Memories flooded in, and Watanabe had a splitting headache, but scenes from 20 years ago flashed Naoko's smiling face.
How much like Lin's artistic conception in "Let's go and see": "It's inevitable that your head will get wet, and there will always be raindrops in London ... you can find them, but you can't go back to the day when you fell in love."
Some people say that when you are alone, you should see more Haruki Murakami.
I like Wu Bai's classic old songs very much, so I became interested in Norwegian forests. I can't borrow it from the library. Take a look at it when you are free, I think.
Unexpectedly, this is the second fastest book I have ever read. The fastest is Yu Hua's Alive, which only takes 1 day. This time, I spent five late nights from Saturday to today.
As for why I can finish this book so quickly, I don't know the specific reasons. But all I know is that there is a thrilling attraction behind the plain plot of this book, which makes people lose themselves in time while holding the book and forget themselves in reality.
After reading the whole book and then looking at the translation order, I found that I was not the only one who had the same idea. Japanese literary critic Ph??ngMinh commented on Nuo: "This story is as smooth and smooth as an oiled railway track. When we open the pages, we will feel a sense of speed, just like sitting on a jet roller coaster on a downhill slope. "
What a perfect voice to be with me!
Before I opened this book, I thought it was just a love novel. Why is it so popular? However, after reading it, I deeply found that this is a novel of another genre with a love novel coat and a youthful novel tone. Murakami himself thinks it is more appropriate to call it "Bildungsroman"-but I think it may be a book that cannot be classified in any language.
This is a novel dedicated to the lonely-reading it will not make the lonely no longer feel lonely, but it will give everyone a new understanding of loneliness and a friend destined to accompany everyone for life.
The protagonists Watanabe, Naoko, Ling He, and even the minor characters Yong Ze and Chu Mei are all lonely inside. Either you are not loved by the person you love, or you lose the person you love and have nothing to pin on, or you are at a disadvantage and try your best, or you are hurt by the world but you can't get timely comfort from the person you love. Of course, there are also self-inflicted loneliness-for example, Yongze's dance school on the road of life is cold and selfish, and Zaomei's obsession with Yongze, a person who is doomed not to fall in love. After all, if it is wishful thinking, you have to be willing to gamble and lose.
Ry? Murakami said in The Lonely Gourmet that if one day you think of the food a person ate with you. Then you will know what it's like to be alone. I think the purpose of Haruki Murakami's book is to teach us to accept loneliness, taste loneliness and even "play with loneliness".
The forests in Norway are cold and desolate. Many people in this world are as lonely as trees in the depths of the forest, unwilling to show themselves or touch other branches. We are not good at expression, so that we are used to guessing, affirming, denying and repeating, and then become sensitive and fragile. This may be the source of loneliness-the world can't really understand me, and I don't want to really understand the world. Like John. In the last sentence of Norwegian Woods, Lennon sang "Isn't it very good, Norwegian Woods?" Is the forest in Norway bad? Stay in your comfort zone, protect yourself tightly and don't intrude into other people's inner world. ...
There is a saying in "A cup of tea dirt": In the world, everyone snows, and everyone has their own obscurity and light. Loneliness is our own choice, and loneliness may be everyone's most primitive choice.
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There are too many sentences in the book worth pondering over, so I only extract some of them here.