1. The landscape poets in Tang Dynasty, represented by Wang Wei, have an important position in the history of China's poetry. The school of landscape poetry mentioned here includes some poets who expressed their inner world with landscape as the aesthetic object from the prosperous Tang Dynasty to the middle Tang Dynasty. They are Wang Wei, Meng Haoran, Pei Di, Chang Jian and Chu Guangxi in the prosperous Tang Dynasty, and Liu Changqing, Wei and Liu Zongyuan in the middle Tang Dynasty.
The emergence and characteristics of the pastoral school of landscape poetry
1. During the prosperous Tang Dynasty, the society was stable, the national strength was strong, and the social politics, economy and culture were prosperous in an all-round way. The rich material life of the scholar-officials provided conditions for roaming and enjoying the mountains and rivers.
2. The pastoral school is represented by Meng Haoran and Wang Wei, as well as Chu Guangxi, Chang Jian, Zuyong, Qi and others. They inherited the creative traditions of pastoral poetry and landscape poetry of Tao Yuanming, Xie Lingyun and Xie Tiao since Jin and Song Dynasties, and formed a school of poetry with common themes and similar artistic styles.
The main contents of Meng Haoran's pastoral poems;
Meng Haoran is a representative writer of the pastoral school in the prosperous Tang Dynasty, and he is also the first poet who created a large number of pastoral poems in the Tang Dynasty. Most of his poems are landscape poems, or he writes about the scenery he saw in various places during his travels, or about the natural scenery of his hometown.
(2) Meng Haoran's poems are light and rich in flavor, just as Shen Deqian said: "Xiangyang's poems get the Tao from quietness, so the language is light and the taste is not light." His poems are good at using plain language, integrating personal subjective feelings and emotional implications, creating Qingyuan's artistic realm, which contains strong emotional charm.