Guo baolin is a famous prose writer. He has worked hard in the prose garden for decades and achieved fruitful results. Up to now, more than 2 collections of essays, such as Reading the Northwest, Yesterday's Horizon, Hui Feng Wan Yun, have been published, which have had a great influence on readers and critics. The editor of China Contemporary Prose Series said: "Guo Baolin's essays are broad in subject matter, rich in content, passionate in emotion, magnificent in spirit, bright in color, far-reaching in artistic conception and profound in style"; Feng Mu, a famous critic, said that Guo Baolin "pursues a vast sense of history, which is bold, intense, high and even tragic". In a sense, Guo Baolin's prose style stems from his unique language skills. This paper intends to make a brief analysis on this.

The so-called language, in popular terms, is the combination of words and phrases, sentences and sentence groups. Language combination has certain rules and procedures, including the rules and procedures of vocabulary and pronunciation, as well as the combination requirements of grammar, semantics and logical relations. The arrangement and combination of words and short sentence groups should conform to semantic logic. The so-called semantics, simply speaking, is the meaning expressed by language, and it is the linguistic form of subjective contents such as feelings, intentions, thoughts, thoughts, aspirations, happiness, anger, sadness and joy. The author's creation, using words, choosing words and making sentences is not to show his ability to use words, choosing words and making sentences. What's more important is to express his feelings. It is the writer's pursuit to express his meaning clearly, be artistic, have interest and charm, and enjoy reading. In creation, every word, word and sentence is a specific and clear-cut body, and they all bear the responsibility of expression. Some people use very few words to express rich content, in order to refine and practice; Some people express simple meanings in many languages for the sake of being bloated and verbose. As far as language style is concerned, some people like simplicity, others like floweriness, and carrots and vegetables have their own love and are impeccable. Guo Baolin pays attention to language expression, attaches importance to expression forms, and pursues the magnificent artistic effect of expressing zhanghua's beauty, and has made considerable achievements, forming a < P > bold style, which has won wide appreciation. For example, write yellow sand in the desert: "Yellow. Yellow. Yellow. Endless autumn yellow, sunset yellow, rusty copper yellow. Apricot yellow, orange yellow, lemon yellow, lion yellow, crab yellow, ivory yellow, overwhelming and breathtaking yellow, fierce and wild yellow, bared his teeth and came face to face ... I was trapped in the yellow sand, and I became a prisoner of the yellow sand. It is difficult for me to break free from the yellow sand. " Language such as this makes people feel novel, abrupt, strange and creative. It can even be said that Wang Yang is wanton and rich in images, forming a strong effect, which is highly praised by Chen Huangmei, Bao Chang and others. Huang Mei said that he "opened people's hearts and inspired people to ponder with rich emotions and free and unrestrained poetry"; Bao Chang said that Guo Baolin "laid out a picture scroll with strong colors" and "was strong and powerful, with even guns and pens". Quite "Fan Kuan painting style in Song Dynasty".