Han opera, Hubei Qing opera and Hubei Yue opera are known among the people as "one Qing opera, two Huang operas and three Yue operas". Its branches are all 10 major ones: first, second, third, fourth, fifth, fifth, sixth, seventh, eighth, eighth, ninth and ten.
Mo, Chou and Fu use the original voice commonly known as "Tang Yin"; the raw voice is mainly based on the original voice, and the side voice commonly known as "Ben Jia Bian" is used; Jing, Za use the Bian voice; Dan, Young students use a small voice.
Yi Mo is an elderly actor. In the play, he plays mostly positive characters such as elderly emperors, prime ministers, senior officials, bachelors, wise men, and righteous servants.
The first end of the Han drama is for the elderly characters. In the drama, they often play positive characters such as elderly emperors, prime ministers, senior officials, bachelors, wise men, and righteous servants. The representative figure in the final chapter is Yu Hongyuan. In addition, Mojiao Ren Tianquan, Cai Bingnan, Hu Shuangxi, Liu Bingnan, Wei Pingyuan, Hu Guilin, Huang Mingzhen, Yu Chunheng, etc. are also quite famous.
Yu Hongyuan was a famous late Qing Dynasty figure who combined the four major schools into one. He collected the leaders of Ren Tianquan, Cai Bingnan and Hu Shuangxi into one family, singing and chanting together to form a graceful, The dignified, vigorous and generous artistic style is regarded as authentic in the final scenes of Han opera.
In 1921, Yu Hongyuan went to Beijing to help perform relief work. He played Zhuge Liang in "The Gathering of Heroes" and was called "Living Kong Ming" by Mei Lanfang. The plays he is good at include "The Qiao Mansion Seeking Strategies", "The Picture of the Rising Han Dynasty", "Four Jinshi", "The Robbery of the Clan", "Li Ling Stele", etc.
Cai Bingnan was a famous figure in Han drama during the Tongzhi period of the Qing Dynasty. He set a precedent for singing in Yimo and Sansheng. He was good at figuring out the characters and was excellent in both singing and acting.
The plays performed by Cai Bingnan, such as "Let Chengdu", "Zhang Song Presents Pictures", "Criticizing Wang Lang", "Speaking of Ma Chao", etc., have fluent singing, delicate workmanship, clear narration, and are easy for listeners to understand.
Hu Shuangxi was a top student in Shuangzi subject in 1874 and the teacher of Yu Hongyuan, the founder of "Yu School". His singing, acting, and reading are all superb. He is famous for his performances in dramas such as "Four Jinshi", "The Robbers", "Lotus Lantern", "Tian Lei Bao", and "Jizhou Hall".
Hu Guilin sat in the Tianzi Department of Hankou in 1915, and entered the First Department of Guizi Science in Xiaogan in 1917. His appearance is dignified and solemn, and his voice is strong, deep, mellow and mellow.
After Hu Guilin graduated from college, he studied with Hu Shuangxi, and his singing style is quite similar to that of Yu Hongyuan. The plays he is good at include "The Picture of the Rising Han Dynasty", "Recruiting Jiang Wei", "Sweeping the Pine", "Qiao Mansion Asking for Strategies", "Li Ling Stele", "Exchanging Sons in the Law Field", etc.
Huang Mingzhen was a famous late actor in the early 1930s. Huang Mingzhen studied under Yang Tiansheng and Wei Pingyuan. His voice is strong and mellow, his speech is sonorous and powerful, his workmanship is generous and sophisticated, his acting skills are broad, and he is good at integrating the strengths of various schools of thought.
Huang Mingzhen is good at many plays, especially "Taking Chengdu", "Sweeping the Pines", and "Sweeping the Snow Tart Bowl", which all draw on the Peking Opera "Borrowing the East Wind" and "Xu Ce Running for the City" , "The King of the Northern Han Dynasty" and so on are long and considered masterpieces.
Er Jing is a famous singer in Han operas. He often plays famous admonishing generals in the dramas, such as Xu Yanzhao in "Da Baoguo", Yu Chigong in "Bailiang Pass", and Zhao Kuangyin in "Down to the East" wait. In addition, he also plays treacherous tyrants, such as Pan Renmei in "Yanmen Pass", Cao Cao in "Catch and Release Cao", Yang Guang in "The Poison Brother", etc. Erjing mainly sings side sounds and performs the "back bow" tune, which is very difficult. Well-known net actors include Luo Gansheng, Zheng Wannian, Yu Hongkui, Zhu Hongshou, etc.
Yu Hongkui was one of the second most famous actors in the Guangxu period of the Qing Dynasty, and was born as a fan. He is good at dramas such as "Lock the Five Dragons", "Zhao Bao Mian", and "Da Luan Jia". The singing voice is quite charming, and the workmanship is sophisticated and steady.
Zhu Hongshou is an outstanding talent in Jingxing after Yu Hongkui. He was a tall man with a loud voice and clear enunciation. The plays he is good at include "Second Entering the Palace", "Dingjun Mountain", "Zhan Xiongxin", "Xiao Wutai", "Bailiang Pass", etc.
Sansheng in Han opera is a middle-aged actor, an ensemble singer, and they mostly play impassioned, loyal and positive characters, such as Wu Zixu in "Wenzhao Pass", Yang Yanzhao in "Yuanmen Beheads", "Famen Temple" 》Zhao Lian et al.
Famous actors in Han opera include Chen Dingji, Qian Wenkui, Wu Tianbao, Gao Lushi, Yin Chunbao, He Mingfeng, Xu Jisheng, etc. Among them, Wu Tianbao achieved the greatest achievement. He had the courage to innovate and created the "Wu School" singing style that was high-pitched and exciting.
Most of the characters played by Sansheng in Han operas are literary. Although some are martial, they are mainly literary and singing. There are many plays that combine singing, reading and acting. Because of the duet singing, it is also known as the "Iron Pole Walk".
Wu Tianbao studied in the Tianzi Class in Hankou for three years in 1915. After graduating from the college, his skills improved rapidly and he became famous throughout the city. The masses praised him as the "King of Three Students". He sings neatly, enunciates clearly, and has a fresh tone; when he chants, he pays attention to the rhyme and is clear and refreshing; when he performs, he pays attention to standards and rigor. He is good at conveying emotions with voice and portraying characters with emotion instead of voice.
Wu Tianbao inherited the singing skills of his predecessor Zhang Huazi and the strength of Qian Wenkui's work, integrating the raw, external and final aspects of Han opera into one, creating the "Wu School" style that pays equal attention to singing and acting. His representative plays include "Silang Visits His Mother", "Yuanmen Beheads the Son", "Famen Temple", "Crying the Ancestor Temple", "Weiyang Palace", "Wu Han Murders His Wife", "Beating the Drum and Scolding Cao". "unique skill".
Qian Wenkui was born in a Liyuan family and studied art with his father Qian Ming since he was a child. It is the most famous Shengjiao in Hankou after Zhang Huazi. He has a Zhengtang voice and can perform all kinds of operas. He is not only good at singing Gongjia opera, but also is particularly original in Gongjia opera.
He is good at plays such as "Burning Cotton Mountain", "The Three Passes with a Knife", "The Water Capture of Pound", etc.
Gao Lushi was one of the three famous scholars during the Guangxu period of the Qing Dynasty. His singing skills are clever and he makes good use of coloratura and head tilt, which makes him very popular among the masses. His specialty plays are "Tickling Robes", "Criticizing Yama", "Hun Zhaoguan", "Beating Drums and Scolding Cao", etc.
The fourth dan in Han operas often play the roles of ladies, middle-aged women, queens and concubines, and virgins and martyrs, such as Chen Xingyuan in "Two Degrees of Plum", Li Yanfei in "Da Baoguo", "Two Kings" He Hou et al. in the picture.
The performances of the four Dan characters in Han opera are dignified, graceful and graceful, and the duets are superb. Well-known female actors include Li Caiyun, Liu Shun'e, Chen Bohua, Qu Cuixia, Deng Yunfeng, Wan Xianxia, ??Qian Hua, etc. Their singing styles each have their own characteristics, among which Chen Bohua's achievements are the most outstanding. She combined Tsing Yi, Hua Dan, and Gui Men Dan into one, created a gorgeous and colorful "Chen School" singing style, and successfully created many characters with different personalities.
Chen Bohua's stage name is Xinhua Chai, and later he changed his name to Xiao Peonyhua because he studied under Peony Hua Dong Yaojie. She studied under Liu Benyu, and was deeply loved by her predecessors Li Caiyun and Badie Peonyhua. She combined Dan and Tie performance skills into one body. She has both beautiful and clear singing skills as well as delicate, generous and dexterous workmanship. She has created A unique artistic style that has both wonderful voice and appearance, as well as spirit and form.
Chen Bohua is good at portraying characters emotionally through his voice. From the graceful noble lady to the heroine galloping on the battlefield, as well as the beautiful and naive young girl, he plays them all vividly. The plays she is good at include "Second Plum Blossoms", "The Matchmaker", "The Drunken Concubine", "The Edge of the Cabinet", "Meilong Town", "Golden Steps", "Broken Bridge", "Mu Guiying's Wisdom Breaks the Heavenly Gate" Formation", "Three Invitations to Fan Lihua", etc.
Li Caiyun, also known as Xiuxuan, is a famous Fourth Dan actor who studied under Li Sixi. He has a clear voice, delicate performance and excellent singing and acting. In the melodious tone of the voice, the emotions of joy and sorrow are slowly conveyed, which makes the audience amazed.
Li Caiyun taught many apprentices and performed in "Baihua Pavilion", "Wind and Rain Club", "Universal Front", "Thunder God Cave", "Congtai Farewell", "Pipa Ci", and "Broken Bridge Club" , "Sacrifice to the Yangtze River" is exquisite in technique and unique in style.
Qu Cuixia was a famous Qingyi artist in the late Guangxu period of the Qing Dynasty. She was good at singing and singing, and was very vivid and colorful. Together with Xiao Yunxia at that time, she was called "Er Xia". She is good at performing dramas such as "Universal Front", "Congtai Farewell", "Baihua Pavilion", "Xiu Lihua", "Sacrifice to the Yangtze River", etc.
Deng Yunfeng studied under Deng Xiechen and became one of the top ten famous actors in Han drama. He has a good appearance and figure, a mellow voice and clear handwriting. He studied under Li Caiyun, who improved his skills and was good at singing and speaking. She is good at performing dramas such as "Universal Frontier", "Sanniang Godson", "Sacrifice to the Yangtze River" and "Broken Bridge Party". Especially her role as Liu Yingchun in the drama "Xue Rengui" was very popular among the audience. Among the Four Dans in the 1930s, he was known as the "number one scholar".
Wan Xianxia, ??named Qian Hua, is the daughter of Qian Wenkui. He studied under Narcissus and was deeply influenced by Li Caiyun. She has a broad and bright voice, is good at singing, has good expressions, and can play many dramas, among which dramas such as "Broken Bridge", "Congtai Farewell", and "The Injustice of Dou E" are the best.
The Five Ugly repertoire of Han opera is very wide, and can play various different types of roles, such as the elderly poor woman, the childish doll, the dim emperor, the cunning clerk, the upright old man, etc. Its performances are mainly humorous and humorous, with heavy workmanship, emphasis on leg skills, and emphasis on crotch strength, dwarf steps, etc. Representative figures include Li Chunsen, Li Luoke, etc.
Li Chunsen is famous for his performance in monk dramas, hence his stage name Great Monk. In 1921, Han Opera traveled to Beijing to help perform charity performances. He played the role of Jiang Qian in "The Gathering of Heroes" and was known as "Living Jiang Qian" for his outstanding performance.
Li Chunsen drew on the merits of his predecessors, Yuan Xiggou and Wang Tianzhong, and formed his own school. He has an artistic style that is elegant but not vulgar, ugly but not ugly, playful but not joking, and full of humor. Many of the ugly art performances are original.
Li Chunsen is good at performing Han dramas such as "Sweeping Qin Hui", "Collecting Tuberculosis Insects", "Tao Da Da", "Flower Drum", "Guangping Mansion", "Capturing Sanlang Alive", "Autumn River", "Jiuxi Palace", "Double Down the Mountain", etc.
Li Luoke was born in a Liyuan family and was the most famous actor in Han drama after the Great Monk. Under the influence and guidance of his predecessor, the great monk Lu Pingwang, he is capable of editing, directing, literary and martial arts, and is familiar with the music of Han opera. He infuses tradition with new ideas to create various vivid characters, forming a humorous, lively and interesting drama. art style.
Li Luoke is good at performing dramas such as "Flower Drum", "Double Down the Mountain", "Autumn River", "Horse Stop", "The Edge of the Cabinet", and "Sea Boat Crossing the Pass".
The six foreign characters in Han opera are fresh characters with heavy work and a wide range of dramas, such as Lu Su in "The Gathering of Heroes", Qin Qiong in "Exhibition of Merit", Song Jiang in "Sitting on the Tower to Kill the Cherish", etc. All are good at performing. For example, Qin Qiong in "Exhibition of Skills" recited more than a hundred sentences and performed them while reciting. The waist, legs, body, hands, beard, and eyes all showed their abilities and were all explained. The representative figure is Zhou Tiandong.
Zhou Tiandong entered the Tianzi Class of Han Opera in 1915. He first studied Sansheng, and later changed to Sixth Form. He inherited the performing arts characteristics of his predecessors Chen Wangxi and Cheng Shuangquan, absorbed the strengths of the "Qi School" of Peking Opera, and is known for his rich performances.
Zhou Tiandong is famous for his pleats and official robe plays. His recitation is sonorous and powerful, his workmanship is delicate and his ironing is exquisite. He sings, performs and recites beautifully. He has developed his own artistic style that is free and unrestrained, delicate and rigorous, and is highly praised by his peers.
Zhou Tiandong has given excellent performances in the starring films "Cooking Kuai Che", "Dahe Silver Medal", "Sitting on the Building to Kill the Cherish", and "Fishing and Killing the Family".
The seven Xiaosheng in Han drama include Wen and Wu Xiaosheng. Literary operas such as Zhao Chong in "The Horse Dealer", Mei Liangyu in "Two Plum Blossoms", Bian Sheng in "Hua Tian Cuo", etc.; martial arts operas such as Zhou Yu in "Lu Huadang", "Yellow Crane Tower" Zhao Yun in "White Gate Tower", Lu Bu in "White Gate Tower", etc. The shirtless student often performs in "Wu Song Fights the Tiger", "Happy Forest", etc. Well-known niche actors in Han opera include Yu Junqing, Huang Shuangxi, Dong Jinlin, Li Sili, etc.
Dong Jinlin studied under Wu Yuanya, became famous after Liu Zhengwen, and was a representative of Xiaosheng Xing. He is good at excerpt opera, and is also good at Xianba opera and pheasant tail opera. In dramas such as "Feng Yi Pavilion" and "Three Kingdoms", his singing voice is neat, the workmanship is delicate, and his manners are chic. They work well with Dan Tie Xing and complement each other, adding color to the drama.
Huang Shuangxi studied in a double-character class, first studying niche roles, and then changing to outside roles. He is the son of Huang Ruyi, a member of the Liyuan family. Influenced by his father, he excels in acting. He became famous with Dong Jinlin for a while. His singing and singing voice have the authentic charm of Xiaosheng, and he is good at Pheasant Tail and Shamao operas, such as "Yanmen Pass", "Changban Slope", "Baimen Tower", etc.
Li Sili was the son of Li Dafa from the Liyuan family and studied under Dong Jinlin. He is familiar with the artistic essence of Dong Jinlin and Huang Shuangxi, and combines their artistic strengths into one body, possessing both literary and military skills. The singing voice is mellow, the workmanship is delicate, the voice is elegant and unrestrained, and the eloquence is measured and graceful. Representative repertoires include "Writing Three Pulls", "Borrowing Arrows to Cover", "Shooting Halberds at the Column Gate", "Borrowing Zhao Yun", "Feng Yi Pavilion", "White Luo Shirt", etc.
Wang Xiaolou’s real name is Wang Guojun. In 1936, he joined Liyuan School as a primary school student and has been engaged in art for more than 50 years. His voice is crisp, bright and generous, and can rise and fall freely. He is the founder of the Chinese opera Xiaosheng singing method that combines true and false singing.
Wang Xiaolou was famous in the theater circles for his frequent performances in the plays "Romance of the Three Kingdoms", "White Gate Tower" and "Zhang Yu Boiled the Sea".
Wang Xiaolou and Chen Bohua collaborated on the same stage and successfully portrayed Mei Liangyu in "Two Plum Blossoms", Xue Dingshan in "Three Invitations to Fan Lihua", and Sima Xiangru in "Zhuo Wenjun" and other characters. In addition, Wang Xiaolou also successfully performed the role of Black Bull in the modern drama "Mountain Storm".
The eight characters in Han opera are Hua Dan, who mainly play work. They mostly play young girls and coquettish young women, such as Chunlan in "Hua Tian Cuo", Yan Xijiao in "Wulong Yuan", and "Cuiping Mountain". Pan Qiaoyun et al. They also played women who worked with the Fourth Dan, such as Yang Yuhuan in "The Drunken Concubine" and Mrs. Chai in "Anti-Gossip".
Famous Huadans in modern times include Luo Jinxi, Zhong Huaqing, Dong Yaojie, Xiao Cuixi, Wan Zhandeng, etc. Among them, the Dong Yao class is the most famous and is respected as the leader of Hua Dan. Other more famous ones include Chen Fusheng, Hua Bilan, etc.
Dong Yao's stage name is Peonyhua, and he studied under Li Laowu and Sai Huangpi. In 1911, he came to Han and entered the Fuxing Class. He has a clear voice and is good at singing, acting, reading and playing. He is known as the "No. 1 scholar in colorful shirts".
Dong Yao was best known as a baby girl at the beginning of her career. For example, she played Cao Ruilian in "Golden Steps" and Sister Li Feng in "Meilong Town", both of which were outstanding. She plays the role of Feng Liudan in middle age and is good at using performances to portray the characters' personalities. In particular, the portrayal of Pan Jinlian, Yan Xijiao and Pan Qiaoyun, three women with distinctive personalities in "Water Margin", is quite insightful. In his later years, he collaborated with Li Chunsen, and they became a perfect match. The three plays he performed, "Capturing Saburo Alive", "Flower Drum" and "Old Back Young Man", were praised as three masterpieces.
Chen Fusheng, whose stage name is Xiao Cuixi, is a famous actor in the Eight Posts. He is the son of Han drama star Chen Qicai. She is particularly good at expressing charm and laughter, and is on par with peonies. His specialty plays include "The Main Opera of Picking Flowers", "Writing a Statement of Three Lamas", "Fishing and Killing the Family", "Searching for Orphans and Saving Orphans", "Ten Chapters of the Song Dynasty", "Dahe Silver Medal", etc.
Hua Bilan studied Ba Tie under Peony Hua in 1946. She has acted with famous actors such as Wu Tianbao, Li Sili, and Zhou Tiandong, and was inspired by it. For many years, he has performed on the same stage with Li Luoke, a famous Chinese opera actor, in plays such as "Flower Drum", "Autumn River" and "Double Down the Mountain".
Hua Bilan is good at performing various types of characters. In shaping various images of women in modern dramas and new historical dramas, she has brilliantly played the roles of Aunt Tang in "Sweet Career" and "Red". Grandma Li in "The Legend of the Lantern", the old woman with two guns in "Sister Jiang", and Empress Wu in "Wu Zetian".
Most of the Jiufu in Han dramas play elderly women, and their performance styles are divided into rich and poor ones, such as Taijun She in "Silang Visits His Mother" and Kang in "Fishing for a Golden Turtle". Its representative figures include Dong Xietang, Chen Fengqin, etc.
Dong Xietang is a famous actor who succeeded Liu Zilin. He has a broad and bright voice, pure singing charm, and is good at singing. His specialties include "Changing Sons in the Execution Field" and "The Emperor's Resignation to the Court".
Chen Fengqin was an Erjing fancier from Chen Yingduan Village in Daye County. He later entered the Fengzi Department for further studies. After completing his studies, his voice deteriorated and he switched to Lao Dan. She is good at singing and acting, and her voice is authentic as that of a Lao Dan. Her specialties include "Binding the Four Generals" and "Beheading the Prodigal Son".
The Shiza characters in Han operas have painted faces, and they mostly play the roles of brave and honest generals or domineering powerful officials. For example, Zhang Fei, Ma Wu, Hu Yanzan, etc. are good at doing and fighting. The representative figure is Zhang Tianxi.
Zhang Tianxi has a tall figure, a broad and long face, and a rich voice. He is a famous actor with profound artistic attainments and a good reputation on the stage. She is good at performing dramas such as "Bai Liang Pass", "Hongbi Palace" and "Dragon Fighting".