I can't understand that the songs loved by the broad masses of the people have become "Xialiba people", while some short-lived songs have become "Chun Xue". The folkways in The Book of Songs, which has been circulated for thousands of years, are well known by people up to now because of its poems reflecting people's labor, life and love, but how many people can play and sing Boya's Mountain Flowing Water? What's more, people who belittle Dao Lang are not good at culture, aesthetics, trust and appreciation, but they have the cheek to say that "only migrant workers like it". Here, I can't blame them, because their level is not as good as that of "migrant workers", and it is inevitable that they will have opinions.
Na Ying and Gao He did make derogatory remarks. The ancients said that scholars despise each other, so do singers. One is cheating strangers, and the other is jealousy. After all, Dao Lang didn't make his debut in Jingguang. Suddenly an unknown person came out of Xinjiang and covered them all! Everyone is selfish, and it is inevitable that he will be a little jealous in front of fame and fortune. A few angry words are inevitable. Ordinary people are angry when they see others making money, let alone wallowing in vanity fair. Besides, you said Wang Feng was involved. I don't know privately. It seems that Wang Feng has never spoken ill of Dao Lang in public. You can't just smear others. You can't talk nonsense without evidence.
Dao Lang's songs are very popular with the public, but Na Ying, Wang Feng and Yang Kun envy Dao Lang. How many migrant workers know about Wang Feng? Yang Kun Na Ying is just a second-rate singer.
Because Dao Lang lives in the mainland, the more widely his songs spread, the less the so-called famous singers in the mainland like him. Because there are not many broad-minded people in the entertainment circle, they are afraid that others will surpass themselves and affect their position in the music world. Musicians in Hongkong and Taiwan Province are different. President Tan Can also sang Dao Lang's works, but Na Ying and Yang Kun always despised his works. In fact, the quality of a musical work depends not only on its popularity, but also on whether someone remembers it and sings it after many years. Dao Lang retired from music for so many years, and his songs are still liked, which proves that his works are still good.
The key index to define a singer's success is whether his works are widely accepted and sung by the public. Dao Lang belongs to such a singer. Although he is very low-key, his songs are easily accepted by the public, and because he is a creative singer, most of his works belong to his own lyrics and music, and the songs are expressed in depth, so they can also resonate with the audience and belong to both refined and popular tastes. Just ask young people and you will know that there are many people who can hum Dao Lang songs, and Dao Lang's works have a high rate of ordering songs in KTV. I thought that Dao Lang's works as a singer may not belong to the category of pure art, but his works are by no means vulgar and boring for making money. He can bring happiness and enjoyment to most people. This is a good work, and a singer is a successful singer.
How many songs can the public hum at will, like Yang Kun Na Ying and others? Everyone probably won't have more than two or three songs. Many people know that he only knows Wang Feng, because two singers, Rising Sun Masculine, are very famous. But these singers are pretentious, their artistic attainments are not outstanding, and their market and popularity are also average. Most of them became famous not by original songs, but by various news and even scandals, or by being a guest and making a fuss on the stage to impress others. I really don't know where they got the slanderous remarks. As for the higher man who calls himself China, I really don't know what artistic path he takes. Does he have any famous books? Compared with Liu Huan, he is really poor. There are too many strange things in China entertainment circle.
Market! Dao Lang's almost predatory domination of the mainland music album market in 2004-07 is the main reason. After the snowstorm, Dao Lang's records were blown into the mainland record market like a hurricane from the western regions. At that time, video stores generally sold pirated copies together, and the price of pirated copies was less than half of the original. For a long time, Dao Lang accounted for 50% of genuine sales, while Hong Kong and Taiwan, including Jay Chou, who was already a quasi-king at that time, accounted for about 40%, and the rest of the mainland added up to less than 10%, and pointed out that the buyers of pirated copies were basically Uyghur Dolans, so there was a saying at that time: a Dao Lang propped up half of the genuine market and the whole pirated market! The result is a strange phenomenon. Almost everyone who works in the music market tries to get in touch with Dao Lang to gain a selling point. There are no fewer than ten "Dao Lang" in China ... Hong Kong and Taiwan are different, especially Cantonese superstars such as Alan Tam. The focus of the market is not on the mainland, and there is no factor that the market is squeezed by Dao Lang, because Dao Lang is not a member of the system and there are not many restrictions. Instead, they hitchhiked with him, such as Allen. After joining Dao Lang Universal Music in 2004, he strongly recommended Dao Lang in Hong Kong and Taiwan, and covered the first snow in 2002 in Cantonese. In 2005, he returned to the peak of music with the album Heaven and Earth produced by Dao Lang!
I am a big fan of Dao Lang, and I sing very well. He represents an obedient voice and is a favorite singer of our people. I never listen to Yang Kun and Na Ying. They are not even second-rate singers. They were afraid that Dao Lang would overtake them, so they slandered Dao Lang!
Because Hong Kong pop music producers and singers better understand the essence of "pop", that is, to be liked by the people; At the same time, pop culture, especially pop music, is more developed in Hongkong, Taiwan Province Province. This development also shows that they are more tolerant of all kinds of music styles and ways! On the other hand, in Chinese mainland, until the end of 1970s, there were no concepts of pop music and pop culture. At that time, the concept was that singing was an art and singers were regarded as singing artists. At that time, Teresa Teng's songs were called "the sound of decadent music". At that time, some young singers began to sing songs with "pop singing" and were criticized. For example, Li Guyi, now everyone, was criticized for using "pop singing" in those days. In addition, the lyrics, composition and singing skills of popular songs are called "popular singing" and are regarded as the singing skills of people with beautiful chin. Even now, many popular singers in China, especially those with status, consider themselves artists in their hearts. Their singing, writing, learning from the West, Europe and America are all Chun Xue, while those with national style and folk music characteristics, such as Phoenix Legend, Wang and others, are just for people to listen to, and even the "tune" is not on the stage. It is this attitude that makes China's pop culture and music never develop, without its own characteristics and cultural self-confidence, not to mention exporting its own "cool breeze" and "Korean Wave" and other popular cultures!
Blow, pat, hug and lick one by one. Why do Hong Kong, Taiwan and mainland musicians have different views on Dao Lang? In fact, the so-called mainland musicians in your question are just clowns crowned by monkeys, which does not represent the mainland Chinese music scene.
B in recent years, the entertainment circle in the mainland has become a circle of fools. The selection of influential singers in the past ten years is an example. What qualifications does a private enterprise have to hold the right to speak in the mainland music circle, make a sister-in-law become a demon, humiliate people's hearts, expel singers who are really loved by the general public from the stage, and let some people who rely on blowing, patting, hugging and licking come to the stage, which pollutes people's sight.
The mainland Chinese music scene seems to have become her garden. It is difficult to destroy Dao Lang and increase some followers, which means that Dao Lang will be destroyed. So this is caused by selfish desires and has nothing to do with mainland musicians.
A group of big coffees in Hong Kong and Taiwan music circles, they are the real conscience.
Musicians who don't hold a personal position on Dao Lang can make loyal comments on Dao Lang's music, including Tayu Lo, Jonathan Lee, Alan Tam and Andy Lau.
Very few people, as well as a few idle people who have authority to represent the mainland music scene, think that the water is clear, the stone is clear and the fish is rotten, and the music of Dao Lang and Dao Lang belongs to hundreds of millions of people. This is the lasting foundation of Dao Lang's music.
A group of photos of Dao Lang's comments, thank you!