1, god of gamblers
I really miss an era that I have never experienced. At that time, Fage's back was shining, Hanako was handsome and proud, and his ancestors were beautiful. At that time, Chow Yun Fat was also in his prime, leaving his superb acting skills to the gambler. The ups and downs of the story and interpretation make this film not only create a series, but also become an unforgettable classic.
2. Crouching Tiger, Hidden Dragon
The rhythm control of the whole movie is excellent, and the soundtrack and photography are absolutely classic, which is a rare masterpiece from many angles. It's a pity that Chow Yun Fat and Yang Ziqiong's Mandarin is very difficult, and it's easy to make people uncomfortable or even disgusted with their lines, but they think it's a great movie in many ways.
3. Peace Hotel
Ping, a Jianghu middleman, is the owner of Peace Hotel. It is rumored that he is skilled in martial arts and declared that the Peace Hotel is a "refuge". The singer Oman fled to the Peace Hotel, and a trap that had already been laid followed, and a fight was inevitable. The early Hong Kong films were still very interesting, with wonderful fighting scenes, and Chow Yun Fat's acting skills were excellent, and the characters were flesh and blood and fashionable.
4. Prison storm
This film is full of emotion and tension. The performances of the two leading actors, Chow Yun Fat and Tony Leung Ka Fai, and the supporting actors were wonderful. Prison is a small society, a small river and lake, relying on the realistic prison life and the emotional changes of the protagonist to resonate with the audience. Movies enrich the life in this small society, add romantic and freehand feelings to the cruel survival rules, and turn the original cruel prison life into romantic and chivalrous Jianghu stories.
5. Hot-blooded Man
Brother Fage's rage is really thrilling, a crazy transformation from human nature to animal nature. What is more unique and in-depth is to write the psychological trajectory of the characters carefully and clearly in the face of evil. Roughly described, Wu Yusen's violent scenes are like ballet, warm and romantic; Violence in Du Qifeng is like tango, elegant and accented. Violence in Lin Lingdong is rooted in real soil, cold, calm and highly realistic.