The uniqueness of this documentary lies in that it is narrated from the perspective of the staff of the Palace Museum, including the ancient architecture department, the restoration technology department, the engineering department, the cultural protection science and technology department, the archaeology department and other departments.

In the process of repairing and protecting ancient buildings, people rediscovered the Forbidden City, and also showed the wonderful connection between people outside the palace wall and the city.

Second, "I am repairing cultural relics in the Forbidden City" (20 16) Douban 9.4 points.

There are only three episodes in this documentary, and the length is not long, which is very suitable for an overview before the visit. The documentary was directed by Ye Jun and Han Xiao, and the three episodes of cultural relics restoration documentary produced by China CCTV were broadcast in the "Documentary Editing Room" of CCTV TV program. The film focuses on the restoration process of rare cultural relics such as paintings and calligraphy, bronzes, court clocks and watches, woodwork, ceramics, lacquerware, inlaid treasures, court embroidery and so on, as well as the life stories of the restorers.

Three. Dunhuang Mogao Grottoes Panorama Part I Reproduces the Glory of the Tang Dynasty Empire (2008) Douban 9.3 points.

For the first time, the documentary used high-definition cameras to shoot and publicize Dunhuang murals in 30 caves. These murals are perfectly integrated with vision, soundtrack and narration, and may even get a better visual experience than arriving at the scene. This may also be a dream for foreign tourists who can't reach Dunhuang.

Fourth, Zhang Chunru? (2008)

Very suitable for a documentary before going to Nanjing.

The film took 15 months to shoot. From Zhang Chunru's personal perspective, along with her interview footprint when she wrote the book Nanjing Massacre, combined with a large number of real materials that were first published. This is the first documentary in the world to fully reproduce the Nanjing Massacre from the perspective of real people.