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Seven Metaphors in Farewell My Concubine
The seven metaphors in Farewell My Concubine are as follows:

First, the little bean's mother told Guan Ye that the boy was too old to stay, so he came to you. There is nothing wrong with this sentence at first glance, but when you think about it, it is obvious that we often say that girls are too old to stay. At this time, the gender of the small bean has been blurred, which also laid the groundwork for later.

Second, Guan Ye said that Six Fingers couldn't sing, and Little Bean's mother broke her six fingers on the spot. In fact, this is the first sexual castration of his body and mind. Xiao Douzi was officially left to study acting and enter the female role. It is actually a compromise to castrate six fingers before being allowed to stay, and to sing the opera correctly before becoming a corner.

Third, when the little bean's mother was in the ice and snow, she sent the little bean to Guan Ye. A mother and son were cornered. Little bean said to her, "Mom, my hands are so cold that my hands are frozen."

This sentence appeared twice in the film. The second time was when Cheng Dieyi grew up. Because of frustration in love and social unrest, he was devastated for various reasons, so he gave up on himself and smoked opium. Opium severely damaged his health, and Cheng Dieyi began to lose control. At this time, only his former rival Ju Xian sympathized with him.

Fourth, he played a joke on Grandpa Yuan in the background after singing the play, helping to relieve the Japanese. At this moment, Duan Xiaolou has removed the makeup in the play, and Cheng Dieyi is still dressed as a concubine, which reflects that Duan Xiaolou is a fake overlord, and after the curtain call, she is herself, while Cheng Dieyi is the real concubine. No matter before or after the stage, Yu Ji is not in the play, but in her heart.

5. Cheng Dieyi and Duan Xiaolou make up backstage together. Duan Xiaolou in the square mirror behind Cheng Dieyi is reflected in the oval mirror. These two mirrors can represent their respective personalities. Square atmosphere, angular, oval and soft, ancient women used oval mirrors to make up, once again emphasizing Cheng Dieyi's female psychology.

Sixth, the appearance of Si Er, who was picked up by her father-in-law in Cheng Dieyi as a teenager, virtually completed another mission of Cheng Dieyi's inner female role.

The seventh metaphor is the sword that appears repeatedly in the film. For the first time, Die Yi promised to give the sword to Duan Xiaolou, because Duan Xiaolou joked that if you kill Liu Bang as emperor with the sword, you will be the official queen.

Farewell my concubine idiom story:

Xiang Yu recalled the past, and there was a beautiful concubine beside him: a BMW, which often rode on his crotch. Now, Xiang Yu lamented generously and wrote his own poem: "Power can pull out mountains, heroism can overwhelm life, and the weather is unfavorable."

What should I do, concubine? Concubine, what should I do with you! "Sing again and again, concubine also sing with him. Xiang Yu shed several lines of tears, and everyone around him cried. No one can look up and see him.