Oppose all those who say that Jin Yaner's performance will only give him the glad eye. In terms of overall performance, the Queen is inferior to Tian Qiang. Judging from the contest of entering the adult group, the impression is that the outcome of the head-on confrontation between the two is 9: 4 (memory is wrong and needs to be supplemented). Without Sochi's shady defending success, the Queen will be the second consecutive Olympic champion after Victor. Personally, I think the queen's position is top-notch, while Asada is first-class with her courage to challenge 3A, exquisite performance and outstanding achievements, but it should not be as good as the queen's position. Looking at all the programs of Jin Yaner's adult group, from classical music to lyric sketches, from film soundtrack to opera music, from jazz to tango to ethnic groups, there is almost no music that she can't control. It is said that Jin Yaner only gives the glad eye. See the beautiful and light lark flying high in 2007, the playful and lovely bat overture in 2008, Arirang in 1 1, the sad world in 13, and the intellectual and gentle clown in 14. The brainwashing package speaks for itself. As for the story of always flirting with Moulin Rouge, Moulin Rouge originally told the story of coquettish dancers, and pretending to be a pure girl is the best way to smash the venue. /kloc-Jin Yaner, who is 0/6 years old, has been able to show the charm of mature women. Few women's singles are so expressive when she is 0/6 years old. Asada's temperature was similar at that time. Recently, I made up the video of the adult cat competition. Personally, I think her performance and Jin Yaner's performance are totally different styles. Although the breadth of control style is a little poor, it is hard to say which is better and which is worse. Jin Yaner's royal dance director is David Wilson, while Asada's cooperation is more with Tarasova. Personally, Yaner's performance and choreography are American style, modern music selection, open, inclusive and creative programs, like a classic movie, each part has a relatively clear division, and emotional changes are easier to grasp; Asada, on the other hand, has a Russian style, rigorous, abstract and grand. His music choices are more classical, like a ballet, which may be difficult for some laymen to grasp, but you can still figure out a lot of charm after careful reading. Their performances gradually developed their own personalities. In the later period, while strengthening this personality, they further increased the depth and breadth of the performance, and the programs became more and more exciting. The technical problems have all been summarized. Asada's blade jump is stronger, and Jin Yaner's ice jump is stronger. Asada didn't suffer because she didn't have a senior year. Her 3F3Lo is always judged, 3A is not stable enough, 3Lz is wrong, and even 3T technology is not good enough. Jin Yaner doesn't have 3Lo. The last time she did 3Lo was Miss Saigon in the Grand Prix. 3F blade is slightly suspicious; Flexibility is not good, so neither Swallow nor Berman speaks well enough. However, when Jin Yaner's performance is relatively stable and there are few big draws, Asada's stability is much worse. In 2009, it was a great pity to directly draw GPF and 14 to draw Olympic medals. We will remember when the Golden Cat competed for hegemony, just like their previous Yapu dispute.