Semi-convex and semi-concave

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I watched Black Boy in Li Ang, the masterpiece of French director luc besson, three times before and after: twice as a disc and once as a movie-at the Jean Reno Film Week in China Film Archive, I first attended a meeting between Jean Reno and the audience, and then watched a movie. I'm not a fan of him, but I recognize his tough guy image. Looking into his eyes from a distance, I feel good.

There are three Chinese versions of this film: Leon and Leon.

Black boy is not very interested in Li Ang and Black boy. The last kind of direct questioning deprives the audience of their imagination, but it is not too disgusting because of human nature.

This is a film that pays attention to details. The story is simple, but there are many places to taste. Just like a carefully polished novel, it can be read repeatedly. One of the wonderful details is that Leon always takes a pot of flowers with him wherever he goes-a pot of flowers that won't bloom. The gun battle was cruel, and life and death were sudden, but he would still turn around and put the potted flower forgotten in the crater under his arm again, as if death had no weight compared with flowers. Such associations, unforgettable love is so much. However, this shocking emotion to plants is vulgar to people.

The little girl, whose whole family was killed, wanted revenge, so in order to cultivate herself into a "person who can complete the mission", she followed Leon The film is quite clever in dealing with the relationship between the two, and the integration and stripping of fatherly love and love to the "peak" level; But it is vulgar in essence, because it is not beyond people's imagination. However, the process of the little girl growing up and maturing in the smoke makes people feel sad. She completely despaired of the world, but felt the warmest thing in her heart-then she really had the concept of "life". As a result, her temperament is complicated-that kind of indifference beyond gender is creepy, but in the depths of indifference, there is tenderness that ordinary women don't have. She was unusually calm at the scene of the bloody killing; But after putting Leon's relic, the flowerless pot, into the soil, looking at the silent swaying branches and leaves, she burst into tears and almost broke her heart. It's both unexpected and reasonable-after the mutation, I understand both hate and love.

This can't help but remind people of the situation in Lu Xun's Wild Grass-like despair and hope, great hatred is the starting point of great love.

I was a little uncertain about this situation before, but since I went to Kanas, Xinjiang, I have no doubt at all. The territory of Xinjiang is really vast, even wider than the literal meaning. Walking on the endless Gobi Desert, the sunset glow in the west is burning heroically, and the moon in the east has been reunited gently in the low sky. Both of them are actually presented to people at the same time, which makes people feel the shock of the sun and the moon! This is the so-called apocalypse, which makes me believe that two extreme emotions can really condense in my heart at the same time.

From Lyon to the little girl, a potted flower, an invisible detail, is the key to understanding the characters' hearts and the fulcrum to realize human nature.

The little girl once asked Leon why she wanted to keep a pot of flowers instead of a dog. Leon said that as a professional killer, any animal that can make a sound around him, including people, is in danger of selling out and exposing himself. Therefore, at the beginning of the relationship between the characters, the status of the little girl is definitely not as good as that of the potted flower. When the status of the little girl began to rise, for Leon, his secret life had a fundamental change-he lost his freedom and freedom because of caring and taking responsibility; Because of tenderness and tenderness, there is no longer a firm decision. The result of not playing cards according to the rules of the killer's game is the "fall" of identity-from a killer to a person who is closely hunted by death.

Therefore, although the movie "Leon" is a commercial film, it has a heart-pounding action, which makes people see the heavy feeling when the killer changes from a "tool" to a "person".

When I settled down, I felt that the potted flower, though an inconspicuous detail, was a huge metaphor of life-the killer's life state, just like that silent plant, living freely and unnoticed. Once out of the "hidden" situation, it entered the "dead hole".

That day, watching CCTV's High-end Interview, the interviewee was luc besson. When the host praised him as the French Spielberg, he shook his head and said that luc besson and Spielberg are both directors with style, and they are both explaining their thinking about the world in their own way, so they can't make a simple analogy. He emphasized the value of individuality and ego. This makes me think he is cute and credible.

At that moment, I suddenly thought of potted flowers in Lyon, and realized that a person's life, like that of vegetation, is useless. In a silent state, grow up silently, live silently, rejoice, flourish and wither. In line with its own rhythm, cold and warm, good and bad are borne alone, showing its intrinsic value. Weeds on the wasteland, although far from the market, are still boundless; Although no one cares about the begonia in Lengchuan, it also blooms carefully-the lonely life is so brilliant, romantic and self-sufficient.

On the contrary, if weeds are planted in the flower garden and begonia is squeezed into the rose garden, people will not only panic, but also be squeezed out or even cut down because of its "heterogeneous" face.

Or it can be said that the so-called vocal thing is something close to "fame and fortune" or public opinion. It will lure an adaptive plant out of its inherent living soil and make it at a loss and enter a precarious situation.

In this sense, the real murderer of a person's degeneration or even destruction is himself or herself. Its premise is that he (she) attaches too much importance to external voices.

Leon's death is doomed. Although he realized the danger of "voice", he could not resist the temptation of the little girl's "voice" after all. Cold-blooded killer is like this. What about gentle people?

Therefore, those who can't stand the temptation of "sound" and fall into a painful situation should learn one thing at the same time, and that is self-pity.

In fact, the "manifestation" of life and the "concealment" of life are essentially the same: the joy and pain of life have to be borne by themselves, and others are irreplaceable. Therefore, the "sound" outside the body, even if it is warm, is just like silence, and the bearing capacity of life will not be "reduced" because of it.

People are like vegetation, as they have been since ancient times; The world is changing and changing.