Finger code, just look at the picture, you'd better memorize it first, and then you won't understand it.

Step 2: Understand guitar chords.

Guitar Chord Diagram (1)

Sometimes, we should pay special attention. Not all spectra will be labeled with finger codes, so don't be too reluctant to find a reasonable pressing method.

Guitar Chord Diagram (2)

The following are guitar chord representations commonly used in books. This is the most common chord diagram, except that the picture above is rotated 90 degrees and attached with chord codes.

Step 3: Know the position of the chord root.

What is a root sound?

Simply put, the root sound is the lowest sound in this chord composition. The following is the scale position map of the first three squares of the guitar. If you don't know the root or tonic position of the chord, I suggest you print out the following table and stick it on the side of the guitar. If you forget, just look down. If you can understand the chord chart, you can read it yourself first, and start with the root sound and play it slowly one by one.

Usually find the sound on the thicker 4 5 6 strings of the guitar.

For example, the root of Fmaj7 chord is F.

So we press Fmaj7, and the fourth string is naturally F.

Therefore, as long as you know the position of (the sound) on the guitar fingerboard, you will naturally know the position of (the root sound).

Step 4: Cut to the chase-label guitar music

Right hand position: as shown above.

Right ring finger: responsible for dialing 1 string (the thinnest string).

Middle finger of right hand: responsible for pulling up 2 strings.

Right index finger: responsible for dialing 3 strings.

Right thumb: responsible for dialing 4 strings.

Right thumb: responsible for dialing 5 strings.

Right thumb: 6 strings (the thickest string) are responsible for the downward swing.

What numbers represent.

Tab Six-pointed Star-Online Number: indicates which column to press with the left hand. For example, if the number 3 is on the 1 string, it means that the left hand should press the third bar of the first string and the right hand should play the first string at the same time.

You must understand the notes first.

That is, the length of sound, which needs to be discussed in another new article. The algorithm of note-taking is a part that needs to be taught by the teacher himself, but it is also an extremely important part.

Simple and practical operation

Embrace guitar music

Guitar fingering practice: slow soul slow soul music

Guitar fingering practice: waltz? rotate

Step 5: Choose the appropriate guitar score.

Many guitars only have chords and lyrics, so it is not appropriate to watch this kind of music. The following is the most basic information that a good score will mark, and it is also the structure of music, which is indispensable.

★ rhythm

★ Tone key

★ Speed speed

★ Melody melody

★ Chord chord

If you don't count the lyrics and only have chords on the spectrum, you will lose the beat and timbre of the three elements of music, just like a recipe can't make a complete dish without written materials (detailed methods). Just looking at this spectrum will hinder the integrity of your study, and you will often encounter the following problems.

When a voice is to be sung, which beat should it correspond to?

When the chord pops up, which beat is it in this bar?

How to temporarily change the tonality and rhythm mode?

Which bar only plays basic ones?

Which bar can change the rhythm?

This important information

All these must be marked on a good guitar score.

Similarly, if you can watch so much guitar music (recipes), just practice the strokes and fingering (cooking more) written by others first! There will be some blind spots in self-study, which may be hard. I suggest you find a teacher to learn to count beats (notes) and practice the arrangement and combination of different beats, so that the fingering and brushing in the book (the exercise of recipes).

Step 6: Change of Play

permutation and combination

Maybe you will play from the beginning to the end, and you will get tired of playing over time. At this time, you will start to want to change. In fact, the fingering and brushing of the same rhythm type will have infinite changes. If the basic model is ok and skilled, you can start to try to change your body shape. Indeed, everyone's accompaniment style is different The method of self-creation is actually just a permutation and combination. As long as the principle and taste of the original rhythm are well grasped and the speed is correct, then you can play freely?

See more and practice more.

So the more rhythm patterns and accompaniment types you practice, the better. Anyway, no matter what music, practice as much as possible and accumulate more "materials" and "raw materials". Maybe you will hear similar skills, and you will probably know how he changed. It is suggested that you can listen to and watch other people's performances more, absorb some new skills or accompaniment methods, and gradually get the gist of the methods to be changed.