It's suffocating, and I want to escape-I've lived a leisurely pastoral life.

But what's it like to leave the city and return to nature?

Japan's high-scoring film "Little Forest" tells the story of a young girl who left the city and went back to work in the countryside to make food, and also reveals the real reason behind the "return".

This movie is called "Japan on the Tip of the Tongue", which is divided into summer and autumn and winter and spring, and the douban score is 9.0.

The film combines the leisurely life and the taste of growth through the way of working and cooking food in four seasons. Take the simple meals in the Japanese countryside as an example. They are very textured, beautiful and life-oriented.

The small forest in the four seasons is as beautiful as a fairyland.

It is located at the bottom of the basin, surrounded by mountains, and there are no shops. It takes an hour and a half to walk to Linzhen Town to buy daily necessities, and the daily ingredients need to be made by residents themselves and rely on the gifts of nature.

In summer, it is surrounded by fog and water vapor comes out of the soil. The small green and humid forest is full of vitality.

In autumn, golden ears of wheat are thrown into the air and piled into wheat piles. The sun is shining, and everyone is full of the joy of harvest.

In winter, people who have worked for a year can finally have a rest. They stored enough ingredients and went door to door to work together for the future of the small forest.

Spring is the beginning of another year, and it lasts forever. For the heroine Shizi, it is the day of leaving and the beginning of the road to real growth.

The most special way of this diet documentary is to match the diet with the changes of the four seasons and the rhythm of labor. The production process is not only beautiful, but also full of fairy tales.

1 A bowl of warm soup rice cake in winter.

Ingredients: frozen radish, fresh vegetables and homemade rice cake slices.

Although the collocation of ingredients seems to be random, they are all gifts from the earth, retaining the original flavor of food. Its immortal spirit comes from respect for nature.

2> walnut rice

Production method: Pick out walnut kernels, mash them into mud and mix them into washed rice. Add wine and soy sauce to taste and cook. According to the ratio of 10 to 2, a spoonful of soy sauce and a little wine, the walnut rice with rich flavor, mellow taste and excellent taste is ready.

3> sour rice wine

Production method: add rice porridge and distiller's yeast, leave it at room temperature (summer) for one night, add fungi and leave it for half a day, and the sour rice wine will be ready. Such a simple production method makes people eager to try.

The hostess (Hashimoto Ai) is beautiful in appearance, but also angular. She resolutely "fled back" to the Woods and took on all the farm work alone. From the initial helplessness to the later self-satisfaction, she is like rice in the field, growing vigorously.

The looming love and interdependent friendship in the film are also beautiful.

You Tai (Takahiro Miura) also came back from the city. He wanted to face himself, but Stone escaped and fled back to the village.

For Shizi, this is actually a disrespect for the small forest. As a sudden "uninvited guest", how can she "take away" the dedication and belief of the small forest? There is a lack of "consensus" in their feelings. So, Chengzi escaped again. Ji zi (Ma Yu), a childhood friend, has been guarding her farmland and waiting for her real return.

Five years later, at the end of the story, Yoshiko and Yutai formed a family.

Mako, who came back from the city, wore traditional Japanese costumes and danced a traditional Japanese dance-Shenwu with her husband on the stage.

At this time, her eyes were firm, her hesitation and youth faded. With the rhythm of the dance, her singing followed the camera, crossing the fields and hills of the small forest and speeding through the changes of the four seasons here. The lens is long and profound, and it flashes by with memories of the past.

The original intention of urban children returning to the small forest is that they can't bear the pressure of urban life and emotional setbacks. Their hearts are not completely compromised, so they can get rid of it through hard work.

People who really return to the small forest should be happy and calm, such as Yutai, who is not only fully integrated into the village life, but also always considers the future of the small forest. City life in a small forest is more like a bystander. Like most of us, this is just a temporary escape from trouble in another place.