Making a movie (1985)

Selling mutton kebabs (1986)

Dog Baby and Black Girl (1988)

Pepper noodles (1989)

Leading role and supporting role (1990)

Police and thieves (199 1 year)

Brother-in-law and brother-in-law (1992)

Great changes in life (1994)

Cosmic Gymnastics Trials (1997)

The Prince and the Postman (1998)

Police and inspectors (police sympathy party)

Chen Xiaoer Times II (in 2008, it was actually the Spring Festival Evening of Beijing TV Station).

And "exams"

Stand guard like this

Defend the title of professional champion

Catch the ball

Personally guess the classic sketch: eating noodles (1984) (the most classic sketch in Peisi Chen, my favorite sketch). Speaking of this sketch, both the director and the actor took considerable risks. Peisi Chen and Zhu Shimao met at work, and they hit it off and became friends. Later, I chatted and talked about the essay "Eating Noodles". There has never been such a performance form on the stage. During the audition, the audience below all laughed. But judging from the situation at that time, the leaders thought that eating noodles made the audience laugh like this, which was too serious and was ready to be shot. No final decision was made until the party started. Director Huang Yihe just left this sketch and assured them that he would take care of these problems himself. I finally decided to go on stage 10 minutes before the live broadcast, but Huang Yihe kept reminding Peisi Chen and Zhu Shimao not to say the wrong lines and make mistakes. In this way, there has been a comedy art category of "sketch" since then. Remember, Peisi Chen and Zhu Shimao were the fathers of sketches, and they were much better than Zhao Benshan.

Making a movie (1985) (Peisi Chen's most classic sketch)

Dog Baby and Black Girl (1988) (it's a drama sketch, although it's speculation, but there's nothing funny in the whole world, so it can be made at last)

Selling mutton kebabs (1986) (also a classic sketch of Peisi Chen)

Pepper noodles (1989) (close to pantomime sketch, Peisi Chen's very classic sketch, with no lines on the whole, except for a very interesting sketch at the end of wonton, their inner feelings and ideological activities are in contrast and conflict under the external entanglement of their limbs. Highlight the action to structure the story, show the characters' hearts, and make the characters more vivid and closer to life. )

Leading role and supporting role (1990) (more classic)

The Prince and the Postman (1998) (smaller than the leading role and supporting role)