The scientific name of "gold inlaid with jade" in jade carving technology is "gold and silver inlaid with precious jade", and its history has a great relationship with Heshibi. Legend has it that after Wang Mang usurped the throne, he coerced the Empress Dowager to hand over the imperial seal. Empress Dowager Cixi, in a rage, threw the jade seal on the ground and broke off a corner. Later, Wang Mang ordered skilled craftsmen to carry out renovation and inlaid the missing corner with gold, which was called "gold inlaid jade seal", hence the name "gold inlaid jade". The process of "gold inlaid with jade" lies in the word "inlaid", which is inlaid into a pattern by continuous tapping with gold wire or gold piece. The combination of gold and jade symbolizes the strength of men and the softness of women, so the combination of gold and jade also represents the combination of men and women. "Golden branches and jade leaves" originally described flowers and trees with beautiful branches and leaves, and later referred to royal descendants. Now it is a metaphor for people who are born noble or exquisite. Its origin is in Pu Bao's Notes on China in Ancient and Modern Times: "Fight with the monarch and go to the emperor." In the Tang Dynasty, Wang Jian's "Palace Flirting" said: "Butterfly, butterfly, fly to the golden branches and jade leaves." The dragon and phoenix are called "golden branches and jade leaves", and the typical talented women are called "golden jade and good marriage". "Good marriage" originally refers to a marriage that conforms to the feudal order, and later refers to a beautiful marriage.