At the beginning of the film, casting Buddha, peeking at the driving recorder, having sex with Prakash, the mysterious Ms. Wu, Sakyamuni who lives by the sea, and seemingly irrelevant people are all linked to the wealth and recipes in her stomach. At first, the director focused on depicting the same belly money and recipes as two men who were addicted to eroticism, but with more and more courage, he began to try new videos, which triggered the climax of the film. When they saw that Ms. Wu was dragged to the front of the Buddha and beaten to death, their facial expressions could only be described as wooden, and then their wig fell to the ground. At this moment, the audience facing the screen can feel more than just shock. It is a great irony that an artist who is usually modest has just finished worshipping in front of the giant Buddha he designed. Of course, the film can know the director's ambition from the tone and tone, and the film is definitely not just about this irony. Between each climax, the director skillfully grasped the emotional tone of the whole film. The most interesting scene in the film should be Du Cai riding a bike with a shop assistant. The actor shouted, "It's a black-and-white film anyway, so I can't see that I'm riding pink." At this time, the director seemed to be very funny, highlighting the pink color of the car. At that moment, the audience even felt that what they saw was not a black humor, but an interesting black-and-white movie with some colors. The distinction between black and white and color has been shown in the menu and when reading the driving recorder. Black-and-white and color are just the differences between civilians and rich people in observing the world.
In affordable housing, belly money is the best place to show off. And this is also the place where the menu personality can be exposed most. Always stealing the driving recorder at the instigation of the money in his stomach, which also laid the groundwork for Kevin and cookbook's next speech. In the face of Kevin's questioning, he bowed his head and dared not speak, even in front of his brother-in-law. Kevin actually knows this, so when he treats recipes, Kevin just threatens a few words and then arranges hospitalization for his mother. In fact, the recipe has been afraid to say. Money in the belly has become a means of intimidating recipes. The film doesn't say who murdered the belly, but in fact everyone can imagine. But the director's originality is that he once again showed his black humor skills and overlooked the ditch with cheerful music. With the continuous appearance of empty beverage bottles, trolleys and sacks, the audience has already noticed that the next scene will be bloody and horrible, but the director finally presents the body covered with white cloth and marked with white lines. Everything, those two cases, are as easy as children's play and background music.
At first, the director said, I will appear at some time and talk about my own views. The most apt place of this sentence is the scene of Kevin and Pula in the epicenter of the car. When confused, the same name has two meanings, one is Buddha and the other is base. You will be surprised at the director's attempt. It turns out that the whole movie is a drama. And this giant Buddha finally worshiped in front of thousands of people, but he didn't know how dark the giant Buddha was. You may sigh that despair has been added to the drama and absurdity of the whole movie at this time, but your despair seems to be awakened by a knock at the door. You long for women to wake up and expose their sins, but you immediately think that women have been in it for more than a week, and all you can see is more despair. At this time, the screen was dark, as if we were also in the giant Buddha, with endless darkness inside and the admiration of thousands of people outside.