Common Words in Calligraphy (Classic Edition)
1) can use this pen, straight, horizontal, smooth, repeated, light, virtual, solid, steady, vertical, tight, abduction, all trying their best, all in tune. Qing Zhou Xinglian's My Opinion on Linchi
2) the method of using a pen is found at both ends of the painting, while the wealth and arrogance of the ancients are cut off in the painting. There are still traces of manipulation at both ends of the cover; Among them, the reason why interception is rich but not timid is real and not empty, not bone potential, and can not be angry. Clear. Bao's "Art Boat Double Series"
3) The pen holder is regular and flat. Song. Jiang Kui's Continued Book Score
4) Raise your pen at the place where you send it, don't suppress it, and don't tell it through the ages. Ming Dong Qichang's Essays on Painting Zen Rooms
5) The ancients used the same pen to write, divide, be true, walk and cursive. They must focus on the front and occasionally win glory with the side. Below the book, front eight, side two, unpredictable. Fang's book strategy
6) The ancients were used to hiding power when writing big characters, so there were few boring things in their calligraphy and painting from top to bottom. Nowadays, books are often strange, but I don't know that this book is not expensive for good calligraphers, but it is light for oblique pens and sincere pens, and then there is this. The so-called profile is just a taboo of calligraphy. Southern Song Dynasty. Chen Min's negative noise field record.
7) Dong said: Although calligraphers emphasize the hidden side, they should not take vagueness as the hidden side. Cover it with strength, increase it with potential, and rhyme with emptiness. What Yan calls it is like drawing sand with an awl. The Qing Dynasty and Zhang Liang except Zi Xue.
8) Only when the pipe is fixed and the front is turned, will it become flat in turn. The eight sides of the painting are nothing more than a little effort, but they are painted into words after the product, and the words are gathered into articles. Clear. Bao's "Art Boat Double Series"
9) The pen is always flexible between your fingers, so you can change it. In case of turning point, you can't change the pen, which will inevitably lead to hard switching. His paintings must be horizontal. Try to read Huai Su's cursive script. If you are surprised, you will bend; if you stretch, you will feel comfortable; if you are a mass of barbed wire, you will never be biased. I also read Lu's seat stickers. All the papers are round and have no edges. As the ancients said, Duke Lu and Duke Lu used pens to circle, but they all used pens instead. Clear. Wang Moxian's calligraphy guidance
10) The ancients painted dribs and drabs, all to make the front turn the pen, not to the point of pulling. The ancients pulled together, all rotating, holding the paper in their hearts, and there was no place where Xiaomi collapsed. Clear. Bao's "Art Boat Double Series"
1 1) The word "painting" should be light and smart, leaving no traces of pen and ink, such as antelope hanging horns. A scholar with a keen mind and hands. But convenience must be proficient, and the turning point must be dark, in order to know the beauty of folding hairpin strands. Stay in the dark, stay in the team, stay in the team. It's really fast. And Tang's "New Interpretation of Linchi"
12) the transfer of several paintings wants to be folded, and the rotation of a painting is expensive; The same turn, misuse is sick, and it is legal to do it separately. Da Zhongguang's Book Raft in Qing Dynasty
13) The front is on the paper, which means that the change is appropriate: draw a walker and turn the pipe up; Draw a walker and turn the pipe down; Draw a left walker and turn the pipe to the right. Clear. Bao's "Art Boat Double Series"
14) It is necessary to make the brushwork in painting and calligraphy, such as standing in the bone, although rich and barren, and their own adults. Song Li Misson's Yunxi Collection
The main idea of this book can be summed up in one word. Yue: The pen is round. Square, folding method, stippling the starting and ending points of waves, square pointing out, word bone also; Round, hanging in the air with a pen, pretending to be a gesture, round the arm and wrist, the word tendon is also. Zhu Qing Luzhen's Introduction to Learning Books
16) The circle rules are like the sky, and the square rules are like the ground. Fiona Fang uses each other, but Yin and Yang hide from each other. Therefore, the pen is expensive and the shape is expensive. The circle is God's circle and cannot be delayed; Fang Naitong Fang, just can't hold it. Elegant characters in Ming Xiangmu's calligraphy
17) when the ancients wrote a book, they rounded it to the last when they put pen to paper, and it was convenient to the last when they put pen to paper. Each article became a composition. "Lanting" uses a circle, "Shengjiao" uses a square, and the second paste is a model of calligraphy in the past century. The so-called rules are the best in Fiona Fang.
18) to turn the beam, which is round inside; In terms of pen quality, the bone is square and round. This is a certain principle. Qing Zhou Xinglian's My Opinion on Linchi
19) Soft is round, hard is flat. Therefore, the truth lies in temperament, reaching form, being round in form and based on temperament. Clear. Bao's "Art Boat Double Series"
20) The round pen was used for lifting, but it was frustrated. Fang Bi turned the conversation to dinner and mentioned the contract. The round pen should be sharp, and Fang Bi should turn it over. If the round pen is not sharp, it will be weak, and if Fang Bi does not turn it over, it will be weak. Modern. Kang Youwei's Guang Yi and Zhou Shuang.
Common words in calligraphy (latest edition)
1) It is calm when writing low, and elegant when writing high. Liang Qing Xian on Writing.
2) To learn calligraphy, learn to write first. If calligraphy is authentic, write two inches and one minute; If you write cursive script, you should write three inches a minute. The next point of drawing Bonet's buckle needs one hand to send it. Eastern Jin dynasty Wei Shuo's brush drawings
3) The depth of the pen depends on the distance of the paper, the distance is floating and thin, and the front is heavy and close. Don Lu Xie's Linchi Tactics
4) Anyone who wants to learn how to use a pen first, hook his wrist with both hands, and lean against the pen with his ring finger is powerful. On Books by Huang Tingjian
5) The so-called law means resisting pressure, uncovering hooks, resisting rejection and guiding delivery. Five generations. Li Yu's Shu Shu
6) It is important to hold the pen, and live with it. Can't point to writing. When moving with your wrist, hold the pen in your hand, and the hand is not the main thing; Luck lies in the wrist, but the wrist doesn't know how to hold it. Sun Guoting has the method of holding, making, turning and using: holding long and deep; Make it vertical and horizontal; Steering hook and loop reel; Point to the back with verbs; What a coincidence! Song. The continuation of Jiang Kui's book.
7) where a book needs a pen, the argument should be especially at the beginning of the pen, and the argument should be especially at the end. The word "press" is used by calligraphers, consistent but not separated. Therefore, you should lift the pen when it is heavy, and press it when it is light to avoid dropping and floating the pen. Qing Liu Yizai's Artistic Outline
8) Use a pen with weak wrists. Too slow and boneless, too quick and boneless. On the Essence of Pen by Yu Shinan in Tang Dynasty.
9) the pen should be smart and clumsy, smart and handy, clumsy and muddy, and combined with it, there is no frivolous and turbid disease when writing. Clear. Qin Painting Tianjin Dialect and Liang
10) Calligraphy uses a pen, and the pen uses a front. Clear. Zhou Xinglian's My Opinion on Linchi
1 1) right army pens, mostly positive, strict statutes, fascinating; Amethyst is unfolded with a pen, and its side is half of the front, so the spirit is scattered. Fang's book strategy
12) when the wrist is vertical, the front is positive, the front is positive, and all directions are full. The second truth refers to the average strength of the system. Second, palm deficiency is cheap to use. Don Li Shimin's Calligraphy Strategy
13) Si Wengyan: Pogongfu's book Ode to the Red Wall uses the front, trying to penetrate the back of the paper. Every wave is painted everywhere, and the ink spots are faintly gathered, and the traces are like millet, which is beyond the reach of stone carvings. All this has reached a very delicate position in ink painting, which is also the secret of calligrapher Mo Chuan. And Tang's "New Interpretation of Linchi"
14) When you write, you care about stability; Use a pen lightly, and be healthy: light means heavy, and heavy means astringent. This is called hiding the front. The true story of calligraphy Wu
The word "15" is different from that of Zangfeng. If you want its hand and tail to correspond, it is better to connect it up and down. Song. Jiang Kui's Continued Book Score
16) When using a pen, it is especially necessary to hide the front. If you don't hide in front, you will get sick and get sick. How can it be? Don Xu Hao's book.
17) It's my way to draw sand like a cone, making it hidden in front and painting calmly. When he uses a pen, he often tries to get the pen through the back of the paper, which is very successful. Tang Wei continues to "Mofu"
18) the so-called eternal difficulty refers to the texture of the pen, not the face of the pen. Qing Zhou Xinglian's My Opinion on Linchi
19) Learn to be organized and write in style; Otherwise, the brushwork is not refined and the words are lost.
20) The method of one word is the structure: the beauty of a stroke is the beginning. The way of structure, especially the subtlety of brushwork. Anonymous "Eight Methods of Chanting Zi"
Common Words in Calligraphy (Popular Edition)
1) scholars, visible in February; People who are naturally spiritual know their origins within a hundred days. Eastern Jin dynasty Wang Xizhi's Gesture Theory
2) the method of life and death with a pen lies in seclusion. The late writing lies in the disease, and the disease writing lies in the late writing. Going in and out, following the trend, waiting for mediation, it is better to be silent. It's wonderful. It must be a deep work, and it's rare to seek metaphysics hastily. Zhang Tang's Thoughts on Ten Methods of Using a Pen
3) the treatment is refined, which is conducive to seeking its essence. Once you suddenly realize, you are indifferent to the use of pen and ink, and you don't know what you have. The body is naturally created, and then you can learn books. On calligraphy in detail
Where there is a will, there is a way. Xian's Theory of Learning Books
5) People who are talented or have no mastery will give up all their efforts, but there are some good places, don't forget to keep them! Tang Li Sizhen's "Aftertaste"
6) In the year of Yu Zhixue, he paid attention to calligraphy, tasted the bell, expressed his strong feelings, sighed, offered the previous rules, and took great care of specialization. When he was more than two years old, he had the skill to learn, but he had no ambition to approach the pool. The Book Score of Don Sun Guo Ting
7) High rhyme, deep affection, firmness and heroism are indispensable. Liu Xizhai's artistic outline
8) Speak from the heart and draw from the heart. Yang Xiong, a scholar of Western Han Dynasty
9) Books should still be thick, and they must be thick. Otherwise, this book is not obscure, but it is only a portrayal of others. Liu Xizai's Art Outline
10) Where is the screen, Huai Su can clearly see it. Although it is covered with dust, there is still thick ink on it. Strange rocks rush to the autumn stream, and Han Teng Gu Hangge. Close to the water tower, you get the moon first, and every word is good. The cursive screen of Han Wo, a poet in Tang Dynasty
1 1) Time is not as good as success, and success is not as good as success. Sun's book spectrum
12) with a pen in your heart, your heart is regular and your pen is correct. Liu Gongquan
13) Rowen tiger vibration, tense. Yuan Ang
14) The word originated from the Three Gorges and swept a thousand troops alone. Drunk songs of Du Fu, a poet in Tang Dynasty
The old man's book cannot be published. Huang Tingjian, a poet and calligrapher in the Northern Song Dynasty, collected the works of this valley.
16) Knowledge can only go far after learning books. Zhang yanyuan
17) the heart is right and the pen is right. Su Shi, a writer in the Northern Song Dynasty, Six Books of the Later Tang Dynasty.
18) Modern scholars know more about modern books than ancient books, and are good at flattery, but weak in spirit. However, if they combine the ancient ones, they will feel inferior; Is it not surprising that the ancient people's thoughts did not spread and the scale was similar? Song and Zhou's Fu Sheng Ji
19) learn half and half, but never learn completely; If you don't want to be complete, you can't be complete and you don't have to be complete. Zheng Qing Banqiao
20) Scholars are more valuable than prudence. Don't be deceived by the ancients. Clear. Wu Dexuan's Essay on Loushu at the Beginning of the Month.
After reading the proverbs in calligraphy, I also read:
1. Commonly used calligraphy quotes
2. Practice famous words
3. Classic inspirational celebrity quotations calligraphy
4. Excerpts from famous sayings and aphorisms in calligraphy.
5. Complete works of famous calligraphy sentences
6. Classic calligraphy inspirational famous sentences