1984, Zhu Shimao and Peisi Chen, as two newlyweds, made their debut in the Spring Festival Evening, and performed the sketch "Eating Noodles" together.
The lines in the sketch stem "What's your hurry?" A group of little people played by Peisi Chen thought that the director played by Zhu Shimao was talking about himself, so they always responded to the words "I'm not in a hurry", and their mouths turned over many times, which made the audience laugh.
The little guy who just wanted to eat enough rice finally ate enough noodles and led himself into the trap of "noodles" The whole sketch process is both ironic and reveals the hardships of the small role.
Peisi Chen's exaggerated body movements became a classic when facing the bar. After the popularity of sketch, Peisi Chen's antics became a model for many young sketch artists to imitate when creating.
Since then, Peisi Chen's image as a nobody has been deeply rooted in people's hearts. On the stage of Spring Festival Evening for several years in succession, he and his good friend Zhu Shimao jointly created classic sketches such as Mutton kebab, Leading Role and Supporting Role, and Police and Thief. In the sketch, Peisi Chen and Zhu Shimao are still performing a comparative performance.
Teacher Zhao's fame can really be described as a late bloomer. She has strong stage skills since she was a child. 1988, 60-year-old teacher Zhao made her debut as a newcomer in the Spring Festival Evening, starring in the sketch "Emergency" and getting an electric shock for the first time. The image and unique pingju style in Zhao Xiaopin attracted the audience's attention.
In the essay "So Packaged" starring 1995, she kept the traditional singing method of Pingju unchanged, added new words adapted to the times, and achieved different surprise effects, and the familiar tunes were circulated for a long time. "It's so uncomfortable to pretend, I can't open my mouth, and I can't keep up with it ..." The lyrics of the essay were orally hummed by everyone in the streets.
In 1996, she not only showed her Ju Ping, but also showed her calligraphy. The word "genuine" is firmly imprinted in people's memory.
And "I cook fried pork and fish fillets ..." The tune of singing the name of the vegetable in the sketch has become a must-sing for many mothers when cooking.
Several CCTV sketches won the first prize. Teacher Zhao's sketch has become a classic in many people's minds, and her unique comedy features can't be imitated by others.
Many people mention Cai Ming because he is a frequent visitor to the Spring Festival Gala. 199 1 year, Cai Ming, who was only 20 years old, made his debut in CCTV Spring Festival Evening and starred in the first sketch "Stranger". Cai Ming's unique appearance made the audience remember this fashionable girl at a glance.
The first time I got an electric shock in the Spring Festival Evening, she gave the audience the feeling that the sweet appearance and sharp language formed an extreme contrast.
1993 Huang Po with Guo Da. In the sketch, she played a star who didn't want to reveal her family background after becoming famous. Jokes at work focus on her. The star pretends to be in front of others, and the daughter speaks her hometown dialect in front of her father. Cai Ming interprets the contrast between the two roles very well, with constant laughter.
This sketch also laid the foundation for her and Guo Da to become partners. A few years later, they cooperated on the stage of CCTV Spring Festival Evening with classic sketches such as Overseas Telephone, Dad, Robot Funny Talk, New Year's Eve, Fans, etc. Cai Ming's sharp-tongued and sharp-tongued character was gradually established in the audience's mind.
Over the years, both Zhao Benshan and Song Dandan have left the stage of the Spring Festival Gala, but Cai Ming has not left. She regards the Spring Festival Gala as an agreement with the audience, bringing joy to the people and getting her own achievements.
As the successor of Zhao Benshan, the permanent guest of the Spring Festival Evening, Xiao Shenyang's debut is the peak. In 2007, as a newcomer, Zhao Benshan personally took him to the Spring Festival Gala.
In the first sketch deduction, Xiao Shenyang played the image of some young restaurant waiters, which was the first precedent. His wriggling posture on the stage became a symbolic action.
The comedy revealed by the performance of Cheap in the Air made the audience hate and rejoice.
After the Spring Festival Gala, the movements, tone and intonation in Xiao Shenyang's sketches became the objects of ridicule and imitation, and the name of Xiao Shenyang also spread all over the country.
Unfortunately, he was brilliant for a while, and then he never boarded the Spring Festival Gala again.
20 12 Newcomer Shen Teng made his debut in the Spring Festival Evening, which was very popular. To what extent is Shen Teng's image "Hao Jian" in Happiness Today? When he met him on the road, he couldn't name his real name, but called him Hao Jian.
Different from other sketches, Shen Teng's sketches have very strong dramatic stage features besides jokes. The actor's position and appearance, as well as the meaning and irony expressed in each paragraph, make the whole sketch more like a short play.
Apart from today's happiness, the most famous sketch is "Help or Not" by Shen Teng and Mary on 20 14. The wonderful transposition performance not only satirizes the phenomenon of old people touching porcelain, but also indirectly teaches people how to deal with such things by calling the police. Remind everyone not to speculate too much about other people's ideas. Humanity is the foundation.
Every time Shen Teng brings his works, it reflects the pain points of the society, which may be the reason why MCA FunAge has developed theaters many times. The Spring Festival Evening really made Shen Teng angry, and then the film Goodbye Mr. Loser broke his image of "Hao Jian" and established a new image of "Charlotte". Shen Teng has gradually become a box office guarantee and all kinds of big coffees.
20 10 On the first Spring Festival Evening, the couple Jia Ling and Bai Kainan brought a crosstalk performance "Big Talk" to tease the characters in the crosstalk. In the work, Jia Ling's extremely fast speech speed and rhythm control make the audience realize once again that women can also speak cross talk.
Jia Ling and Bai Kainan performed more than 80 performances in a small theater before the "big talk" appeared in the Spring Festival Evening, and all their success was not achieved overnight.
20 1 1' s cross talk "open sesame" and 201's sketch "Xile Street" once again changed the audience's impression of Jia Ling. Apart from cross talk, I didn't expect Jia Ling's sketch creation to be good.
After that, Jia Ling set up her own entertainment company and trained her own comedians. On 20 19, Jia Ling took her team's sketch "Ridiculous" to the stage of CCTV Spring Festival Evening.
In "Happy Comedian", the essay "Hi, Mom" based on mom won the championship with tears in the first scene. Besides sketching, Jia Ling also made this work into a film in memory of his mother.
After Jia Ling boarded the Spring Festival Gala, she didn't confine herself to the development of cross talk. She gave full play to her comic talent, which not only broke the difficulties of women's cross talk, but also achieved good results.
On 20 14, newcomer Yun-peng Yue stepped onto the stage of the Spring Festival Evening. He and Cai Ming play one of the three brothers in the sketch "Disturb You". His simple and honest image is a bit silly, and his unique tricks and small tunes on the stage make it impossible to ignore him.
The following year, Yun-peng Yue and his partner, Sun Yue, took the comic dialogue work "I can't stand it" to the stage of the Spring Festival Gala again.
Different from the past, Yun-peng Yue appeared in the form of crosstalk works. In the performance, he vividly showed some bad ideas of little people in daily life, which made the audience laugh.
The stage of the Spring Festival Evening gave Yun-peng Yue a chance, and the popularity of Song of the Five Rings gave Yun-peng Yue more resources. He suddenly appeared in various TV dramas and variety shows. He has a natural grounding gas, and the audience affectionately called him "Xiaoping Clay".
1986, The Spirit of the Marquee on the stage of a Spring Festival Evening gave the humble title of Princess Peacock of Yang li Ping. On the stage, she perfectly integrated the peacock's posture and charm into the dance. Since then, no one's peacock dance can surpass Yang li Ping.
At that time, because of this dance, many people followed Yang li Ping's example and went to the zoo to see how the peacock stood in the wind, unfolded its screen and spread its wings. How many parents have enrolled their daughters in dance classes?
20 12 "love birds", Yang li Ping put the peacock's love on the screen again. In the fairyland-like stage picture, the perfect cooperation of the two dancers made the dance picture beautiful to the extreme, and this dance became the most beautiful program of the 20 12 Spring Festival Evening.
Today, Yang li Ping is no longer a little girl in Yunnan, but an artist in the dance world.
In the Spring Festival Evening of 2005, 2 1 deaf-mute youths with an average age of only 2 1 brought the dance Guanyin with a thousand hands, which shocked everyone.
The ever-changing gestures in dance have become the way for many viewers to shoot tourist attractions afterwards.
As a newcomer to lead the dance, Tai Lihua's dignified and elegant temperament made the audience write her down at a glance.
From Hubei, I was deaf at the age of 2, and began to learn dance at the age of 15. In a world without sound, dance became her language. Her performance of The Sparrow's Soul moved Yang li Ping, and Yang li Ping became her tutor.
The success of Avalokitesvara is not the result of one person, but the joint efforts of 2 1 young people and the teachers behind them. They let people see another group of people in this world. They speak in different ways.