She said in the live performance that the Crosstalk Gate was solemn and called her aunt, so everyone called her grandma when they met me. Then she asked Yan Hexiang at the scene, what did you call her? Yan Hexiang stood up, bent down and repeatedly called grandma. Some people are tired of this. Cai Ming plays a short story and Degang Guo talks about cross talk. How can they talk about qualifications? Is it possible that short essays, like cross talk, generally require teachers to inherit the system? In order to be lively, the fifth season rematch of Tucao Conference invited more guests, including evergreen Cai Ming and Pan Changjiang in the Spring Festival Evening.

Cai Ming's sketches in recent years are generally poisonous, so he also followed this setting at the "Spitting Congress". As soon as she came up, she talked about her old partner Pan Changjiang and turned to Yan Hexiang. First, she said that she had never heard of Yan Hexiang, and then said that crosstalk performers were familiar with many things. They always shout "the name of the dish", but no one dares to "hug Cai Ming" when they meet. Then, Cai Ming talked about intergenerational issues. She said: "Crosstalk is very solemn. Degang Guo calls you aunt, so Mon and I will call you grandma when they see you. So I want to ask, who is this grandson? " It was sold domestically in a few words, and the scene was full of joy.

Immediately, Yan Hexiang obediently called grandma Cai Ming. So the question is, does Cai Ming really have a generation in the phonological world? That's not true. As far as I know, Cai Ming is really an apprentice in the sketch circle at present. The most famous ones are Yang Guo and Guo Liang who have cooperated with her many times. These two parts worship Jiang Kun in phonology and Cai Ming in short stories. This incident can be regarded as an example of the beginning of short writing, but there is not much publicity for the time being, and there is no apprentice tide in short writing. Can only be regarded as an example. However, in any case, Cai Ming only accepted his apprentice in the field of short stories, and he had no close relationship with the phonograph field. Then why did Degang Guo call her aunt when she met her? This is because of the close relationship with the owner. For many years in the 1980s and 1990s, Hou and He rarely performed various programs together, but they still had many opportunities to be on the same stage together, including the venue for the Spring Festival Evening and Acupoint Performance, so the relationship was very close.

Short stories and cross talks are comedies, and they are frequent visitors to the Spring Festival Evening, so there are still many opportunities for various performances and discussions. One to two, and Hou have a close relationship. Cai Ming also attended the memorial service. Although Houbi is twelve or thirteen years older, she is still of the same age as a whole. Therefore, if you see her, it is no problem to call her aunt from now on-even if they are only twelve or thirteen years old. Since Degang Guo called Cai Ming "Auntie", grandma has sprung up in occupations other than short essays in Cai Ming in recent years, so more people like Yun-peng Yue and Yan Hexiang won't feel uncomfortable. Over the years, Cai Ming has also cooperated with actors of Deyun Society for many times, including Degang Guo's performance, and also performed the short story "Surprise You" with Yun-peng Yue in the Spring Festival Evening, and participated in the movie "The Hero with Rat Gallbladder" starring Yun-peng Yue.