In the mode, the variety show adopts the blind matching form of the old band and the new band, coupled with the first cooperation between the two parties, and the same song collides and blends in different timbres. Moreover, this alternation between the old and the new can not only give more exposure to newcomers, but also tap some treasure singers who are older and less familiar to young people now, and experience some classic songs of their parents' era.
The rules and gameplay extended by this model not only achieve a balance between musicality and entertainment, but also help the players to break the circle. For example, Ayanga has been in the field of musicals, and there are no more opportunities for everyone to get to know him. It was also through this program that I met this one.
The program also put some thought into inviting guests. For example, Yu-Ching Fei, Luo Qi, Emil Wakin Chau and Richie Jen were not the most popular singers of that era. GAi and Charlie are outstanding among the rising stars. The combination of the two sides is more like a kind of inheritance. This is also the last performance of Teacher Fei before wheat sealing, which can be described as earning enough gimmicks.
The program has also left many classic adaptations, such as Carmen, which is definitely a great god. Li Keqing, Charlie and Yu-Ching Fei performed the interpretation. Whether it was Charlie's French Bel Canto, it was a great surprise that Yu-Ching Fei came to sing the male shrimp, and the whole beat and rhythm were progressive step by step, bringing the atmosphere to the climax. There is enthusiasm, wildness, gentleness and even a little funny in the arrangement. It is natural and harmonious for four different voices to cross and perform at will. Especially the magical dance makes people laugh.
If this program is carefully managed and makes music with heart, instead of piling up so-called stars and topics, it can go further.