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The Qin Terracotta Warriors and Horses provide a wealth of physical information for the study of the military, culture and economy of the Qin Dynasty. Its excavation has been hailed as "one of the great discoveries in the archaeological history of the twentieth century." In December 1987, UNESCO included the Mausoleum of Qin Shihuang (including the Terracotta Warriors Pit) on the World Cultural Heritage List. It is understood that with the support of the central and local governments, it is planned to invest 110 million yuan in the second phase expansion project of the Qin Terracotta Warriors Museum.

A research project titled "Characteristics of Air Pollution in the Qin Terracotta Warriors and Horses Museum" has recently been launched in Xi'an. The Qin Terracotta Warriors and Horses, which have stood silently for more than two thousand years, have welcomed a group of "companions" who get along day and night - the world's most advanced harmful gas monitors imported from the United States. In the next two years, they will monitor the air pollution in the Qin Terracotta Warriors and Horses Museum day and night and provide information to scientific researchers at any time.

According to reports, the "Characteristics of Air Pollution in the Qin Terracotta Warriors and Horses Museum" research project is led by the Institute of Earth Environment of the Chinese Academy of Sciences and the Shaanxi Qin Terracotta Warriors and Horses Museum, with participation from the Hong Kong Polytechnic University and the American Desert Research Institute, and has gathered a group of domestic and foreign researchers. Excellent cultural relics protection experts, *** invested RMB 2 million. The project will start from now until the end of February 2007. The main content is to continuously observe the indoor air pollution conditions of the Qin Terracotta Warriors Museum, aiming to conduct in-depth research on corrosive gases, atmospheric aerosols (acidic, mineral and carbon) and dust fall. Change patterns and chemical reaction mechanisms, comprehensively evaluate the corrosion mechanism of pollutants on cultural relics, so as to scientifically and effectively protect the Qin Terracotta Warriors and Horses.

Zhao Kun, a cultural relic protection expert at the Qin Terracotta Warriors and Horses Museum, told reporters that the potential damage to cultural relics caused by the indoor atmosphere is slow and difficult to detect. As air pollution problems in cities become increasingly serious, the adverse effects of harmful gases on cultural relics are becoming increasingly prominent. Indoor harmful gases or dust particles will react with paint pigments, accelerate the aging of repair materials, cause weathering of cultural relics, and affect the rediscovery of archaeological remains. At the beginning of the excavation of Pit No. 2 of the Qin Terracotta Warriors and Horses Museum, mold grew on the soil. It took cultural relic protection experts a summer to manually spray the mold to completely eliminate it. Therefore, it is necessary to propose control and management strategies based on a scientific understanding of the preservation environment of cultural relics, and ultimately transform the current rescue protection into preventive protection.

According to reports, through project research, a professional team specializing in cultural relics environment research will be cultivated in the Qin Terracotta Warriors Museum, and a cultural relics environment laboratory that can operate independently will be established; indoor microclimate, corrosive A comprehensive database of gases, atmospheric aerosols and dustfall; obtain the comprehensive characteristics and changing patterns of indoor air pollution in the Qin Terracotta Warriors Museum; accumulate advantages for further pollution control, thereby providing a theoretical basis for rescue protection and restoration, and also provide a basis for preventive protection Information, and will provide a leading example for my country to carry out air pollution prevention and control in museums, and provide scientific consultation and reference for the future promulgation of the National Museum Air Pollution Control Law.

Edited on 2020-05-31

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572020-06-04

What is the basic current situation of Qin Shihuang’s Terracotta Warriors and Horses?

The Qin Terracotta Warriors and Horses provide a wealth of physical data for the study of the military, culture and economy of the Qin Dynasty. Its excavation has been hailed as "one of the great discoveries in the archaeological history of the twentieth century." In December 1987, UNESCO included the Mausoleum of Qin Shihuang (including the Terracotta Warriors Pit) on the World Cultural Heritage List. It is understood that with the support of the central and local governments, it is planned to invest 110 million yuan in the second phase expansion project of the Qin Terracotta Warriors Museum. A research project titled "Characteristics of Air Pollution in the Qin Terracotta Warriors and Horses Museum" has recently been launched in Xi'an. The Qin Terracotta Warriors and Horses, which have stood silently for more than two thousand years, have welcomed a group of "companions" who get along day and night - the world's most advanced harmful gas monitors imported from the United States. In the next two years, they will monitor the air pollution in the Qin Terracotta Warriors and Horses Museum day and night and provide information to scientific researchers at any time. According to reports, the "Characteristics of Air Pollution in the Qin Terracotta Warriors and Horses Museum" research project is led by the Institute of Earth Environment of the Chinese Academy of Sciences and the Shaanxi Qin Terracotta Warriors and Horses Museum, with participation from the Hong Kong Polytechnic University and the American Desert Research Institute, and has gathered a group of outstanding cultural relics protection experts at home and abroad.* **Invest RMB 2 million.

The project will start from now until the end of February 2007. The main content is to continuously observe the indoor air pollution conditions of the Qin Terracotta Warriors Museum, aiming to conduct in-depth research on corrosive gases, atmospheric aerosols (acidic, mineral and carbon) and dust fall. Change patterns and chemical reaction mechanisms, comprehensively evaluate the corrosion mechanism of pollutants on cultural relics, so as to scientifically and effectively protect the Qin Terracotta Warriors and Horses. Zhao Kun, a cultural relic conservation expert at the Qin Terracotta Warriors and Horses Museum, told reporters that the potential damage to cultural relics caused by the indoor atmosphere is slow and difficult to detect. As air pollution problems in cities become increasingly serious, the adverse effects of harmful gases on cultural relics are becoming increasingly prominent. Indoor harmful gases or dust particles will react with paint pigments, accelerate the aging of repair materials, cause weathering of cultural relics, and affect the rediscovery of archaeological remains. At the beginning of the excavation of Pit No. 2 of the Qin Terracotta Warriors and Horses Museum, mold grew on the soil. It took cultural relics conservation experts a summer to manually spray the mold to completely eliminate it. Therefore, we must put forward control and management strategies based on a scientific understanding of the preservation environment of cultural relics, and ultimately transform from the current rescue protection to preventive protection. According to reports, through project research, a professional team specializing in cultural relics environment research will be cultivated in the Qin Terracotta Warriors Museum, and a cultural relics environment laboratory that can operate independently will be established; indoor microclimate, corrosive gases, atmospheric aerosols and dust reduction will be established. and other comprehensive databases; obtain the comprehensive characteristics and changing patterns of indoor air pollution in the Qin Terracotta Warriors Museum; accumulate advantages for further pollution control, thereby providing a theoretical basis for rescue protection and restoration, and also provide basic data for preventive protection, and will be used for my country's development The prevention and control of air pollution in museums provides a leading example and provides scientific consultation and reference for the future promulgation of the National Museum Air Pollution Control Law.

9 Views 4482020-05-31

Who knows the current status of the Terracotta Warriors

Purposefully search for relevant information, such as historical background, basic status, and source of information Self-recorded, sweaters use auxiliary forms such as pictures and tables

3 View 24272020-06-01

The historical status of the Terracotta Warriors

Overview of the Terracotta Warriors Terracotta Warriors (terra-cotta) figures; soldier and horse figures) Terracotta warriors and horses are mostly made by the method of molding. First, use a pottery mold to make the first embryo, and then cover it with a layer of fine mud for processing, marking and coloring. Some are burned first and then joined, and some are joined first and then burned. The heat is uniform, the color is pure, and the hardness is very high. The Mausoleum of Qin Shihuang is located at the foot of Lishan Mountain to the east of Lintong County, more than 30 kilometers away from Xi'an City. According to historical records: Qin Shihuang Yingzheng began building the cemetery when he came to the throne at the age of 13. Prime Minister Li Si presided over the planning and design, and General Zhang Han supervised the construction. The construction took 38 years. The vastness and grandeur of the project created the luxury of all feudal rulers in the past. A precedent for generous burials. At that time, the total population of the Qin Dynasty was about 20 million, and as many as 720,000 people worked to build tombs. The soil used for building the mausoleum was taken from the multi-level loess cliffs 5 to 25 meters high between Sanliu Village and the county quarry, 2,000 meters south of the current cemetery. A large amount of stones used to build the cemetery were taken from Zhongshan and Jun'eshan in the north of the Weihe River, and were transported to Lintong by manpower. The project was very difficult. It can be imagined that the amount of the project is huge. There are corpses at the foot of Zhongshan and Jun'e Mountains, which shows the cruelty of the entire project. It is also one of the "Eight Wonders of the World"! The earthen tomb of the Qin Shihuang Mausoleum is 43 meters high and has a base circumference of more than 1,700 meters. It is built with two rammed earth walls inside and outside, symbolizing the imperial city and palace city of the capital. The inner city is slightly square in shape, with a circumference of 3890 meters. Except for two gates on the north side, there is one gate on each of the other three sides. The outer city is rectangular, with a circumference of 6294 meters, and one door on each side. The tomb is located in the south of the cemetery. The Terracotta Warriors and Horses Pit of Qin Shi Huang is the burial pit of Qin Shi Huang’s mausoleum, located 1,500 meters east of the mausoleum. In the past, this was a cemetery, and local farmers discovered something that looked like a human when digging graves. In March 1974, when the villagers of Xiyang Village to the east of the mausoleum were digging wells to fight drought, they discovered the large-scale terracotta warriors and horses pit of the Qin Shi Huang Mausoleum between Xiahe Village and Wula Village, three miles east of the mausoleum. After excavation by archaeologists, Only then did they uncover the treasure of Qin terracotta warriors buried underground more than 2,000 years ago. The burial pits of the Terracotta Warriors and Horses of Qin Shihuang are located from west to east, with three pits arranged in the shape of a "pin". The earliest discovery was the No. 1 Terracotta Warriors Pit, which is rectangular, 230 meters long from east to west, 62 meters wide from north to south, and about 5 meters deep. It has a total area of ??14,260 square meters. It has slope doorways on all sides and a terracotta warriors and horses pit on the left and right sides. It is now called Pit No. 2 and Pit No. 3. The Terracotta Warriors and Horses of Qin Shihuang are the largest underground military museum in the world. The layout of the pit is reasonable and the structure is unique. At the bottom of the pit, which is about 5 meters deep, east-west load-bearing walls are erected every 3 meters. The terracotta warriors and horses are arranged in the holes in the gaps between the walls. More than 500 warrior figurines, 6 chariots, 24 driving horses, as well as bronze swords, Wu hooks, spears, arrows, crossbows, bronze halberds and other actual combat bronze and iron weapons have been unearthed in Pit No. 1. At the east end of the pit, there are 210 human-height pottery warrior figurines with different facial expressions, clothing styles, and hairstyles. They are all lifelike and realistic in form. They are arranged in three horizontal lines, with 70 people in each line, except for 3 leaders. In addition to wearing pin armor, the rest of the soldiers wore short brown clothes, leggings, string shoes and belts, no helmets and hair tied, bows and arrows, and crossbows in hand, like a vanguard unit ready to set off. After that, there is the main force composed of 6,000 armored figurines, each holding a spear, a spear, a halberd and other long weapons of about 3 meters, separated by 35 four-horse chariots in 11 east-west passages, arranged in 38 Road column.

On the north and south sides and at both ends, there is a row of warrior figurines, which seem to be guards to prevent side attacks. This team has a complete lineup, complete equipment, majestic and majestic. It is an artistic reproduction of Qin Shihuang's mighty army and has a strong artistic appeal. Pit No. 2 is located on the northeast side of Pit No. 1 and the east side of Pit No. 3. It is in the shape of a square array, 96 meters long from east to west and 84 meters wide from north to south, with a total area of ??about 6,000 square meters. The buildings in the pit are the same as those in Pit No. 1, but the formation is more complex and the types of troops are more complete. It is the most spectacular military formation among the three pits. Pit No. 2 has an exhibition hall of 17,000 square meters, which is currently the largest and most complete modern heritage exhibition hall in my country. Yuan Zhongyi, director of the Qin Terracotta Warriors and Horses Museum, explained: "Firstly, it is to better protect the cultural relics, and secondly, because it will take at least 5 to 7 years to clear the entire military formation from the ground. The advantage of this is that tourists You can not only visit the local style of Pit No. 2, but also see the excavation work of Pit No. 2 with your own eyes.” According to preliminary estimates, Pit No. 2 contains more than 1,300 pottery figurines and horses, more than 80 chariots, and tens of thousands of bronze weapons. Among them, the general figurines, the pommel horse figurines, and the kneeling archer figurines were discovered for the first time. There are four slope doorways at the east and west ends of Pit No. 2, and two slope doorways at the north. The figurine pit faces east from the west, and the main entrance is to the east. The layout of the pit is divided into 4 units. The first unit is located at the east end of the pit. There are 60 standing crossbow warriors in the surrounding corridor, and the center of the formation is composed of 160 squatting crossbow warriors on the east side of the eight road. The crossbowmen were arranged in a formation within a formation, standing, kneeling, rising, and shooting in turns to avoid the risk of the crossbows being drawn slowly. The second unit, located on the right side of the pit, consists of 64 chariots (the chariots are made of wood and only the remains remain). Each column is multiplied by 8, so there are 8 columns. In front of the car are four pottery horses the size of real horses. Three terracotta warriors are arranged in a row behind each cart. In the middle, there is a hand pulling a horse's bridle. The other two stand on the left and right sides of the cart, holding long-handled weapons. The third unit, located in the middle, consists of 19 tanks, 264 infantry figurines and 8 knight figurines forming a rectangular array, divided into three columns. There is a knight figurine standing in front of each horse, with one hand holding the horse's reins and the other hand making a bow gesture. In addition to the three chariots, each vehicle is equipped with 8 to 36 infantry figurines. The fourth unit, located on the left side of the military formation, has 108 knight figurines and 180 pottery-saddled horse figurines arranged in 11 horizontal lines to form a rectangular cavalry formation. Among them, there are 6 tanks in columns 1 and 3. In front of each horse, there is a figurine of a knight in Hu costume, holding the horse with his right hand and pulling the bow with his left hand. Pit No. 3 is located 25 meters from the west end of Pit No. 1, with an area of ??about 520 square meters and a concave shape. There is a chariot in front of the door with 68 warrior figurines inside. Judging from the layout of Pit 3, it seems to be the general headquarters, commanding the left, right and center armies, but it has not been completed. Pit No. 4 has pits but no figurines, only backfilled soil. Judging from the layout and formation of the two pits, pit No. 2 has a complex formation and a complete range of troops, making it the backbone of the battle. This method of organizing is called in the military book "a large formation enclosing a small formation, a large camp enclosing a small camp, occasionally connected by hooks, and twisted to face each other." "Sun Bin's Art of War" said: "Those who are riding and fighting are divided into three, and one is divided into three. One is on the right, the other is on the left. If it is easy, it will have more chariots; if it is dangerous, it will have more cavalry; if it is more dangerous, it will have more crossbows." Only when the three are combined organically can one be invincible in a hundred battles. Pit No. 2 is the theoretical illustration of this ancient military strategist. Judging from the year numbers engraved on the weapons unearthed from the Qin Terracotta Warriors pit, it can be seen that the Terracotta Warriors and Horses burial pit was built before and after Qin Shihuang unified China. Qin Shihuang relied on his ability to "swipe his sword to cut through the floating clouds" and "to control the talents of a group of people" to destroy the six kingdoms and rule the world. The terracotta warriors and horses reflect the Qin Dynasty's powerful soldiers and horses, and their all-powerful momentum. After the death of Qin Shihuang, Hu Hai, the second emperor of Qin, succeeded to the throne and continued to overhaul Afang Palace and Chidao. The taxation and corvee became more onerous than before, which caused a peasant uprising. In this form, pit No. 3 was terminated midway, and pit No. 4 was hastily filled before the terracotta warriors and horses could be placed. During the excavation, traces of fire were found, which may be related to the fact that King Chu Ba entered the pass and burned Epang Palace. In 1961, the State Council of the People's Republic of China designated the Mausoleum of Qin Shihuang as a national key cultural relic protection unit. In 1987, the Mausoleum of Qin Shihuang and the Terracotta Warriors and Horses were approved by UNESCO to be included in the World Heritage List. The "Terracotta Warriors and Horses Museum of Qin Shihuang's Mausoleum" was established in the arched exhibition hall built on the site of Pit No. 1 of the Terracotta Warriors and Horses, which is open to Chinese and foreign tourists. On May 8, 2007, Xi'an Terracotta Warriors and Horses Museum of Qin Shihuang was officially approved by the National Tourism Administration as a national 5A tourist attraction. Over the years, the majestic terracotta warriors and horses have been silent for thousands of years. Today in the 20th century, through the unremitting exploration of generations of archaeological workers, the ancient terracotta warriors and horses have taken on new life and moved towards new glory. There are more than 8,000 pieces of terracotta warriors and horses, which is very large in scale. Route: In March 1974, when villagers from Xiyang Village, Yanzhai Township, Lintong County, Shaanxi Province were digging a well 1.5 kilometers east of the Mausoleum of the First Emperor of Qin, they unexpectedly discovered many broken pottery figures. Terracotta Warriors and Horses pit. In 1976, through drilling, two more terracotta warriors and horses pits were discovered at 20 and 25 meters north of the pit. They are named Pit No. 1, Pit 2 and Pit 3 respectively according to the time when they were discovered. The total area of ??the three pits is 22,780 square meters. There are about 7,400 pottery figurines and horses in the pit that are the same size as real horses. pieces. The Terracotta Warriors and Horses of Qin Shi Huang are the largest group of warriors in my country and a rare art treasure in the world. In 1987, they were included in the UNESCO World Cultural Heritage List together with the Mausoleum of Qin Shi Huang and are known as the "Eight Wonders of the World".

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Why Qin Shihuang’s Terracotta Warriors and Horses do not continue to be excavated

The reason why Qin Shihuang’s Terracotta Warriors and Horses do not continue to be excavated is that technology is underdeveloped. The United States was once willing to provide technology to help China develop the Mausoleum of Qin Shihuang, but the additional conditions proposed were too harsh, so China did not agree to the Americans' request. Antiquities are generally buried underground and cannot be exposed to oxygen for a very long time. Once the imperial tombs are excavated, oxygen will inevitably enter, and the cultural relics will quickly oxidize, thus destroying the cultural relics. The Terracotta Warriors and Horses of Qin Shihuang are colorful. After being unearthed, the color on the surface quickly fell off and turned into blackened debris. When Zhu Di Dingling was developed, many of the very rare plain gauze clothes from the Ming Dynasty were rapidly oxidized when exposed to oxygen, and the colorful clothes turned into bark within a few minutes. Later, Guo Moruo asked Premier Zhou Enlai if he could excavate the Mausoleum of Qin Shihuang. He hoped to see the Mausoleum of Qin Shihuang in his lifetime. However, Premier Zhou did not agree because the cultural relics in Dingling could not be preserved. Extended information 1. Archaeological history of the Mausoleum of Qin Shihuang According to archaeological investigations, the cemetery is divided into two parts: the inner city and the outer city. Between the inner and outer city, there are pits for horse burials, pits for rare birds and animals, and pits for pottery servants; outside the mausoleum, there are more than 400 stable pits, pits for human sacrifices, pits for prisoners, and tombs for people who repaired the mausoleum, covering an area of ??56.25 square kilometers. In addition to the well-known burial pits of terracotta warriors and horses, and the bronze chariot and horse pits, more than 600 large stone armor pits, terracotta warrior pits, civil servant pits, and accompanying tombs have been newly discovered. There are more than 100,000 cultural relics. In 1962, during the first comprehensive archaeological survey of Qin Shihuang's Mausoleum, archaeologists drew the first floor plan of the cemetery. After detection, the cemetery covered an area of ??56.25 square kilometers, equivalent to nearly 78 Forbidden City, which caused a sensation in the archaeological community. On January 29, 1974, the Terracotta Warriors and Horses from the Mausoleum of Qin Shi Huang were discovered. In July 1974, the first archaeological team of Qin Shihuang's Mausoleum stationed at the construction site. In early 1980, the south wall of the underground palace was unearthed. From 1979 to 1982, the tomb passages on the west and north sides of the seal and five tomb passages on the east side were discovered one after another. In July 1998, a trial excavation was conducted on the newly discovered large-scale burial pit, and a large number of bluestone armors were unearthed, which aroused strong responses from all walks of life. In October, a joint archaeological team was formed by the Shaanxi Provincial Institute of Archeology and the Qin Shihuang Terracotta Warriors and Horses Museum to begin planned archaeological excavation, protection and comprehensive exploration of the cemetery. 2. The latest archaeological discoveries in Qin Shi Huang’s Mausoleum In November 2016, during the latest drilling work on Qin Shi Huang’s Mausoleum, a large number of newly discovered burial pits were discovered, some of which were even as large as several thousand square meters. Previously, more than 400 large and small burial pits were discovered in the Qin Shihuang Mausoleum. This drilling has discovered dozens of small tombs and burial pits. The excavated burial pits are mainly composed of pottery products. Around the mausoleum area of ??Qin Shihuang, archaeologists also discovered a large number of armors, helmets, etc., all of which were made of stone. Archaeological experts speculate that these weapons should not be used in actual combat, because stone objects are not only heavy but also very brittle. If such equipment is used to kill enemies in battle, the armor will be easily brittle, and its true role needs further research. References Baidu Encyclopedia - Mausoleum of the First Emperor of Qin

52 Views 138922019-09-19

Current situation of the Mausoleum of the First Emperor of Qin

The south of the Mausoleum of the First Emperor of Qin is surrounded by the mountainous and lush Lishan Mountains , to the north is the shore of the Wei River, which twists and turns like a silver snake lying down. The tall tomb is surrounded by towering peaks and is integrated with Lishan Mountain. The scenery is beautiful and the environment is unique. The mausoleum is large in scale and majestic. The total area of ??the cemetery is 56.25 square kilometers (equivalent to the size of 78 Forbidden City). The original height of the seal on the mausoleum was about 115 meters, and it is still 76 meters high. There are Terracotta Warriors and Horses of Qin Shihuang's Mausoleum in the cemetery. There are two inner and outer city walls. The inner city has a circumference of 3840 meters and the outer city has a circumference of 6210 meters. There are city walls about 8-10 meters high inside and outside the city walls, the ruins of which still remain today. The tomb area is in the south, and the dormitory and toilet buildings are in the north. On January 29, 1974, 1.5 kilometers east of the tomb of Qin Shihuang's Mausoleum, local farmers dug a well and accidentally dug out a ceramic warrior head. After excavation by relevant national organizations, the Terracotta Warriors and Horses of Qin Shihuang's Mausoleum were finally discovered, which shocked the whole world. "The Story of Sanfu" records that after Xiang Yu, the overlord of Chu, entered the Pass, he used 300,000 people to rob the Qin Mausoleum. While they were digging, a golden goose suddenly flew out of the tomb. This magical flying goose flew southward. Hundreds of years passed, and in the Three Kingdoms period (the first year of Baoding), an official named Zhang Shan who was the prefect of Rinan was sent to him one day. One day, someone sent him a golden goose. He immediately judged it from the words on the golden goose. This thing comes from the Mausoleum of the First Emperor. Is there any historical basis for this magical legend? In recent years, some scholars have written articles and pointed out: "Although this is a legend, it shows that the cultural relics in the Qin Mausoleum were once lost to the outside world and reached as far south as Yunnan. As for the golden geese that are exquisitely made, they not only look good, but can also fly. It is also possible. Because in the Spring and Autumn Period, the famous craftsman Lu Ban could make wooden geese that flew in the sky and flew directly to the city of Song Dynasty. Hundreds of years later, craftsmen of Qin State could make flying golden geese. , which is believable.

"(Wu Bolun and Zhang Wenli, "The Mausoleum of the First Emperor of Qin", Shanghai People's Publishing House, March 1990) So, is this legend credible? In China, a country that has not attached much importance to science and technology in history, if it had been invented more than 2,200 years ago, The ability to create flying golden geese is a rare miracle in the history of science and technology in China and the world. However, the credibility of the metal flying geese really makes the Chinese people sweat. The flaw. Just imagine that flying a metal object in the air is not as easy as flying a kite or a light balloon. The latter can fly in the air with the help of natural wind. However, for a metal object, flying in the air is not as easy as flying a kite or a light balloon. , if it did not have mechanical power and relied solely on natural wind power, let alone air flight, it would not be able to solve even the basic problem of taking off. How could China solve the problem of flying power for metal objects 2,200 years ago? Let’s analyze further and assume that it was in the Qin Dynasty. If you have the ability to make a flying golden goose, then the golden goose will fly automatically after being buried in the underground palace. It has been flying in the underground palace for nearly a thousand days and nights. When Xiang Yu opened the tomb passage of the underground palace, this golden goose flew automatically. Then he flew out of the ground smoothly along the tomb passage of the underground palace, and then flew over the thousands-meter-high peak on the south side of the Qin Mausoleum to the distant south. If this anecdote was not made up by gossips, then Jin Yan's control and command system. I am afraid that even today's computers are far behind. Therefore, we can definitely say that the legend of the Qinling Metal Flying Goose is not possible at all. Chinese people with modern technological awareness must not believe this legend. It should be over. But further, are there any clues in the historical documents about this legend fabricated by ancient literati? In the records of Sima Qian and Ban Gu, there are words about "gold is the bird". Obviously, the two A master historian recorded that there were "flying geese" made of gold in the tombs, and the ancient literati probably used this to interpret and "create" the story of the flying geese legend. With today's science and technology, although the underground palace of the imperial tomb can be excavated, but after the excavation, It cannot be protected, and it is dangerous. Just like the terracotta warriors and horses, they were all painted when they were excavated. After about a week, the colors were all oxidized and disappeared, according to a deputy director of the museum. Qin Shihuang’s underground palace will not be excavated for 50 years.

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