1. A 1,000-word essay on the characteristics of Chaoshan folk houses. Ming'anli is located in Yangmei Village, Tongyu Town, 20 kilometers northwest of Chaoyang District. It is a spectacular Chaoshan folk house built in recent years with donations from Hong Kong entrepreneur Mr. Wu Zhenming. It faces north and south.
Backed by the green Tongmen Xiaobei Mountain and facing Lianjiang River in front, it now covers an area of ??20,000 square meters.
Ming'anli is not only an ancestral hall for the Wu clan in Tongyu Yangmei Village to worship their ancestors and perform sacrificial activities, but also a new tourist attraction in Chaoyang. The two functions are combined into one. This is a major feature of Ming'anli and can be said to be the Chaoshan area in the new millennium.
An outstanding representative of residential buildings.
The architectural form of Chaoshan folk houses is the epitome of the traditional culture of Chaoshan, which best reflects the characteristics of the Chaoshan area and the characteristics of the times. The basic construction units of traditional Chaoshan folk houses include "Xiashan Tiger" (also called running lion), "Four Points of Gold" and "
There are several forms of "horse trailer", and their decoration has two characteristics: first, there are many types of decoration, mainly including golden lacquer wood carvings, stone carvings, gray sculptures, inlaid porcelain and colorful paintings; first, the decoration parts are wide, including stone and wood parts, doors and windows.
Fans, wall ridges, exterior wall eaves... can all be decorated.
The main building in Ming'anli takes the "Yusheng Clan Temple" and its rear library as the main axis, and is symmetrically embraced by eight "Four Points of Gold", so it is commonly known as the "Kowloon Tuzhu".
The entire building complex has a square appearance, surrounded by walls, entrance dragon and tiger gates, corridors, screen walls, ponds (also called "douchi"), flower gardens, square green spaces, and passages. The main "Kowloon Tuzhu" building complex has a suitable layout and space
The changing charm is patchwork, separated by courtyards and connected by long corridors, forming a courtyard-style building complex that is closed on the outside and open on the inside. It adopts a beam-lifting style, a hard top, and a volcanic wall structure. The building roof is made of gray wood and glazed tiles. It is a Chaoshan style building.
The typical folk ancestral temple building not only embodies the traditional style of ancient Chinese architecture, but also has the distinctive characteristics of Chaoshan residential architecture. The entire building complex is like a large and exquisite handicraft. Let us enjoy it from various scenic spots!
The entrance gate of Longhu in Minganli is a typical Chaoshan residential building with a concave belly. It reflects the architectural style and style of Chaoshan residential buildings. It is gorgeous and solemn, and shows the norms of traditional Chinese etiquette.
In the middle is the door plaque of "Ming'anli" inscribed by Mr. Shen Peng, the current chairman of the Chinese Calligraphy Association. On both sides are the door couplets "Ming Tai's grand plans are grand, the nine dragons crown the lucky stars; Anders and Shize gather together happily, and the eight horses welcome the good luck" are written by the original Chinese beauty.
Wang Qi, Secretary of the Association Party Committee, wrote a letter, explaining the cultural connotation of this artistic building in Ming'anli. It was the opening of a penetrating guide. The top and ridge of the gatehouse were also decorated with the unique porcelain inlay technology of the Chaoshan area.
, this gorgeous and gorgeous facade concretely reflects the cultural orientation of people in Chaoshan area.
The entrance leads to a long corridor as straight as a line from the passage on the left. On the screen wall are engraved the calligraphy of ninety-eight champions of the past dynasties.
The No. 1 Scholar is an outstanding representative of the ancient imperial examination policy of "excellence in learning leads to officialdom." It is truly a rare thing to be able to gather many famous figures in one place, like giant pens, and take the lead. In addition, the photocopying is accurate and the carving is exquisite, which makes the viewer stand and touch the monument.
Being in the stele corridor is like walking in the corridor of calligraphy history, which makes people feel the profoundness and long history of Chinese calligraphy culture, so as to enjoy the beauty. Since its opening during the Spring Festival in 2005, it has been deeply appreciated by tourists at home and abroad.
This is due to the unique ingenuity of the designer Mr. Wu Guolong, who broke the Chaoshan tradition of sculpting auspicious animals such as unicorns on the screen wall. No wonder Mr. Shan Guoqiang, a calligraphy and painting connoisseur from the Palace Museum in Beijing, sighed after viewing: "This can be said to be a masterpiece."
It was the first of its kind in the land of China. Therefore, this has greatly improved the cultural taste and artistic quality of Chaoshan folk residences." Through the green space of the square, we came to the center of the main building "Jiulong Tuzhu", with the "Yusheng Clan Temple" and its rear library.
As the central axis runs through the upper and lower parts, there are eight "Four Points of Gold" distributed on the left and right sides, catering to the concept of "middle" in Chaoshan residences. This is the embodiment of Confucian orthodoxy in Chinese traditional architectural culture and Chinese cultural ethics.
Here, we advocate "moderateness" externally and "zhongping" internally, respect "moderate" in doing things, and be "upright" in life. "Yusheng Clan Ancestral Hall" is the core of the entire building complex. The door plaque reads "Yusheng Clan Ancestral Hall"
It was inscribed by Mr. Sun Yiqing, the current president of the Chinese Poetry Society.
The entire ancestral hall is a three-entry hall, which is divided into a foyer, a front hall, and a back hall, and one entrance is higher than the other. This form of low front and high back is the rule of Guangdong ancestral hall architecture, symbolizing step by step promotion.
The front hall is used to receive guests. It is the place where the elders of the Wu clan hold gatherings. The back hall is used to enshrine the tablets of the ancestors and gods. It is a place where the tribesmen worship their ancestors. The outdoor roof is decorated with the unique porcelain inlay technology of Chaoshan folk houses. The roof is made of
The hard top structure with bucket beams, indoor red beams and blue beams, carved beams and painted buildings, with diverse themes and vivid shapes, are all masterpieces made by masters of traditional Chaoshan folk crafts.
Being in this splendid art palace gives people the feeling of "Chaozhou house, built in the imperial palace". What's even more valuable is that the temple contains many paintings and calligraphy treasures by famous modern Chinese "heavyweight" calligraphers and calligraphers. The famous ones include: Shi Shuqing
, Shen Peng, Wang Xuezhong, Wang Qi, Sun Yiqing, Liu Dawei, Liu Yi, Guo Yajun and other famous calligraphy and paintings. This perfect combination of Chaoshan traditional art and Chinese traditional cultural treasures is the fascinating place of Minganli. Thank you for your encouragement.
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Hope to adopt!
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2. A 100-word essay on the characteristics of Chaoshan snacks Chaoshan snacks My hometown is in Chaoshan, where there are rich specialties. Among these specialties, the snacks are the richest.