Anyone who has seen Wong Kar-wai's film In the Mood for Love will remember Wonton Noodles of Heyun. Every evening, Su Lizhen, dressed in cheongsam, will be holding an insulated lunch box, swinging his graceful posture and clamoring to go to the street corner stall to buy wonton noodles.

In the dark stairwell, she always meets Zhou Muyun who just came back from eating noodles. They crossed their eyes, greeted each other with a smile and nodded "hello", but they couldn't help looking back, but they always flashed by.

A bowl of wonton noodles creates a chance encounter, plays with amorous feelings and catalyzes ambiguity. The number of encounters increased. Two people in the same boat, holding their own loneliness and sadness, are risking an undercurrent that cannot be hidden in the depths of emotion.

Su Lizhen's cheongsam changes every day, but her excuse is always a bowl of Wonton Noodles. Later, Heyun never went out again. They cook in the house and share a Wonton Noodles. The scene of eating noodles changed, and they struggled to start a different relationship.