In this play, we have seen a lot of things. You can have a look, if you are interested.

The drama "Chernobyl" has five episodes, and the fourth episode has been filmed. The last episode is naturally the IAEA Vienna Conference, so the final result will not be spoiled. Anyway, this film is also a flashback. You must know what it is like when you see suicide.

The essence of the fourth episode lies in the 91 seconds when Soviet soldiers shoveled graphite on the roof. The one-and-a-half-minute long shot made me feel a little suffocated. Pale light, concrete blocks and graphite blocks blown out all over the ground, Geiger counters crackling, and inner tension and fear. This is the most dangerous place on the earth, with radiation of 12,111 roentgens per hour, but there are people fighting with it at the same time.

Under the long lens, I saw two colors, pallor and color. Paleness represents the disastrous consequences caused by the accident, color represents sacrifice and hope, and represents the martyrdom of the Soviet people and the hope that the nuclear leak will be finally controlled.

In the lamentation of Chernobyl, a soldier also said that the Soviet red flag on the roof was changed every day, and the people who changed the flag knew that they were carrying out a mortal task, but they went anyway.

what kind of eyes should we look at them? I don't know.

What impresses me most in this episode is the two-minute hand-held long lens for roof cleaning, the continuity of lens presentation and emotional presentation, and the amazing degree of adhesion between the two. From the crackling radiation alarm, the dazzling to the white sun rays, the murderous graphite everywhere on the messy ground, to the comparison of "inside (human)-outside (hell)". Manually cleaning the roof is the ending of this episode in the plot, and it is the finishing touch in emotion and conception.