The green environmental protection of the emblem of the 27th Olympic Games in Sydney, Australia is the deepest impression left by Australia. This seems to be found in the emblems of the two Olympic Games held in this country in 1956 and 2000 respectively. The emblem of the 2000 Sydney Olympic Games-"New Century Athletes" is an image of athletes marching towards the new century. From top to bottom, it is not difficult to see that the shape curve of Sydney Opera House is used to represent the torch, while the graphics of the sun, rocks and indigenous rotating targets are used to shape the athletes' heads, hands and abdomen. The color language of the whole emblem is very symbolic: the blue harbor, the yellow sun and beach, and the red inland land highlight the uniqueness of Australian local culture.
In 2004
The emblem of the 28th Olympic Games in Athens, Greece, whether it was 1896 a century ago or the coming year of 2004, Athens, Greece chose to express its supreme understanding and respect for the Olympic Movement with an olive branch symbolizing peace and friendship. The Athens emblem of 1896 gives a concrete and realistic impression. A century later, the Athenians made new creations. This is the emblem of the 2004 Athens Olympic Games, simple and abstract, bright and pure. Blue and white are so harmoniously unified that Athens, as the birthplace of ancient European civilization, seems to like olive branches very much. The white olive branch in the circle is a symbol of peace and also reflects the inclusiveness of modern Athens to the whole world.
20 12
20 12 The emblem of the 30th Olympic Games in London, England has four colors, namely pink, orange, blue and green. You can choose different colors according to the needs of different occasions. "20 12", which represents the year of hosting, becomes the main body of the emblem through variants, representing "London", and the Olympic rings are embedded in the first "2" and "0". BOCOG said that this powerful and modern emblem symbolizes the dynamic Olympic spirit and its ability to infect people all over the world. The emblem was designed by WolffOllins, a world-famous design company.
Emblem of Beijing Olympic Games
At 2 1 on the evening of August 3rd, Beijing time, the emblem of Beijing 2008 Olympic Games was officially unveiled by Wu Bangguo and Verbruggen, chairman of the 29th Olympic Games Coordination Committee.
The emblem is divided into three parts: upper, middle and lower. The main part is a white "Beijing" figure, and the upper part is a red background, accounting for about 3/5 of the entire emblem. The word "Jing" is similar to the word "Wen" in Chinese characters, which means the long-standing traditional culture of China. The whole word "Jing" is a human figure running forward to meet victory. Below "Beijing" is the black English word "Beijing2008", and below is the Olympic rings. The emblem of Beijing 2008 Olympic Games has a unique image. The English words "Beijing" and "2008" and the Olympic rings perfectly combine the Olympic spirit with the traditional culture of China.
Characteristics of the emblem of Beijing Olympic Games
Function 1
1. The design of the emblem skillfully combines the characteristics of China and Beijing with the elements of the Olympic Movement. "Chinese Seal Dancing Beijing" takes seals as the main form of expression, and combines traditional China art forms such as seals and calligraphy with sports characteristics. After artistic exaggeration and deformation, he skillfully turned into a human figure running forward and dancing to meet victory. At the same time, people's modeling looks like the charm of the modern word "Jing", which contains a strong China charm. This work conveys and represents four layers of information and meaning: (1) China culture. Taking the seal (Xiao Zhuan), the symbol of China traditional culture, as the expression of the main pattern, the seal appeared in China as early as four or five thousand years ago. It is a traditional cultural and artistic form with a long history in China, and it is still a widely used expression of social integrity, which means that Beijing will realize its solemn promise of "hosting the best Olympic Games in history". (2) red. Red is a traditional festival color in China, and it has been chosen as the benchmark color of main patterns. Red has always been regarded as the representative color of China, the color of our national flag and the great people and country of China. Therefore, the main color of the logo is red, which represents the country, celebration and traditional culture. (3) Welcome friends from all over the world to China. The work represents that Beijing is welcoming athletes and people from all over the world to gather in Beijing with the attitude of reform and opening up, vividly expressing Beijing's enthusiasm and sincerity in welcoming visitors from all directions and conveying the Olympic concept and spirit. The works are rich in connotation, which shows that China welcomes people all over the world with open arms. (4) Sprint to the limit, create brilliance and carry forward the Olympic spirit of "Faster, Higher and Stronger". The modern Olympic movement has always emphasized that athletes are the core, and the emblem is "Chinese seal"? Dancing Beijing embodies this principle. The image of the athletes in the seal is both rigid and flexible, friendly, full of China culture and dynamic.
Function 2
2. The font design of the emblem adopts the style of Han bamboo slips in China, with unique design. The font of the emblem work "Chinese Seal Dancing Beijing" adopts the style of Han bamboo slips (bamboo slips of Han Dynasty), which organically integrates the strokes and verve of Han bamboo slips into the font of "BEIJING2008", which is natural, concise and fluent, and integrates with the emblem graphics and the Olympic rings. Font not only conforms to the purpose of market development, but also coordinates with the pattern style of the main body of the logo, so as to avoid being used in the overall logo registration and standard font registration in the future.
Function 3
3. The overall structure of the emblem is proportional to the independent structure. After repeated deliberation and revision by experts, the layout and proportion of the three parts of "Chinese seal dancing Beijing", namely, Chinese seal, simplified Chinese version, "Beijing 2008" and the Olympic rings are almost perfect, especially the Chinese seal part. At the same time, when each part is used independently, the proportion is still reasonable without losing coordination.
The meaning of editing the emblem of Beijing Olympic Games.
The emblem of "Chinese Seal Dancing Beijing" organically combines the seal script, Chinese characters and the five-ring symbol, and is full of profound vitality. The scale of the land reflects the charm of the East and the West; Between strokes, the Olympic spirit sublimates. "Dancing Beijing with Chinese Seal" is not an ordinary symbol. She is the biggest blank in the list of host cities in the nearly 100-year history of Olympic Games! She is the first step in the history of the Chinese nation hosting the Olympic Games! She is the first interpretation of the Olympic Charter by Chinese civilization! She is still the greatest commitment to the Olympic movement! The French sculptor Rodin once said, "Beauty is everywhere. For our eyes, it is not the lack of beauty, but the lack of discovery. " Next, the author wants to taste her beauty from the perspective of culture and aesthetics and explore her profound connotation.
I. Seal of China
In ancient times, China's seals were called seal, seal, treasure and seal, as well as seal, seal, contract, customs, seal, symbol, contract, pawn and seal, all of which were established names in history. Ancient seal script was very popular in ancient times, and its simple and naive characteristics reflected people's understanding and pursuit of beauty in different times, and it was saturated with the profound and mysterious aesthetic feeling of history. Among them, there is a kind of seal that prints pictures, called Xiao Zhuan. Xiao Zhuan is a form of seal that existed in the pre-Qin period in China. The Han Dynasty was the heyday of ancient Xiao Zhuan. At that time, there appeared seal patterns such as "Four Spirits Seal", "Tiger Seal", "Deer Seal", "Phoenix Seal", "Fuxi Seal" and "Goddess Holding Snake Seal" depicting national worship and myths and legends. There are also various forms that reflect real social life.
Seals, such as "Encouragement Seal", "Drum Blow Seal" and "Long Sleeve Dance Seal"; There are "Niu Geng seal", "juggling seal" and "animal training seal", which reflect the life and entertainment scenes of the Han people from different aspects. According to relics and historical records, seals were widely used in China at the latest during the Warring States Period. At first, the seal was used as a voucher for commercial exchange of goods and a symbol of credibility. After Qin Shihuang unified China, the use of seals was expanded to represent the rights and interests of those in power, and it was a symbol of the power of those in power. After learning about the seals in our country, if there is another product, "Dancing Beijing with Chinese Seal", we will find her even cuter. The strokes on her body are like words instead of words, like painting instead of painting; Blend words with paintings, and draw with words; Between strokes, the dance is graceful; In the rhyme, pen and ink indulge; "Beijing 2008" written with bamboo slips and Chinese characters is even more saturated with the profoundness of China's calligraphy art, which not only condenses the development track described by words in ancient seal script in China, but also interprets the mainstream doctrine of the mean in ancient philosophy in China. Together with the red inkpad and the giant square seal symbolizing China, the "Chinese Seal Dancing Beijing" has accumulated a lot of historical information and rich cultural essence. No wonder 1996 Mr. Brad Copeland, the design director of the Atlanta Olympic Games and one of the contestants in the 2008 Olympic Games, blurted out immediately when he saw "Beijing with Chinese seal dancing" from many designs of the emblem: she is from China!
2. Dancing Beijing
"Dancing Beijing with Chinese Seal" symbolizes China's credibility and composure. As the emblem of the sports meeting, she also shows the vitality and charm of Beijing. Beijing is dancing, dancing with the rhythm of the times; Beijing is not only a famous ancient city with rich cultural traditions, but also a modern city with innovative spirit ―― this is another meaning of "Dancing Beijing with China and India". According to the investigation, the painted pottery basin with dance patterns about 5,000 years ago unearthed in Shangsunzhai, Datong County, Qinghai Province is the oldest original dance image in China. There are three groups of dancers on the inner wall of the pottery basin, and five people in each group dance hand in hand. In ancient China, there were nine music and dances in the summer. During the performance, the actors wore fur hats and plain clothes, and their styles were simple. Witchcraft dance in Shang Dynasty was widely used in various sacrificial occasions. There is a dance of "Eight Shu" in Zhou Dynasty, and there are special music and dance institutions in Qin and Han Dynasties. Zhao was a famous dancer in the late Western Han Dynasty. During the Wei, Jin, Southern and Northern Dynasties, the gentry enjoyed singing and dancing all day long. Sui and Tang Dynasties were a very prosperous dance era, among which costume dance and Hu Xuan dance were the best. Folk songs and dances in the Ming and Qing Dynasties are also very rich. Only the Han nationality has various names such as yangko, flower drum, tea picking, lantern, lotus village, dry boat and bamboo horse. In modern times, Chinese traditional dance was full of vitality and produced many excellent works, such as Lotus Lantern, Knife Meeting and Rain on Silk Road. It can be seen that dance has formed an indissoluble bond with life in various times in China. Ancient ancestors in China held various ceremonies to express their feelings by dancing and offering sacrifices. We will hold the Olympic Games for the first time. For such a worldwide event, of course, it can also be expressed in dance language. Moore, a famous British abstract sculptor, said: "The most prominent feature of all primitive arts is their vitality." It is this kind of vitality that we see from "Chinese Seal Dancing Beijing". The humanoid picture in Dancing Beijing with Chinese Seal is familiar, and it is a dance in the same strain as Rain on Silk Road in Dunhuang murals. Exaggerated body proportions and postures, stretched brushstrokes and simple composition fully show the enthusiasm and heroism of Beijingers, and the unrestrained dance fully foretells the future of Beijing. We seem to see a dancer full of enthusiasm and hope, passion and vitality, and cheer for those who cheer for him. Of course, he danced not only with people's enthusiasm, but also with the idea of "swifter, higher and stronger" in the Olympic Games.
Three. Monument in the emblem
In order to better understand the reason why "Chinese seal dancing Beijing" became the Olympic emblem, it is necessary for us to make a general investigation of the Olympic emblems in previous years. Including "Chinese Seal Dancing Beijing", there are 46 emblems in Olympic history. In the nearly 100-year history of the Olympic Games, the design of the Olympic emblem has gone from concrete to abstract, from complexity to simplicity. In previous Olympic Games, the emblem has not yet appeared, and the visual image representing the image of the Olympic Games is often carried by posters. Most of the original emblem patterns represent the regional symbols or sports image of the host country; Later, the emblem combining regional and sports patterns came into being; Later, abstract patterns appeared. The above changes of the emblem pattern are completely consistent with the imprint of western painting school. Aside from the older realistic academic school and religious painting school, from romanticism (including symbolism), realism (including naturalism) to impressionism to fauvism, expressionism, abstract art painting, surrealism and post-modern painting in the 9th century, the history of western art has experienced a process from realism to abstraction and then to ". No matter from aesthetic theory or artistic practice, abstract patterns are the patterns that can best express meaning and ideas. If "Chinese Seal Dancing Beijing" is regarded as a Chinese character "Jing", it is the first time in the history of the Olympic emblem that Chinese characters have been introduced. Chinese characters are ideographic characters and a symbol system. Every stroke in Chinese characters is full of contrast to the atmosphere of life and metaphor for the meaning of life. If "Chinese Seal Dancing Beijing" is regarded as a "human"-shaped painting, it is an outstanding application of oriental painting expression. Compared with western strict realistic methods, oriental painting is more flexible and general in space requirements, allowing virtuality and ellipsis. But it is this virtuality and ellipsis that creates a real and infinite imagination space for the viewer. " "Chinese Seal Dancing Beijing" is a successful artistic practice, which combines China's calligraphy, seal, dance, painting and western modern artistic ideas. She expressed the ideas that people wanted to express, and also entrusted her with the ideals that people would give her. She belongs to China and the world. She will be a well-deserved artistic monument in the history of Olympic visual image. "Chinese Seal Dancing Beijing" is a stroke by stroke, and every component of it bears the dignified cultural tradition of China and the strong Olympic spirit, showing advanced aesthetic concepts and high-spirited passion of the times. What she brings to people is not only an unprecedented emblem in the history of the Olympic Games, but also another development of Chinese civilization in the history of world civilization.