List of all movies starring French comedian Louis DeFinais and their download addresses
1.? Dad's Trouble?Gendarme?et?les?gendarmettes,?Le?(1982)?Maréchal?des?Logis-chef?Ludovic?Cruchot?
2.? Heavenly Visitors?Soupe?aux?choux,?La?(1981)?Claude?Ratinier?(Le?Glaude)?
3.? Scrooge?Avare,?L'? (1980)?Harpagon?
4.? Police Outwitting Aliens?Gendarme?et?les?extra-terrestres,?Le?(1979)?Maréchal?des?Logis-chef?Ludovic?Cruchot?
5.? Husband and wife mayors?Zizanie,?La?(1978)?Guillaume?Daubray-Lacaze?
6.? Gourmet?Aile?ou?la?cuisse,?L'? (1976)?Charles?Duchemin?
7. True or False Archmage?Aventures?de?Rabbi?Jacob,?Les?(1973)?Victor?Pivert/Rabbi?Jacob?
8.? The Mad Aristocrat?Folie?des?grandeurs,?La?(1971)?Don?Salluste?de?Bazan?
9.? Falling in the Treetops?Sur?un?arbre?perché?(1971)?Henri?Roubier?
10.? Retired Police?Gendarme?en?balade,?Le?(1970)?Maréchal?des?logis-chef?Ludovic?Cruchot?
11.? Gendarme?se?marie,?Le?(1968)?Marechal?des?logis-chef?Ludovic?Cruchot?
12.? Tracing Famous Paintings?Tatoué,?Le?(1968)?Félicien?Mézeray?
13.?Fantômas?contre?Scotland?Yard?(1967)?Le?commissaire?Juve?
14.? Oscar?Oscar?(1967)?Bertrand?Barnier?
15.? Petit?baigneur,?Le?(1967)?Louis-Philippe?Fourchaume?
16.? Grande?vadrouille,?La?(1966)?Stanislas?LeFort?
17.? Darkness in the Dark?Corniaud,?Le?(1965)?Leopold?Saroyan?
18.?Fantômas?se?déchaîne?(1965)?Commissaire?Juve?
19.? Police in New York?Gendarme?à?New?York,?Le?(1965)?Maréchal?des?logis-chef?Ludovic?Cruchot?
20.? Fant Thomas?Fantômas?(1964)?Commissaire?Juve?
21.? Gendarme?de?St.?Tropez,?Le?(1964)?Maréchal?des?logis-chef?Ludovic?Cruchot?
22.?Carambolages?(1963)?Norbert? Charolais?
23.? Straight from the House of the Dragon?Faites?sauter?la?banque! (1963)?Victor Garnier?
24. Pouic-Pouic?(1963)?Léonard?Monestier?
25.? The Devil's Ten Commandements?Diable?et?les?dix?commandements,?Le?(1962)?Vaillant?(episode? "Bien?d'autrui?ne?prendras")?
26.?Capitaine?Fracasse,?Le?(1961)?Scapin?
27.? Traversée?de?Paris,?La?(1956)?Jambier,?l'épicier?
28.? The sheep has five legs?Mouton?à?cinq?pattes,?Le?(1954)?Pilate?
29.? Queen Margot?Reine?Margot,?La?(1954)?René?(uncredited)?
30. General Rovellet?Sept?péchés?capitaux,?Les?(1952)?Martin?Gaston,?le?Français?(segment? "Paresse,?La/Sloth")?
31.?Boniface?somnambule?(1951)?Anatole,?le?mari?soupçonneux?
32.? No address left?Sans?laisser?d'adresse?(1951)?Un?futur?papa?(as?De?Funès)?
33.? Design for Happiness?Antoine?et?Antoinette?(1947)?Un?garçon?épicier/Un?invité?à?la?noce?(uncredited)
Louis de FénèsFrench comedian
Name in Chinese: Louis de Fenès?
English name: Louis?De?Funès?
Nickname? Nickname: Fufu?
Nationality. Nationality: French
Birth date: July 31, 1914 Date: July 31, 1914?
Star: Leo? Zodiac sign: Leo?
Occupation: Director, actor, actress. Profession: Director, Actor, Playwright?
Fame? Famous for: 'Crossing Paris', 'The Crowd', and 'The Crowd'. Work: "Crossing Paris" (《Through Paris》)
代代
Representative? Criticism: The Critics' Association of the United States of America The Tiger's Mouth?
Wife? Wife:? Gorman Elodie (1936-1942)?
I?
On July 31, 1914, Louis?De?Funès was born into a middle-class Hispanic family. When Funès was born, the dramatist Molière had been dead for 271 years, the father of cinema, Louis Lumière, was 50, Lenin was 44, Chaplin and Hitler were both 25, Hitchcock was 15, the French comedians Jean Gabin and Tati were only 10 and 6, respectively, the Austrian Archduke Ferdinand had just been assassinated, and the leaders of France's New Wave cinema movement, Godard and Truffaut, had not yet been born.?
Fiennes grew up between two of the driest, most frightening world wars in European history. When World War II ended, Fiennes was in his prime. During this time, Fiennes wanted to pursue a career in theater, but he didn't find the right place to start during the turbulent years. Instead, he picked up pins in a leather store, worked as a journeyman in a photo studio, and, hating numbers most of all, worked as an accountant.In 1936, Germaine?Elodie married Fiennes, who was running around Paris playing the piano in bar after bar, in a failed marriage that lasted six years. The bar life was miserable, but at least you could eat leftovers from restaurants when you were hungry, and the free and easy style of jazz dispelled the dark clouds that filled the night sky of occupied Paris.?
After his divorce, Fiennes decided to act at the urging of a friend. He passed his exams at the then-famous Rémy Simon's acting school with a scene from a Molière play. Finnesse had no money to pay for tuition, and Remy approached him once and allowed him to study for free. There he befriended Danielle Gran (Daniel?Gélin), an actor with a mediocre acting record who first introduced Fiennes to his first film, "The Seduction of Barbizon," and from there he embarked on a 10-year career of running gigs and small roles.?
If upheaval, troubled marriages and a lack of talent in the pursuit of theater and music are considered necessary lessons in life, the number of outstanding filmmakers who emerged in the same era as Fiennes, the variety of styles and the rapidity of their development are unpredictable. The era of Fiennes was a time of great popularity and talent in the French movie industry. Two famous comedy stars of the same age with Phineas, Jean Carbone and Tati, were earlier than him, Carbone had become famous in the 1940s for his successful role as Inspector Maigret, the "French version of Sherlock Holmes" under the pen of the famous French detective writer Simenon, and Tati became an idol in the hearts of the French for his light comedy of easy comical life, and Phineas's most admired comedian. With Fernandel, Fernandez's most admired comedy star, and André?
Bourvil, a young comedic talent at the time, the '50s were a time of laughter in French movie theaters, and in the early '60s, the New Wave, one of the most important film movements in world cinema, brought a new breed of French actors to the forefront of French cinema. In the early 1960s, the most important film movement in the history of world cinema, the "New Wave", saw the emergence of a group of new French directors, Godard, Renoir, Truffaut and Malle, a group of talented cinematic geniuses, who, in the most important period of Fiennes's career, produced their own masterpieces of cinema history, and French cinema entered the second golden age after the "silent era". The New Wave movement advocated seriousness and a sense of humor, and it was the second golden age of French cinema. The seriousness, simplicity, and realism of the New Wave movement were at odds with Fiennes's exaggerated satirical comedies.
No matter how you look at it, it was a bad time to be a comedian with a head of hair on his shoulders, but Fiennes stood out with his tireless work and unique comedic talent. 1965's The Tiger's Mouth, which Fiennes co-starred in with director Uri and fellow filmmaker Bourvillier, was a great example of how the heavy-handed realism of the New Wave was combined with the obscurity of the Left Bankers. seared against the obscure and blurred images of the Left Bankers to become the best-looking and most popular war comedy in history, with the film's selfishly acerbic conductor and honest, foolish painter bringing untold laughter to the world.
Two?
For 40 years, Fiennes has been in so many movies that it's impossible to count how many he's been in. In his first movie he played a janitor in paradise, then a bartender, a bank clerk ......, and countless unforgettable supporting roles in more than 60 movies before he rose to stardom, and he eventually made a name for himself in the 1960s and '70s as a kind of "man of the world. In the 1960s and '70s, he bridged the comedy gap with a style of "radical satire," creating a series of "Fiennes-esque characters.
Fontaine Thomas, France's most famous thief, appeared in more movies than Inspector Maigret, the "French version of Sherlock Holmes," and was the subject of five films by Louis Feuillade, the famous director of the silent era, between 1913 and 1914, about the journalists Fandor and Fernandez. Fandor, a journalist, and Juve, the police commissioner, **** together in the hunt for Fantomas, a thief. In the movie, Fantomas is a good disguise cruel and cunning criminals, engaged in assassination, fraud and robbery, police officer Juve (Juve) is Fantomas nemesis, he is calm, resourceful, several times Fantomas sent to prison. A number of remakes of Fantomas' story followed, but none were successful. It wasn't until director André Hunebelle decided to cast Fiennes as Officer Gifford that the Fantomas story shed its "thriller-realism" cliché and rekindled the legendary tale with a touch of hilarious comedy. "In Fiennes' version of Fantomas' story, he makes Gifford a pompous, bratty little old man, making him a more realistic and ironic character than the legend would have you believe, a chief who whistles at his subordinates and has no physical qualities as a policeman, who loathes Fantomas, but is always the one that he plays around with. to and fro.
Compared with Fantomas's goofy police officer, Fiennes is even more egotistical in his portrayal of Ludovic, the defiant, sneaky deputy chief of police, in the "Cops" series of films, the most successful comedy series in the history of French comedy cinema, which ran for six films: "The Police of St. Tropez," "Cops in New York" and "The Cops of St. Tropez," and "The Cops of St. Tropez," and "The Cops of St. Tropez," among others. Cops, Cops in New York, Cops Getting Married, Cops Walking, Cops and Aliens, and Cops and Cops, the most successful series in the history of French comedies: Cops in St. Tropez, Cops in New York, Cops Getting Married, Cops Walking, Cops and Aliens, and Cops and Cops, a group of ostrich cops in St. Tropez, the town with the largest number of vacation homes for French millionaires, who surround Fernandez and often get entangled in Some small things that have nothing to do with solving the case to show off the power of speech. It seems to have set the mold for a "funny cop" that would become Desiree Nielsen's American "White Headed Sleuth" and the later "Taxi Catch Trilogy".
Without the international fame of "The Tiger's Mouth," Fiennes' own favorite film, "The Adventures of Rabbi Jacobs," was a true masterpiece, culminating in Fiennes' career, with an attendance of 7 million. It is said that Uri often laughed so hard during filming that the camera shook and had to be reshot. The movie tells the story of Phineas's daughter who is about to marry a general's son, who is inadvertently involved in a "political conspiracy", while a famous rabbi comes to France to participate in religious activities, as a result, from the airport, the police, terrorists, the young president, the famous rabbi and Phineas's daughter's wedding are stirred up together, the plot of the drama is tight, complex clues, full of laughs, the drama is tight, the clues are complex, full of laughs, the drama is tight, the clues are complex, full of laughs. The play has a tight plot, complex clues, lots of laughs, many characters and distinctive personalities, not only has many of Fiennes's best plays, but also focuses on the important religious divisions and racism of the French society at that time, and injects a romantic warmth into the previous Fiennes's exaggerated comedy. To this day, the scene in the chewing gum factory remains a classic sequence that many comedies emulate.
Fiennes also played a conductor who directs ballerinas with a baton ("The Conductor"), a hotel owner who is mean and rude to his employees but fawning over his customers ("The Disappearance of the President"), a capitalist who prevents his daughters from falling in love with each other because he is too poor to love his own daughter ("Oskar"), and the Spanish king's avaricious envoys ("The Mad Aristocrat"). the coveted Molière masterpiece "Scrooge," portraying the only Aragon in the history of French cinema.?
Three?
Today's comedy has accommodated many elements outside of performance, such as parody, special effects and caricature, and while there are suspenseful plots and action scenes to accompany Fiennes' comedies, the main focus is still on the actors' performances. He brings to the screen the comedic devices of stage theater: exaggerated gestures, a variety of body and voice language, and the expressive use of dialogue.
The important difference with those comedians in the past is that he succeeded in presenting the object of satire in comedy and made a group of exasperating and hateful characters the main comedic protagonists, grasping the essential characteristics of these people to excavate the ridiculousness of human nature, thus his satire is radical, from the mercenary to the celebrities, from the petty cheapskates to the big capitalists, from the intellectuals to the petty husbands, the most humble qualities of human beings put on the Fiennes's coat turned out to have an unprecedented ha-ha effect, with people reflecting on everyday life at the sight of characters so selfish, brash, proud, arbitrary and out of place that his performances later became a test question on the entrance exams of some Parisian theater schools.?
Finez, who is usually very humble and is often reflecting on the direction of his performances and his style of comedy, said, "In the beginning, never, never could I believe that I could make such a critical audience laugh for so many years. I asked myself how much longer I could continue to entertain people. It scared me, like a sword hanging over my head. I've read and heard things about me that I know I can't stay in one place forever, only go further." ?
When he died of a heart attack on Jan. 27, 1983, just after directing his first film, he brought so much joy to the world that God couldn't spare this good man too much pain before he left. He has been gone for 20 years and we are still frozen to the screen thinking he is still alive.