However, after leaving the company, she gradually failed to get a job, and her life became more and more difficult, and her savings bottomed out. She had to work as a waiter in a restaurant to make a living on the recommendation of a friend. The media directly hit the scene of Liang Yin's work. She wore a pink kimono and accepted the guidance of her boss before she officially went to work. The boss was afraid that she would not come as a waiter, but Liang Yin said that she was willing to accept the job because there was really no way out.
She had to rely on the relief of her family. She even admitted that she would be a waitress if someone invited her. When the media saw her, she really worked as a waitress in a Japanese restaurant. Liang Yin was born in Shunde 1993, Guangdong Province. His representative works include Twelve Legends, Jinxiao Mansion, Heart Storm 3, Happy Express of Love Home and so on. Left TVB last year.
Without performing arts, she has no income and has been relying on family relief. Some time ago, I was introduced by a friend to this Japanese restaurant as a waiter, mainly responsible for receiving guests, taking seats, etc. Because I work in a Japanese restaurant, Liang Yin's tooling is pink kimono, because as an artist, Liang Yin standing at the front desk is particularly conspicuous.
There is no temperament of a star artist at all. She is willing to keep a low profile and is patient with customers. She will explain the ingredients and dosage in the store. Liang Yin revealed in an interview that after leaving TVB, she still received some agency work, but many companies were in arrears with labor costs because of the epidemic.
In the face of guests' questions, Liang Yin doesn't have the airs of an artist at all. Instead, she answers all kinds of questions raised by guests with great patience. Liang Yin is already very familiar with the ingredients and prices in the store. The business in the store looks quite busy, but she is not flustered at all. ?
Yin's mood also collapsed for a time, even tears collapsed in front of the camera. She admits that when she left TVB last year, she was more sad than confused. Because she consciously worked in the company for many years, and finally, since she got such a result, she was very chilling. In Liang Yin's view, TVB is not only mean, but also impersonal. As we all know, there has been a fever of leaving the nest in TVB company in recent years. Like those first-and second-tier artists, many of them left voluntarily.
However, third-and fourth-tier artists like Liang Yin, as well as some veteran actors who have served for many years, are forced to leave because of the low salary. In fact, not only many Hong Kong star artists' performing arts work can't be guaranteed, but also many mainland actors. On the short video platform, star artists can often be brushed to sell vegetables and farm land. Of course, it is not excluded that they may be recording their lives, but it does show that they are very idle and have time to do other things, which also reflects the decline of the entertainment industry in the past two years.
In the face of the media, Liang Yin solemnly clarified for herself that the role of worshipping money does not mean that she is the same. If she had really been adopted, she would not have been so miserable as she is now. When talking about being kept by the big boss for so many years, Liang Yin couldn't help crying, and cried that the company knew it was a rumor, but it was unwilling to help her clarify and wouldn't let her clarify herself, which greatly affected her image and life.
Now that Liang Yin has left TVB, although she can't get a job, she is still in arrears with her salary, and her life is difficult, but she has no idea of returning to the company. Working in a Japanese store is also a good choice. Whether an artist or a waiter is just a job to make a living, it is the most important thing for Liang Yin to support herself. We also hope that her work will be smooth and smooth, and wish her all the best in the future.