Raphael's goddess and giorgione's fairy became female models, one of whom was naked and the other half dressed. They amused themselves in the forest with two well-dressed but obviously "bohemian" artists. This painting puts the characters in the same lush background, with a limited depth in the middle, and the curved woman not far from the middle becomes the apex of the classical triangle composition composed of three characters in the foreground.
Chinese name: "Lunch on the Grass" mbth: French: Le déjeuner sur l'herbe Author: Edward Manet Creation Time: 1863 Material: Canvas size: 2 13cm Current collection location: Musee d 'Orsay, Paris alias: Bath (original name) painting content, creation background, art appreciation and theme. Skills, comments by famous artists, influence of later generations, important exhibitions, author's brief introduction and painting contents "Lunch on the Grass" depicts the scene of several young people with a dense forest in the background. On the green grass in the middle of the picture, a * * * woman sits freely on the grass, with her chin in her hand, facing the picture, looking carefree. In sharp contrast, there are two well-dressed gentlemen around her. They sat and lay face to face, and one of them held out his hand to show what was famous. In front of them, women's clothes, hats and other things were piled up, a basket containing camping food fell to the ground, and bread, fruit and other food were scattered all over the floor. Behind them is a stream that flows deep into the picture. A woman in thin clothes is standing in a stream, fetching water and taking a bath. A ship is anchored in the depths of the stream. Manet was born in a wealthy family of judges in Paris. /kloc-when he was 0/6 years old, he boarded the ship as a sailor under the arrangement of his parents. The changeable scenery of the sea inspired him to describe the natural beauty. Two years later, Manet resolutely entered the studio of Kutour, an academic painter. However, it didn't take long for him to think that this academic style was rigid and false, and even lamented that "going into the studio is like going into the grave." After leaving the studio, Manet went to various art galleries to copy and study the works of the previous generation of masters, and incorporated many unique innovative ideas into his actual creation. After constant tempering, Manet finally wrote Lunch on the Grass at 1863. On the theme of art appreciation, Manet arranged a naked woman and two well-dressed men together and put them in the most common and common scene in Paris-grass lunch. This abnormal expression is a mockery and challenge to the common enlightenment and emotional themes of classical painting at that time. The whole picture is fresh and elegant, depicting a grass lunch as pleasant, leisurely, casual and natural. The picture twists and turns into two levels of flowing water, giving the picture a sense of flow. The color and light of the painting are very strong, with a strong sense of color and light. The painting method of this painting abandons the fluent pen used by people and uses color modeling instead of lines. And the author uses strong colors and bright plane colors, thus completely breaking through the traditional thick line drawing and making the picture a two-dimensional plane. Composition In composition, Manet adopts a stable triangle. The three characters in the middle of the picture, the woman in the distance and the deep forest can form a deep triangle. In terms of techniques, classical painting pays attention to perspective and sense of space. When appreciating a classical painting, the viewer can usually feel the sense of depth created by the picture. Manet tried to break the tradition of classical painting. The light source of Lunch on the Grass seems to come from the front of the painting. Soft light gives the picture a sense of plane, and all the necessary colors are drawn flat on the canvas. At the same time, it simplifies the light and dark level of the object, omits the intermediate color and strengthens the contrast between light and shadow. In this way, the spatial relationship of the picture is weakened, and the sense of flatness is enhanced, and then a new painting language-planarity is produced. The famous expert commented on Luo Shengjing, the master tutor of the School of Art and Design of Guangdong University of Technology, "Appreciation of Chinese and Foreign Art Masterpieces = Works of Art": This painting is a great innovation in artistic skills and historical significance, making Manet gradually become a leader among impressionist painters. Painter Feng Zikai's History of Sunset Art: 1863, there was a very big painting in the salon called Lunch on the Grass. The author is a major impressionist, Manet, a young writer with a new tendency at that time. Salons in conservative colleges certainly don't welcome this painting. When they saw this explicit sketch depicting two men and a woman, they immediately refused. ..... But today, this painting is epoch-making and art-changing, and it is the original representative of Impressionism. The influence of later generations on Lunch on the Grass has shaken the traditional rule of focus perspective in western classical painting. Treating distant women and nearby food is totally inconsistent with the traditional perspective principle. The picture is as flat as possible, and the oriental painting has obvious traces of point perspective. Important Exhibition This painting was dismissed as "indecent" when it was exhibited in Paris Salon in 1863, and was later exhibited in "Loser Salon". Author brief introduction Edward Manet (1832- 1883) was born in a wealthy family in Paris, France, and received a good education. Later, he studied painting with an academic painter. Dissatisfied with the teacher's academic teaching methods, he often went to the Louvre to copy the works of Titian, Veracruz, Goya and Rubens and learn from them. 1863, his masterpiece "Lunch on the Grass" was rejected by the salon, but innovative painters had a special liking for him. His paintings had the characteristics of impressionism, which greatly promoted the painting style reform in the late19th century. Representative works include The Piper Boy, The Venetian River, Follis? Bergel Bar, etc.