Postmodernism and
Similarities and differences of Chinese classical garden design thoughts
Long Dujiang Lei Xiaoling f) Post-modernism in the century began in the West.
Popular postmodernism emphasizes that design should be historical.
Continuity often puts classical elements and rationale in design.
The symbols of ""are fused together in a new way to reproduce history.
The metaphor of life in wenbo culture
There are many similarities in the fixing techniques of Chinese classical gardens.
This paper tries to analyze postmodernism and classical Chinese lice
The similarities and differences between the people who stand out from the garden
Differences and thus the development direction of Weiguo garden design and
Development ideas provide reference.
The characteristics of post-modern meaning are ridiculous.
Lin jinbai embodies
Basic characteristics of post-modern outlook
Post-modernism (post-lnodemis) ~) refers to
In the process of anti-modernism, it was formed for thousands of years.
It was developed in the 7 u era and the KD era.
Winning the design and relaxing the tide, saying post-modern master in the sense
Righteousness. Design refers to modernism internationalism.
On the design, a large number of historical decoration motives are compromised.
A design style of decorative meaning.
Postmodern design almost involves one of the cultures.
Cutting through the field of architecture, learning to design, art and painting
112 page
Music studies from literature to history, from social science to
Natural science and so on are the first to cite postmodernism in the field of design. It is the architectural critic of Lian State, CharlesJ~neksj, who uses this as a reference.
Since it was named 60 years ago, there has been a departure from modernist architecture in the description of new architectural trends.
For the main characteristics of postmodern architecture, people
There is no unanimous understanding that Jiang Guo architect Stern put forward the three characteristics of post-modern Wang Yi's green architecture, and the decoration is symbolic or metaphorical to blend in with the existing environment. British architect and theorist Childers Jencks c(buriesJencksj thinks that post-modern abundance not only
It is a rebellion against modernism and also a transcendence of modernism. Postmodernism has acknowledged the traditional attention denied by modernism, absorbed the excellent cultural and artistic traditions of all ethnic groups in various regions, and has surpassed modernism in practicing Taiwanese traditions and benefiting modern culture.
The embodiment of postmodern T in forest towel
The uniform garden structure of western classical gardens
Although visitors can feel that the well end is orderly, they also exclude people from the garden, and then modern rebellion against this kind of regularity and uniformity will break down the various landscape fragments, which will be spliced together by non-traditional rhyme methods. With the intervention of post-modernist design thoughts, the garden design of Youfang has broken into a multi-cultural phenomenon that is in harmony with traditional history and culture and natural summer ideology
Martha Sue, a famous American landscape architect in 2000.
A bagel garden designed by IManS chwarlz, a tile mushroom.
2/ 12 pages
) IBa~elGardenI (Figure) is considered to be the first example of landscape architects trying postmodernism in modern quantitative design. These ten mysterious courtyards have a history.
Style, hedge, purple gravel and metaphor B4ck
The bagels in the neighborhood of area B, which are arranged like barracks, constitute the contraction and expansion of postmodern soil meaning thought.
It is also just like the Square of the Five Hallows Festival lH,~rlequin planned by SWA|, a famous American landscape design firm, in I983, and the market park ISmlJosPl8zaP} designed for the city of Virginia in 1988 by/Kloc-0.
The historical style of artistic revival and the strong landscape experience of the dry place are the main reasons for the digestion of the greedy people
The latter shows the strong post-modernism and the historical understandability of the two places, which can be exchanged and generated.
The generative characteristics of dialogism and meaning
From the above examples, we can see postmodernism.
In the field of landscape design, it is mainly manifested in the understanding of tradition, the emphasis on places and the rhyme inheritance of historical context.
Of course, the inheritance of its context is not a tradition.
Simple reappearance of landscape elements, but using modern creation
Scene technique adopts symbolic and metaphorical techniques to treat tradition
Elaborate
-I? Characteristics of ancient mocking forest's art of making ink and piling up books
1 Japanese forest fjl! } Zhishui
If Wei Guo's garden Korean art is from Yin Ge Dynasty,
It has been more than 3,000 years since the appearance of Qiu.
History is one of the countries with the earliest origin of garden art in the world.
It occupies an extremely important position in the history of world gardens.
3/ 12 pages
Well is a superb art and a unique national style of our army.
China's classical garden art is the crystallization of China's culture and art, which reflects China's profound understanding and high appreciation of natural beauty, and the ancient gardens in China are different from the western traditional rules. The style is very different, and it is based on free change.
The characteristics stem from the fact that nature is higher than nature, and artificial ginger is combined with nature.
Natural beauty is connected with each other so as to achieve the goal of being made by people
Open in the daytime. The effect shape of T self-propelled water-air broom
The unique style of the garden is one of the most exquisite artificial environments in the world.
thick haze
Characteristics of base wood in towel classical gardens
Bentingdi is naturally higher than nature.
The collision between mountains and rivers is the basic vehicle that constitutes the natural scenery.
It is necessary to be meat-oriented, but the ancient forest fixation in China is by no means a general geographical advantage or a simple imitation of the original state of mountains and rivers, but a conscious transformation, adjustment, processing and cutting
Represent a refined and generalized typical of his nature.
The harmony between architecture and nature is a platform.
China classical Maolin is especially good at using the spare buildings with rich folk styles. In this way, many traditional branched elegant halls in China are preserved along with the buildings. No matter what the nature and function of the buildings, they strive to organically combine with the surrounding environment and choose the integration of architectural beauty and natural beauty. China Gexiong garden architecture is ingenious and scientific.
4/ 12 pages
Frame-based structure courtyard-style maggots are beautifully laid out, and the flowers and plants are arranged in a rational way.
It has become a realm of mutual adjustment between industry and nature.
Measuring forest is the art of the comprehensive platform, and the creation of classical gardens in China is fully grasped. 7 This feature applies the art of Lu Ge' _ Lou's accommodation of casting poetry and painting art in garden art, and its response to plants should make the landscape change with the change of landscape and the change of princes, and choose plant configuration to pursue the natural beauty of kettle rolls and lines and the interest of painting. The choice of leopard trees and flowers pays attention to the chic color of the lane, and Qing Xiang phosphorus is delicious, which has symbolic significance.
The artistic conception is clumsy
On the hand of landscaping, the classical gardens in China have broken through the space limitations to create a colorful landscape. It is a way to divide the broom, medicine, space and borrowing scenery in a tortuous and free layout, so as to achieve emotional and dry scenery.
mood of a artistic work
China classical garden art is the ultimate performance.
The host's scenery is used as a basic service {a few points are reflected in the morning}
For thousands of years, people's feelings and understanding of natural beauty have strengthened the harmony between man and nature. The basic beauty system 1 records the perfect unity of China's history and culture.
Post-modern soil meaning and the design of L-code gardens in Zhongtong
Similarities and differences of ideological trends
Feng 〈 f 〉 like address
The succession of Xin Dian zhi Fei
Postmodernism uses historical thinking to think about the world.
5/ 12 pages
The world advocates keeping the history, enriching the lungs and integrating all kinds of historical symbols into Taiwan, reflecting the thinking and reflection of modern crutches on the destruction of the world. The historical sites with characteristics in cities should be preserved, and people should not lose the original branches of cities because of the changes of the times. Historical traditions and local culture should be preserved as the characteristics of a country. This is the material wealth that predecessors have worked hard to form ships in the long history of thousands of years, and it is also the spiritual wealth that future generations affirm their own understanding and identity.
Postmodern design in gardens is mainly manifested in the hard scene, and the inheritance of historical literature is to exaggerate and deform the stage by using factors such as the graphic color of traditional materials, especially the symbolic feelings caused by these factors.
Ah Shi is elegant; Manhe decorative grip music
Make use of modern technology to achieve the goal through metaphor and association
In the development process, China's classical strong forest also pays great attention to tradition, a history of China gardens is also a history of China. As the material carrier of China's traditional culture, China's classical gardens contain China's traditional culture and inherit China's historical culture, which is consistent with postmodernism's treatment of history and tradition.
Respect for venue resistance
Post-modernist design attaches importance to spatial existence and avoidance, and strives for the continuity of the environment. It refers to each unit with multiple meanings and tries to form it by means of vague compromise, man-made contradiction and collage.
6/ 12 page
The landscape characterized by the change of mobile growth periodicals is like a blow to the country. The open space of Ravilet Park is an abandoned industrial school. When designers design it, they will build it into a new-style city park with extensive and multicultural characteristics with the connotation of thinking.
China's classical national forest development attaches great importance to the importance of site rhyme, and it is straightforward to say that the solid foundation is independent of the direction, and the terrain is self-sounding, and the door is interesting and interesting.
Near the mountain forest, I want to pass through the river swamp {I am very strange, I am close to the fI, and I am far away from Z Jianqu Jianshengluo Village, and I am jumping in the uneven village.
What the wild city residents say is that the design should be integrated with the environment, which reflects the respect of Chinese classical garden design for the site.
I didn't do it.
Post-modernism sets tf,~U uses symbolism and metaphor, which is similar to the emphasis on artistic conception and hatred in China's classical gardens. As a synonym for China's classical garden structuralism, it has even been asserted by Jencks as having the same effect as post-modernism. clovejoypiaza)~ of La Villette Park in France carved a beautiful swan on the revetment of a calm water surrounded by green tung trees. Although there is no swan, you bowed your head in such a beautiful poem.
In the classic 1 {lowjoy plaza, there is a rhythmic zigzag step.
7/ 12 page
It is a high abstraction and simplification of natural contour lines, and introduces the form of nature into the city (figure! The retreat is very similar to the Xiao Hao of the classical gardens in China.
Similarities
Philosophical thinking base {_l 1j
The classical gardens in China are deeply influenced by the thoughts of Laozi and Zhuangzi.
76
First of all, starting from the natural philosophy of "harmony between man and nature", we pay attention to the encounter with nature, and pursue tranquility, elegance, simplicity and appropriateness-integrating the philosophy of life and natural philosophy. However, post-modernism has no philosophical roots, and there are many foreign design styles and schools, but there is no unified ideological leadership, but we think that everything can be done and everything is meaningless. This basically summarizes the concept of post-modernism design.
For urban landscape planning, postmodernists think that we must strive to create a comprehensive and multifunctional environment. They think that postmodern planning is a hodgepodge, a patchwork, and a messy and random combination. This is not the same as the gardening idea of "harmony between man and nature" in China's classical gardens, and "although man makes it, it is natural". However, some western landscape designers have made a big fuss about the similarities between them.
cultural background
Postmodernism came into being in foreign countries in the middle of the 20th century, which has much to do with China's feudal society for thousands of years.
8/ 12 pages
According to the pre-Qin philosophers, Chinese culture is "Tao", which is the effort of education. "Benevolent people love each other" has become the first cornerstone of Chinese culture on the basis of patriarchal society. China people love each other, and garden design also pays attention to "scene blending". Unlike this, all western theories begin with philosophy. Aristotle's logic and Archimedes' geometry are all products of attaching importance to wisdom. Therefore, gardens.
The excavation of feudal cultural life in Chinese classical gardens has reached a deep level, especially in private gardens, which use the forms of small bridges, flowing water, plaques, tilted and twisted trunks, etc. to influence the character, pursuit, communication and entertainment of literati.
Music, ostentation and extravagance, self-cultivation, and even its humanity
China classical gardens also pay attention to the use of plants. Many landscapes are created by plants, such as "bamboo trails leading to seclusion" and "full of osmanthus rain".
Although postmodern design also pays attention to symbols and metaphors, it is a new eclecticism and technicalism. It is superficial. Although postmodern design also pays attention to integration with the environment, it gives people a sense of deliberate arrangement. It rarely uses plants, and some use them for the sake of form. As Martha said earlier? Suvaz's bagel garden has a strong vision without the viewer's perception; Hitting. Although there are metaphors, it is related to the "supporting things and expressing aspirations" in China classical gardens.
9/ 12 page
There is an essential difference between studying the deep meaning of things. Postmodernism Design in China Classical Gardens
The influence of post-modernism design thoughts on contemporary China landscape design.
affect
There are many exquisite gardening methods in China classical gardens.
Such as isolated scenery, barrier scenery, framed scenery, transparent scenery, leakage scenery, etc., west
Fang's designers learned and absorbed the elements and methods of gardening in China classical gardens, especially the spatial organization of China classical gardens, and designed many popular post-modernism design works, such as La? Villette Park can just see the opposite "I" from the second phase exit of Music City, which seems to be naturally generated. In fact, these sight corridors are carefully arranged and designed by designers. This technique is to learn from the design technique of "framing" in China classical gardens (Figure 3).
Post-modernism Design's Influence on Contemporary China Landscape
The influence of design
Postmodernism came into being in the United States in 1960s, and influenced the design field in China in 1980s. With the deepening of reform and opening-up, China's architecture field has made great progress.
one
Step liberation, began to advocate national style, local characteristics.
Color, the spirit of the times ",and later put forward" with.
The creative orientation of "modern architecture with China characteristics" has many similarities with some viewpoints of post-modern architecture. For example, the Xiangshan Hotel in Beijing, designed and built by Mr. I.M. Pei, a Chinese-American architect, in 1980, pays attention to the use of China traditional architectural culture and the West.
10/ 12 page
The combination of advanced science and technology has achieved the unity of nationalization and modernization, which indicates that post-modern architecture has entered the architectural stage of China. Many contemporary landscape designers have also introduced post-modernism design techniques into China's garden design and designed many well-known garden works, such as Changshou Park in Shanghai (Figure 4
5) and Zhongshan Qijiang Park.
However, some designs still remain in the superficial form of copying foreign or local languages and words mechanically. Some landscape designers have gone into a misunderstanding in understanding postmodernism, and designed many ambiguous and specious works that the audience can't understand. For example, the so-called post-modernist buildings with hats appearing on the streets of Beijing are "post-modernist" works designed under such circumstances. Conclusion
Postmodernism emphasizes the individuality, national characteristics and historical continuity of design, promotes cultural pluralism, reproduces historical context, cultural connotation and metaphor for life, so that landscape works are imprinted with local culture, expressive and easy to understand. These are very similar to Chinese classical gardens. However, postmodernism and China classical gardens are different products in different regions, different historical periods and different national conditions, although they have many similarities. However, they have different historical positions and functions. It is not advisable to confuse them regardless of their differences, and it is too extreme to completely deny the influence of one party on the other.
We should be good at "taking the essence and discarding the dross" in dealing with any design style and genre, so as to make the good old and the new.
1112 pages
Keep pace with the times. For postmodern design, we don't
Can be completely copied, but also can not be completely denied, post-modern master
Righteousness design is of great significance to the development of Chinese garden design.
The reference function, and the bad factors can make
Our country's garden design takes many detours less. Today, we
The landscape design should draw lessons from the traditional culture of China without
Plagiarism, absorbing the essence of western culture without imitating.
"Make the past serve the present. Make foreign things serve China". Thus, we can get rid of the essence.
The design road with Chinese characteristics. Chinese landscape designers should
Understand the cultural background of your time, learn and borrow.
In view of the factors suitable for China in post-modernism, development tools
Landscape architecture with China characteristics.