family is not very friendly to him. After several twists and turns, he finally met his ex-wife and they decided to get married. Another story, the ending is not so happy. Although the nurse played by Zhao Tao found her husband, she knew that her feelings were gone and finally broke up sadly. [Editor's note] The film review The Good Man of Three Gorges is considered to have inherited Jia's consistent realistic style. However, at the end of the film, the film adds a little absurdity. This also brought some controversy to the film. However, regardless of style or theme, The Three Gorges Good Man is a kind of film that Venice appreciates very much. Han Sanming, the actor of The Three Gorges Good Man, is Jia's cousin, a coal miner on Jia's former work platform, and a laborer who came from the countryside to Beijing to farm the world. It is his specialty to show such a small person. When they are deceived or treated rudely, they are gentle and slow, but they refuse to waver for their goals, their eyes are naive but firm, and their ability to act is particularly strong. Han Sanming once appeared in "East", but in the documentary, he is only a part of the changing background of the Three Gorges, only a little material shot by the director, but in "The Three Gorges Good Man", he has become a moved foreigner and a witness. "Oriental" is talking about opinions, and "The Good Man of Three Gorges" is explaining opinions with stories. The English name of the movie that shows the camera's heart is translated into "still life". The Three Gorges is changing. Houses and streets are submerged. People leave their old homes and are scattered all over China. The old life has changed, but the new life will continue. The uncleaned ruins, the furnishings in the new house and the old people watching the hotel all calmed down from the initial chaos, and the breath of life was revealed in the sunshine of the Three Gorges. It is through Han Sanming's eyes that the film expresses such a meaning. Although East directly records the protagonist's language, the appeal of this direct expression is limited. In The Good Man of the Three Gorges, the protagonist did not deliberately preach to the audience, but showed his heart through the lens language and saw the self-adjustment of the Three Gorges people in the face of the new life with Han Sanming's eyes. This river and lake is calm. The smooth and plain style of the film is quite pleasing to the eye, and even foreign audiences who don't know the background of the Three Gorges Project can feel the calm and flowing emotions. However, the director seems dissatisfied with this calm and deliberately added two special treatments. Every once in a while, the director will make a separate project, print a description on the lower right of the screen, and pause for a few seconds, such as "smoke", "wine", "sugar" and "tea". Han Sanming and Zhao Tao saw UFOs flying in the air in broad daylight in two completely different places during their search for lovers. At the end of the film, an old building suddenly turned into a rocket, soared into the sky and disappeared. This kind of treatment makes the film have an absurd feeling, which is completely incompatible with the calm narrative before. It gives people the feeling that a coal miner was forced to put on punk clothes and was at a loss. The narrative technique of Great Ingeniousness is simple and simple, focusing on every little detail of the story, but it is meaningful. The main line consists of two independent stories: one is Han Sanming, a coal miner in Shanxi, who went to Fengjie to find his wife and daughter with a yellow address in order to see her daughter who was trafficked to Shanxi six years ago again; An ordinary nurse, looking for her husband who hasn't been heard from for two years alone. The story unfolded on their search road. With the change of narrative focus, the film is divided into four parts: tobacco, wine, tea and sugar. Jia said that these four things are the most common things in China's daily life, representing the ordinary life of China people, but at the same time they have their own meanings. These common elements constantly appear in various direct or implied forms, just like "still life painting", conveying profound meaning and feelings in "stillness". The film still uses dialect dialogue to convey the heavy theme that the bottom people are forced to leave their homes in simple dialects. Jia follows his usual "simple technique", neither exaggerating nor grandstanding. He just aimed the camera at the lives of ordinary people. At the end of the story, the demolition workers in Fengjie, together with the miners in Shanxi, left home with their bags on their backs, looking for a new foothold in order to survive. In the desolate song, someone walked a tightrope alone in the height of the Three Gorges in the distance. This is the last tragic and sensational scene in the film, and it is also the only scene. Comment: Many foreigners still think that China is a poor country, so the more real Jia's films are, the more shocking they are-we all feel speechless after watching them ourselves. How can we expect Italians who grew up eating fast-food steaks to understand this situation? They will feel a little sorry for those workers who can't even eat bread anyway. -Film critic Zhang Xiaobei has beautiful pictures and excellent stories. We are very moved and surprised. This is a very, very special movie. -catherine deneuve, chairman of the jury of the Venice Film Festival, "The Good Man of the Three Gorges" is actually about things that flow slowly in life and society, time and space, and people are quietly changing under its influence. [Edit this paragraph] The behind-the-scenes production director said that one day he broke into an empty room and saw dusty objects on the master's desk. He seems to have suddenly discovered the secret of still life. Those perennial furnishings, dusty objects on the table, wine bottles on the windowsill and decorations on the wall suddenly have a sad poetry. Still life represents a reality that we ignore. Although there are deep traces of time, it is still silent and keeps the secret of life. The film was shot in ancient fengjie county, where great turmoil occurred because of the Three Gorges Water Conservancy Project: countless families who lived here for generations were moved to other places, and the old county town with a history of 2,000 years was demolished within two years and will sink forever. I broke into this disappearing city with my camera and watched the demolition, the explosion and the collapse. In the noisy noise and flying dust, I gradually feel that even in such a desperate place, life itself will bloom with gorgeous colors. In front of the camera, a group of workers came and went, and their silent expressions like still life made me awe. ★ Regarding the plot, Jia said: "The material of the film comes from the inspiration of a trip to the Three Gorges. It only took 1 1 day from having an idea, sorting out the story outline, and sending it for trial use. If the previous film works were a kind of slow release, then this time it was a sudden burning of life. Now that I think about it, it makes my heart surge. Fengjie, an old city with thousands of years of history, will soon be submerged! It is a county town with a carnival atmosphere. People here are particularly enthusiastic, like making friends and foreigners. For example, I met a boy 13 years old in the local area. He kept singing popular songs, Red Sorghum and Mice Love Rice all day, and he was very enthusiastic. They are poor, but like grass crushed by stones, they jump out without breaking through the stones. In the past, all the characters in my movies were' suffocated' and lived a miserable life, while all the characters in this movie died of carnival. What I described before is basically that people face the pressure of survival and look at life fundamentally. This time I intercepted a fragment of my life. In every fragment of life, life goes on and is full of vitality. Although the perspective has changed, on the whole, the Three Gorges area is still sad, with so few resources and so bitter life. But if we look closely at them every day, everyone is strong and partying. I was young when I first made the film, and I felt that the life in front of me was not the essence of life, so I would look for it. Now, I feel that the essence of life has not changed, but I will feel life every day. How can I put it? For example, at the beginning of this movie, a boat in the Yangtze River is sailing slowly. Then the camera zoomed in and I photographed everyone very carefully. I took more than 80 pictures. Some people are chatting, some are playing cards, some are reading mobile phone messages, and some are watching divination. All beings seem to have no pain, but when the camera closes, it is actually a very lonely boat drifting on the Yangtze River. " ★ About the two protagonists in the actor film, one is a man with a daughter and the other is a woman with a husband. The actress who plays with my cousin is the owner of a canteen. When we were filming in fengjie county, it was very hot and we always went to her cold drink stand to buy drinks. She smiles at everyone, and there is no time when she doesn't smile. But I have always been attracted by the bitter background behind her smile, and that background is her experience. I asked her to play, and everyone felt particularly unreliable. Because of the experience and complexity of the role-she was sold to others as a wife, gave birth to a child, was rescued, and went to run a boat. The owner's wife is paralyzed. Is she related to the owner? When I arrived at the shooting scene, I told her the story and she was still laughing. When the camera was turned on, she was still smiling, but when she started shooting, she immediately stopped laughing and became another person. A 76-year-old local innkeeper walks alone in the foothills, just like a Republican. He always wears a hat, dresses neatly, bows to everyone and speaks in the old saying. He has seen the life and death of that place since the liberation war. When filming, we let him stand on the height of the county seat and look at the county seat that disappeared in the night. He doesn't have to act at all. He has a lot of historical materials, which is very good. Zhao Tao's performance in the film is particularly good, even this is Zhao Tao's best film. She used to play a young girl, but this time she plays a middle-aged woman. We made her look especially hard. Her eyebrows were plucked and painted as tattooed eyebrows of a middle-aged woman, with thick black marks. My hair is also tied in a big circle, which is very old-fashioned. The whole person looks old 10 years old. ★ As for the love in the play, the love I photographed before is a love with heavy concerns, and it still is. Because I think most people don't have love, or they don't get love. I don't think there is any cool love, which may be related to all the love I have learned from it and now I see. In middle school, you can't fall in love. In college, love is instantaneous and one-sided. In my movies, feelings are also instant happiness. Maybe in life, love is not necessarily like this, but in my spiritual world, it is.

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