Yong Yu Le, Gu Pavilion, North of Jingkou, nostalgic for the past.

On the dance pavilion and singing stage, the wind and rain are always blowing away the wind.

Grass and trees in the setting sun, ordinary alleys, where humane slaves once lived.

I remember those days ④, when we were fierce and powerful, we could swallow thousands of miles like a tiger.

Yuan Jia hastily ⑤, sealing the wolf as a surrogate, and winning a hurried visit to the north.

Forty-three years ⑥, I still remember the beacon fire on Yangzhou Road.

But looking back, there is a sacred crow shrine and drums under the Buddha Temple!

Who can ask, Lian Po is old, can he still make a living?

Nian Nujiao, Chibi Nostalgic, Su Shi went eastward across the Yangtze River, and the waves were all gone, and he became a romantic figure through the ages.

On the west side of the fortress, the humane road is Chibi, the Lang of the Zhou Dynasty of the Three Kingdoms.

Rocks pierced through the sky, stormy waves crashed onto the shore, and thousands of piles of snow were rolled up.

Picturesque, a moment how many hero.

I think back to Gong Jin's time when Xiao Qiao got married for the first time and looked majestic and handsome.

Feather fans and silk scarves, while talking and laughing, the boats and oars disappeared into ashes.

My motherland wanders in my mind, I should laugh at my passion, and I will be born early.

Life is like a dream, a statue returns to the moon.

In the history of literature, Su Xin belongs to the bold school of Ci, but they have different styles.

The main difference is that Su Dongpo is broad-minded and Xin Jiaxuan is grand in strength.

Take "Nian Nujiao·Reminiscence of the Past in Chibi" and "Yongyu Le·Reminiscence of the Past in Beiguting, Jingkou" as examples. They are respectively famous "Reminiscence of the Past" works by Su Shi and Xin Qiji.

Although they both belong to the bold and unrestrained school, Su Xin's style of writing is different as shown in his poems.

"When the great river goes eastward, all the waves are swept away, and the heroes of the ages" flew out of the sky, cutting through the time and space of history, and using the mighty river to wash away the heroic figures of ancient China for thousands of years. It was really unexpected and created a vast world.

With the powerful artistic realm, readers' thoughts seem to flow wildly along with the river rolling eastward, thus narrowing the distance between history and reality.

Then, the three lines of "rocks piercing the sky, turbulent waves crashing on the shore, and rolling up thousands of piles of snow" describe the majestic scene of the ancient battlefield and capture people's attention with its power.

Using "chaos" and "surprise" to imitate the state, and "piercing" and "scrolling" to activate the background, the ancient battlefield is majestic and heroic, and full of vitality, eliminating the old habit of "poetry and poetry".

"Rocks pierce the sky, stormy waves crash on the shore" these two sentences are another couplet, and they are very neat and powerful. This cannot but be said to be the charm of Su's calligraphy art.

Therefore, these three sentences describing the scenery cleanse the readers' minds with Su Shi's unique boldness.

Su Shi's "Red Cliff Nostalgia" naturally brings out his own frustration when admiring ancient heroes.

The concluding sentence, "Life is like a dream, and a bottle of wine never catches the moon in the river." It seems negative and pessimistic, but in fact it is to relax and comfort yourself through the thoughts of Buddhism and Taoism, and to pursue a kind of spiritual open-mindedness.

Su Shi was a scholar who combined Confucianism, Buddhism and Taoism. After suffering the ups and downs of the "Wutai Poetry Case" and being demoted to Huangzhou, the clear and broad-minded vision of Buddhism and Taoism became his motivation for forging ahead in adversity.

emotional support.

Therefore, Su's poems are "extremely broad, and the meaning is extremely peaceful", and "life is like a dream" are words of peace, which are broad-mindedness revealed in boldness.

Su Shi's liberation of Ci style and expansion of Ci poetry in the Northern Song Dynasty provided a broader creative world for Xin Qiji's Ci in the Southern Song Dynasty.

Xin Qiji was an all-powerful hero who fought against the Jin Dynasty. What sustained him throughout his life was his great cause of fighting against the Jin Dynasty. Most of his lyrics became the carrier for him to express his patriotism.

"Yong Yu Le·Jingkou Beigu Pavilion Nostalgia for the Past" is one of the famous songs.

Xin Qiji was influenced by Confucian orthodoxy since he was a child. He took it as his mission to fight against the Jin Dynasty and restore the country. He combined "heroic talent, loyalty and righteousness" in his body. "Reminiscences of the Past in Guting, Bei Guting, Jingkou" is Xin Qiji's depressing work because of his unfulfilled ambition.

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In the conclusion, "Who can ask whether Lian Po can still make a living even though he is old?", the author compares himself with Lian Po, expressing his generosity in his twilight years.

The three words "Who can ask" mean that no one can ask. Although Lian Po is old, King Zhao can think of him when the country is in crisis. But today, who can understand the author's desire to serve the country?

This situation is unbearable to read, and what comes to mind is the author's desolation and tragic feeling of "beating the railings all over, but no one would see him, and he wanted to climb up".

Wang Guowei once commented in "Human Ci Hua" that "Dongpo's Ci is vast, Jiaxuan's Ci is powerful", which is very appropriate.

Su Shi is a literati, and Xin Qiji is a literati+hero (emphasis on heroism).

The sentimentality of the literati's temperament, "You should laugh at me if you are sentimental, and you will be born early", and the heroic spirit of heroes, "I think of the old days, when they fought with iron and steel, and swallowed up thousands of miles like a tiger" can be included in the vocabulary of the bold school.

The literati poems represented by Su Shi use poetry as the lyrics, emphasizing poetic imagery, while the heroic poems represented by Xin Qiji use text as the lyrics, emphasize narrative, and like to use allusions.

Su Shi superimposed the picturesque mountains and mountains with the majestic heroes, using the scenery to set off the people, the mountains and rivers are magnificent, and the heroes are handsome.

Xin Qiji recounted the successes and failures of many heroes such as Sun Quan, Liu Yu, Liu Yilong, Lian Po, etc., and wrote about his concern for state affairs and his injustice of not being recognized for his talents.

Xin Qiji often uses allusions in his lyrics. This is actually a common way of writing poetry for literati. The same is true for Su Shi, but Xin Qiji is more prominent.

Some people say that the shortcoming of Xin Ci is that he likes to "drop his book bag". This is an inappropriate criticism.

The allusions used in the "Nostalgic" chapter are intended to tell the stories of heroes from all walks of life and express their heroic spirit. Except for the last incident of Lian Po, they are all historical facts about Zhenjiang. They closely follow the title of "Jingkou Nostalgic" and are not suspected of showing off knowledge at all.

, appropriate and natural.

This is also a breakthrough in the writing style of Xin Ci.

Xin Qiji made many useful explorations in the creation of Ci, making the Ci chapters richer and more varied.