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Liu Jingting's answer to classical Chinese storytelling
1. Liu Jingting tells stories and sees the answers translated. Nanjing willow pockmarked, with yellow and black face, scars and bumps all over his face, moves casually and is as stiff as a puppet.

He is good at telling stories, telling books once a day, and pricing one or two pieces of silver. Ask his people to send invitations and deposits ten days ago to make an appointment. He is often busy.

There are two popular people in Nanjing at the same time, namely Wang Yuesheng and Pockmarked Liu. I heard him say that Song Wu of Jingyanggang killed the tiger, which is quite different from the description in Water Margin.

He described it carefully, but added and deleted it properly and didn't nag. His shouts are like huge bells. When it comes to the key points, he shouts loudly, and the sound makes the house collapse.

He said that Song Wu went to the hotel to buy wine, and there was no one in the store. Song Wu suddenly roared, and the empty jars and altars in the shop buzzed, focusing on rendering in the casual subtleties of ordinary people, meticulous to this point. The host must sit quietly and concentrate on what he says before speaking; Seeing the slave whispering to his ear, and the listener yawning, stretching and exhausted, he stopped talking, so he could not be forced to tell a story.

In the middle of the night, wipe the table, cut the wick, and quietly send him tea in a white cup. He will speak slowly, his voice will be fast and slow, light and heavy, intermittent, high and low. He is rational and incisive, and concentrates on the ears of other storytellers in the world, so that they can listen carefully to Liu Jingting's stories. I'm afraid he'll bite his tongue. Pockmarked willow is ugly, but he has a glib tongue, elegant eyes and elegant clothes, almost as beautiful as Wang Yuesheng, so their voices are just equal.

2. China Classical Woodcarving Skills Liu Jingting's Commentary Original Translation: The businessman Bai said: On the Qikou River, I saw a man holding a bamboo pole and leading a giant dog.

A woodcarving beauty emerged in the coffin, more than a foot high, with hand-eye rotation and gorgeous makeup. The dog is covered with a small brocade shovel to straddle the seat.

Place, angry dog sprint. From the beginning of the honey trap, she learned to understand horses, perform various plays, hide in her stomach, get fat at her waist and tail, kneel down and stand up, and her spirit has become innocent.

Do another honor show: don't take a woodcarving, stick a pheasant's tail, and wear a sheepskin to follow the dog. Zhao often recalled that sheep and Qiu Er chased each other with whips, just like the living.

Businessman Bai Yougong said: On the Luokou River, I saw a man carrying a bamboo basket and leading two big dogs. Take out the woodcarving beauty from his basket. It is more than a foot high, and both hands and eyes can turn. Looks alive.

A saddle (similar to a horse) made of brocade is put on the dog and then straddles it. After the arrangement, loudly reprimand the dog for running fast.

(Woodcarving) Beauty stands up by herself, learns to loosen the reins and play various circus moves. The stirrup is hidden under (the dog's) abdomen, bent back (leaned against) on (the dog's) ass, kowtowed and stood up (on the dog's). There is nothing wrong with flexibility. Make a show of honor.

In addition, take out a woodcarving, insert a pheasant's tail (on it), put on a sheepskin leather coat (for it), and ride on another dog (behind the woodcarving). (Pretending) Zhao Jun's (woodcarving) turns around frequently, and (wearing) sheepskin clothes (woodcarving behind) whips (chasing behind), which really seems to be alive.

"Liu Jingting's storytelling" Original: Nanjing Willow Pockmarked, dark, covered with scars, leisurely and unintentional, civil skeleton. Good at telling stories

Tell a story once a day at a price of one or two. Books delivered ten days ago are often not empty.

There are two lovers in Nanjing, Wang Yuesheng and Pockmarked Liu. It is said that Jingyanggang Wu Song killed the tiger in white, which is quite different from this biography.

Its description is subtle and unscathed; However, I found it clean and didn't nag. The sound is like a huge bell. When it comes to the tendon, it screams and threatens to collapse the house.

Song Wu went to the store to sell wine, but there was no one in the store. Suddenly, he gave a roar, and all the empty cans in the shop were ringing. Idle in color, so subtle.

The host will sit and listen with bated breath, and the other party will be speechless; Seeing servants whispering to each other, the listener is tired and tired, and can't be strong. Every night, clean the table and cut the lights, and quietly send plain porcelain.

He was seriously ill, restrained in breathing, reasonable in mood and strong in bone penetration. He picked up the ears of telling stories in the world and let him listen attentively, not afraid of his tongue dying. Liu Ma is ugly, but its mouth is beautiful, its eyes are smooth, its clothes are quiet, and it is as elegant as Wang Yuesheng, so its market is just waiting.

Nanjing willow pockmarked, with yellow and black face, scars and bumps all over his face, moves casually and is as stiff as a puppet. He is good at telling stories, telling a story every day, and pricing one or two pieces of silver.

Ask his people to send invitations and deposits ten days ago to make an appointment. He is often busy. There are two popular people in Nanjing at the same time, namely Wang Yuesheng and Pockmarked Liu.

I heard him say that Song Wu of Jingyanggang killed a tiger, which is quite different from the description in Water Margin. His description is meticulous, but straightforward and neat, without nagging.

He shouted like a giant bell. Speaking of the key points, he shouted loudly, making the house sound like it was going to collapse. He said that Song Wu went to the hotel to buy wine, and there was no one in the store. Song Wu suddenly roared, and the empty jars and altars in the shop buzzed, focusing on rendering in the casual subtleties of ordinary people, meticulous to this point.

The host must sit quietly and concentrate on what he says before speaking; Seeing the slave whispering to his ear, and the listener yawning, stretching and exhausted, he stopped talking, so he could not be forced to tell a story. In the middle of the night, wipe the table, cut the wick, and quietly send him tea in a white cup. He will speak slowly, his voice will be fast and slow, light and heavy, intermittent, high and low. He will be very sensible and will take off the ears of other storytellers in the world and let them listen to Liu Jingting's stories carefully. I'm afraid they'll die of shock! Pockmarked willow is ugly, but he has a glib tongue, elegant eyes and elegant clothes, almost as beautiful as Wang Yuesheng, so their voices are just equal.

3. Read Huang Zongxi's Biography of Liu Jingting (abridged) and complete 1-4 1. Familiar with a month later, 2. Make people temperament/indecisive 3. (1) So Liu Jingting went to Yangzhou, Hangzhou, Nanjing (and other big cities to tell stories) and became famous.

(2) (People) scrambled to ask Liu Jingting to perform his skills, but they were genuinely dissatisfied and said that he performed well. He can listen to other people's advice with an open mind, and he can keep practicing and try to figure it out again and again.

Liu Jingting is a native of Taizhou, Yangzhou Prefecture, whose original surname is Cao. Fifteen years old, arrogant and unreasonable, violating the criminal law, should be sentenced to death. So he changed his surname to Liu and fled to Xuyi City to tell stories.

At that time, (a story he told) had already made the public admire and moved. After a long time, he arrived in the south of the Yangtze River. A scholar named Mo Houguang from Songjiang Prefecture met him and said, "This man is quick-witted and can help him. His acting skills are famous. "

So he said to Liu Jingting, "Storytelling is a humble skill, but we should also outline the characters' modality and be familiar with the local customs." As in the Spring and Autumn Period, we should satirize and exhort with argot and singing, and then achieve our goal. "

Liu Jingting came home, absorbed, absorbed, practiced hard and begged again and again. For nearly a month, (he) went to see Mo Houguang, and Mo said (to him), "You can make people laugh."

After another month, Mo said (to him), "You can make people cry." After another month, Mo Houguang couldn't help admiringly saying, "Before you speak, express your feelings of sadness and joy, so that the audience can't control their feelings. Your storytelling skills have reached a subtle level."

So Liu Jingting went to Yangzhou, Hangzhou and Nanjing (telling stories in big cities) and became famous among dignitaries. At the grand party in the luxurious hall, sitting alone in the leisurely pavilion, people scrambled to ask Liu Jing Pavilion to perform his skills, and they were not satisfied from the heart.

Said he was a good actor.

4. Liu Jingting is one of the founders of Yangzhou Pinghua, and the art of Pinghua is superb. The author of this paper, Zhang Dai, is a writer and historian in the late Ming and early Qing Dynasties, especially in prose. This article spoke highly of Liu Jingting's superb art of storytelling. Although the length is short, it left a deep impression on readers.

The first paragraph first describes Liu Jingting's ugliness and unkempt appearance, and then explains Liu Jingting's high value with the down payment of telling stories in advance. Finally, compared with the famous prostitute Wang Yuesheng, to set off her popularity. This is the opening paragraph of the article, which has the function of "tiger head". The traditional aesthetic view in China is that people's skin is fair and beautiful, and there is a saying that "one white covers all the ugliness". As a person who appeared on the stage, Liu Jingting's face was black and yellow, and his face was uneven. It was really difficult to judge a book by its appearance, even ugly. It's just that you were born ugly, even ugly, and you didn't pay attention to the decoration of musical instruments. "It's a long time, and it's a skeleton." People look like this. What about their storytelling? A "good" word is in sharp contrast to the previous "bad" word. It should be noted that the word "good storytelling" is the eye of the whole article, and the whole article is centered around these three words. The artistic charm of a good storytelling is far better than the influence of ugly appearance on Liu Jingting. He is valuable, and you have to make up your mind in advance to get his talent.

In the second paragraph, the author experienced Liu Jingting's story Jingyanggang and Song Wuda Tiger, trying to describe its uniqueness and superb storytelling art in depicting characters and narrating events. The content of "Fighting Tiger with Wu Song in Jingyanggang" is quite different from this biography, which shows that Liu Jingting's storytelling content has undergone his own artistic processing to adapt it to the artistic form of storytelling, with proper details and clear organization. The voice is loud, and when it comes to the key points, it is emphasized, and it is magnificent, as if it is going to overturn the roof. This subtlety is so subtle that Song Wuda roared, even the empty jars and altars buzzed.

In the third paragraph, Liu Jingting began to tell a book after the audience listened attentively. If someone whispers or looks tired, he will stop talking, which shows his self-esteem and self-respect as an artist. The priorities and rhythm of each story are properly handled and the plot is reasonable. The superb art of storytelling is unparalleled. At the end of this paragraph, it is assumed that other storytellers will be ashamed of bite the tongue when listening to Liu Jingting's storytelling, which shows that not only the general audience thinks that his storytelling art is superb, but also the experts feel sorry for themselves, and the affirmation of Liu's storytelling art has entered a new level.

In the fourth paragraph, Liu Jingting is ugly, but his romantic appearance is not as good as that of beautiful Wang Yuesheng, and their market is "just waiting". This is an echo of the structure and content at the beginning of the article, which makes the article complete from beginning to end and further highlights the praise for Liu Jingting.

The length of this article is very short, totaling more than 200 words, but it is this short length that makes readers deeply impressed by Liu Jingting's superb storytelling art, which benefits from the author's unique writing arrangement and the use of some artistic techniques. The article praises Liu Jingting's superb art of storytelling with the method of "emphasizing first, suppressing second", but first it says that his appearance is not good, and then it contrasts with Wang Yuesheng to set off his art of storytelling. Secondly, the article also uses the method of side contrast, "taking the ear of storytelling from all over the world, making him listen attentively and not afraid of his tongue death", and compares Liu Jingting's superb art of storytelling with other storytellers. In addition, "Song Wu sells wine" is described in detail, which highlights the nuance of Liu Jingting's story.

Wang Yuesheng is a unique geisha image in Zhang Dai's works. She "doesn't like being handed over to ordinary people or sitting face to face, as if she didn't see it" (dreaming of Tao An), just like a "good" celebrity. A good article pays attention to "tiger's head and leopard's tail" The author mentioned Wang Yuesheng twice at the beginning and the end of the article, in order to affirm Liu Jingting's superb art of storytelling, and his value is equivalent to that of Wang Yuesheng. Although he is ugly, he looks as beautiful as Wang Yuesheng. Of course, writing to Wang Yuesheng twice also makes the article echo before and after, which is more complete in structure.

Language taste Zhang Dai likes the language of Shi Shuo Xin Yu very much. Zhang Man Tengku once commented on his father's words: "Your brothers are so strange! Meat is just eaten, whether it is delicious or not; I just don't eat wine, I don't know if I will. " Zhang Dai thinks it has the flavor of Jin people and greatly appreciates it. Later, someone changed it to "The Zhang brothers were endowed with strange nature!" Meat, whether good or evil, is just to eat; No matter whether the wine is good or evil, just don't eat it. "Zhang Dai is very evil, thinking that every word is impregnable, and taking Wan Li Road is" turning the stone into gold ". "So when describing characters, Zhang Dai often likes to borrow the language of Shi Shuo Xin Yu.

5. What writing techniques did Liu Jingting use to praise his art of storytelling? Liu Jingting is one of the founders of Yangzhou Pinghua, and the art of Pinghua is superb.

The author of this paper, Zhang Dai, is a writer and historian in the late Ming and early Qing Dynasties, especially in prose. This article spoke highly of Liu Jingting's superb art of storytelling. Although the length is short, it left a deep impression on readers.

The first paragraph first describes Liu Jingting's ugliness and unkempt appearance, and then explains Liu Jingting's high value with the down payment of telling stories in advance. Finally, compared with the famous prostitute Wang Yuesheng, to set off her popularity. This is the opening paragraph of the article, which has the function of "tiger head"

China's traditional aesthetic view is that people's skin is fair and beautiful, and there is a saying that "one white covers all the ugliness". As a person who appeared on the stage, Liu Jingting's face was black and yellow, and his face was uneven. It was really difficult to judge a book by its appearance, even ugly. It's just that you were born ugly, even ugly, and you didn't pay attention to the decoration of musical instruments. "It's a long time, and it's a skeleton." People look like this. What about their storytelling? A "good" word is in sharp contrast to the previous "bad" word.

It should be noted that the word "good storytelling" is the eye of the whole article, and the whole article is centered around these three words. The artistic charm of a good storytelling is far better than the influence of ugly appearance on Liu Jingting. He is valuable, and you have to make up your mind in advance to get his talent.

In the second paragraph, the author experienced Liu Jingting's story Jingyanggang and Song Wuda Tiger, trying to describe its uniqueness and superb storytelling art in depicting characters and narrating events. The content of Jingyanggang and Wusong Fighting Tiger is "quite different from this biography", which shows that the content of Liu Jingting's storytelling has undergone his own artistic processing to adapt it to the artistic form of storytelling, with proper details and clear organization.

The voice is loud, and when it comes to the key points, it is emphasized, and it is magnificent, as if it is going to overturn the roof. This subtlety is so subtle that Song Wuda roared, even the empty jars and altars buzzed.

In the third paragraph, Liu Jingting began to tell a book after the audience listened attentively. If someone whispers or looks tired, he will stop talking, which shows his self-esteem and self-respect as an artist. The priorities and rhythm of each story are properly handled and the plot is reasonable. The superb art of storytelling is unparalleled.

At the end of this paragraph, it is assumed that other storytellers will be ashamed of bite the tongue when listening to Liu Jingting's storytelling, which shows that not only the general audience thinks that his storytelling art is superb, but also the experts feel sorry for themselves, and the affirmation of Liu's storytelling art has entered a new level. In the fourth paragraph, Liu Jingting is ugly, but his romantic appearance is not as good as that of beautiful Wang Yuesheng, and their market is "just waiting".

This is an echo of the structure and content at the beginning of the article, which makes the article complete from beginning to end and further highlights the praise for Liu Jingting. Question query 1. What writing techniques does the article use to praise Liu Jingting's art of storytelling? The length of this article is very short, totaling more than 200 words, but it is this short length that makes readers deeply impressed by Liu Jingting's superb storytelling art, which benefits from the author's unique writing arrangement and the use of some artistic techniques.

The article praises Liu Jingting's superb art of storytelling with the method of "emphasizing first, suppressing second", but first it says that his appearance is not good, and then it contrasts with Wang Yuesheng to set off his art of storytelling. Secondly, the article also uses the method of side contrast, "taking the ear of storytelling from all over the world, making him listen attentively and not afraid of his tongue death", and compares Liu Jingting's superb art of storytelling with other storytellers.

In addition, "Song Wu sells wine" is described in detail, which highlights the nuance of Liu Jingting's story. 2. Why does the article mention geisha Wang Yuesheng twice? Wang Yuesheng is a unique geisha image in Zhang Dai's works. She "doesn't like being handed over to ordinary people or sitting face to face, as if she didn't see it" (dreaming of Tao An), just like a "good" celebrity.

A good article pays attention to "tiger's head and leopard's tail" The author mentioned Wang Yuesheng twice at the beginning and the end of the article, in order to affirm Liu Jingting's superb art of storytelling, and his value is equivalent to that of Wang Yuesheng. Although he is ugly, he looks as beautiful as Wang Yuesheng. Of course, writing to Wang Yuesheng twice also makes the article echo before and after, which is more complete in structure.

Language taste Zhang Dai likes the language of Shi Shuo Xin Yu very much. Zhang Man Tengku once commented on his father's words: "Your brothers are so strange! Meat is just eaten, whether it is delicious or not; I just don't eat wine, I don't know if I will. " Zhang Dai thinks it has the flavor of Jin people and greatly appreciates it.

Later, someone changed it to "The Zhang brothers were endowed with strange nature!" Meat, whether good or evil, is just to eat; No matter whether the wine is good or evil, just don't eat it. "Zhang Dai is very evil, thinking that every word is impregnable, and taking Wan Li Road is" turning the stone into gold ". "

Therefore, when describing characters, Zhang Dai often likes to borrow the language of Shi Shuo Xin Yu. Write Liu Jingting's carefree and slovenly appearance, and use the sentence in Shi Shuo Xin Yu to evaluate Liu Ling's "carefree and careless, civil works are ruined".

The carefree, casual and bohemian appearance means that Liu Jingting doesn't like constraints, but seeks freedom; Civil engineering is unpretentious, and it is appropriate to describe the unpretentious decoration of characters with both, which is consistent with "leisurely and careless" in semantics.