It seems that crying and laughing can make you feel that the reality of life is a textbook-like acting? These highly praised answers also reflect the low aesthetic level of Zhihu's so-called intellectual class.
If an actor's performance does not create new patterns and styles in lines, movements, expressions and rhythms, what qualifications are there to be called textbooks?
Li Liqun, as a stage actor who has played many TV dramas, is qualified to talk about TV drama acting? Li Liqun said that in his mind, TV plays, like tap water, are forcibly imported into every family. "All we can do is to improve the water quality as much as possible" and "there is no acting".
Once an excellent drama actor is on a TV series, it will have a huge blow to the TV drama coffee, even if it is a big TV coffee.
For example, Kangxi in Jiao Huang compared with Kangxi in Chen Daoming. Originally, Chen Daoming's performance has been very attentive, and he is totally relying on his own acting skills to support the drama of Kangxi Dynasty. However, comparing Jiao Huang's performance in Yongzheng Dynasty, it immediately sets off the shallowness and intention of Chen Daoming's deductive method. Jiao Huang's every move and word greatly overshadows Chen Daoming's appeal and closeness to historical figures.
If you are in the same play, the contrast is even more obvious. For example, officials in WU GANG and Lu Yi, Lu Yi has nothing wrong, but he will be scolded. Because the means and methods of performance are much inferior to those of WU GANG.
The stage play is the real textbook for the actors' study time. At the same time, these textbook-like acting skills are constantly being practiced and passed down.
Give some examples of real textbook acting.
1. Teahouse Wang Lifa-Yu Shizhi
If you are indifferent to Yu Shizhi's performance, it means that you don't know anything about acting. What I said is not arbitrary or exaggerated at all.
Wang Lifa is a textbook that almost all actors in China must study.
Teacher Yu Shizhi's dedication and modesty make people admire him.
The misfortune of Mr. Yu Shizhi's aphasia in his later years makes people cry.
Of course, Teahouse is not only powerful with Yu Shizhi, but also with Zheng Rong, Lan Tianye, Ying Ruocheng, Lin Liankun and Huang Zongluo. ...
What needs to be remembered more is Lao She and Jiao Juyin.
This play is an incomparable real textbook.
Students learn to inherit the teahouse.
Guanhua Liang version of chubby Wang Zhanggui.
Pu Cunxin, Yang Lixin, He Bing and WU GANG all participated in this edition of teahouse. The performance is very dedicated, but to be honest, there are many tributes and many inheritances. It is really difficult to surpass the classic version. It's not easy to create a performance mode.
2. "Bird Man" Sanye-Lin Liankun
Lin Liankun's performance in it, good evil, the kind of language and action style that is difficult to copy, vividly interpreted this slightly absurd drama by Guo Shixing, which makes people memorable.
Although Lin Liankun may be better known for Nirvana, I prefer his performance in Birdman.
He Bing, who played Huang Maoer in the first edition of Birdman, inherited Lin Liankun's interpretation. For He Bing, it is very enjoyable to play his idol.
3. Captain Queequeg of mutiny-Zhu Xu
This sensational Broadway play was translated into Chinese by Ying Ruocheng, and Zhu Xu's long monologue in court was natural and unforgettable.
Feng Yuanzheng takes the next stick.
4. Wotou Club Yuan Guozhong-He Bing
A few of them are the plays of old artists in the early years. Newcomers are learning and inheriting them, but they seem to lack creativity.
Fortunately, there is this play, thanks to the screenwriter Liu Heng.
Like the teahouse, this is also a three-act, Beijing flavor and a gathering of big names.
He Bing paid tribute to pockmarked Liu of Ying Ruocheng in the new edition of Teahouse, and paid tribute to the Third Master of Lin Liankun in the new edition of Bird Man. We sincerely wish that someone will pay tribute to Yuan Guozhong shaped by an old artist in He Bing twenty years later.
It's been a long time since there was such an enjoyable play.
He Bing played Huang Maoer in Birdman, and later paid tribute to Third Master. Now this play plays the leading role Yuan Guozhong.
Xu Fan played a baby-sitter in Birdman, and Jin Murong, who was down and out, played in this play.
Pu Cunxin played the role of psychoanalyst in Birdman, Grandpa Chang in the new version of Teahouse, and Gu Yue Zong, an old hairy boy, in this play.
Song Dandan plays Xiaoding Bao Er in the new version of Teahouse, and Tian Cuilan, who is kind and straightforward, in this play.
Yang Lixin plays a foreign observer in Birdman, Mr Qin in the new version of Teahouse, and Xiao Qishan, the black-hearted director, in this play.
Look at the high repetition rate of the actors in the stage play. Compared with the film and television drama, there are too few actors who can play and are willing to play the stage play.
By the way, Gu Yue Zong, the old man in the stills of Wotou Guild Hall above, was played by Pu Cunxin. Did you see that?