——From layout to highlights, the Jieyang Tower and its square, connected by Huanshi North Road and Xinyang East Road, are like a heroic flower in full bloom, with Baoding Square as its core; the central square has a huge lotus landscape.

, Jieyang Tower is located at the center of the flower.

Heart to heart connection is the theme of the square.

The flower stem of the hero flower is like a green dragon with strong life.

From east to west, the square is nearly a thousand meters deep; from south to north, the square is more than a hundred feet wide.

The total area is more than 300,000 square meters, and the central area is 120,000 square meters.

Although the numbers are boring, the scenes they display are not only specific, but also vivid.

This huge construction explains the truth: a person with a strong will has infinite power to promote society and achieve the set goals.

The grand square, excluding the traffic space, is divided into three parts. If we borrow the language of music to describe it, they are the prelude, the main melody and the ending.

What can be likened to the prelude is the city sign area, which consists of two large flower beds, wedge-shaped and circular, symbolized by a stone and a tree.

The main central area of ??the square can be compared to the main theme, which is composed of Lotus Landscape Square and Baoding Square. The square landmark stone, cultural columns, eight sceneries stone wall, and lotus trail are a series of notes.

What can be likened to the end is the cultural exchange area at the back, which consists of a specialty commodity city and a food street.

From the city landmark area to the cultural exchange area, Jieyang Tower Square is like a symphony, with ups and downs, the rhythm and melody of Huang Zhongda Lu, and the strong voice of the times that the heroic sons and daughters of Lingnan Water City love life and create a glorious future.

The towering Sangluan pillar holds the name "Lingnan Water City" at the front of the square.

Sangpu is located at the junction of the three cities of Chaoshan and Chaoshan and is the cradle of Jieyang culture.

The standing stone, a city symbol that embodies the aura of ancient civilization, represents Jieyang’s location in the center of the city and is the birthplace of Chaoshan culture.

The exotic flowers and plants on Green Island are colorful and colorful, which is a reflection of the vitality of Jieyang, an ancient but young city.

A large round island with a diameter of 50 meters is surrounded by flowers. A huge banyan tree with a trunk diameter of 3 meters has lush branches and leaves.

The banyan tree is the city tree of Jieyang.

This city with a long history, along with the development and growth of such tall evergreen trees, has gone through countless wind and rain, and its life is becoming increasingly vigorous.

The banyan tree has created the character of Jieyang and has become the totem of this city.

The rhyolite boulder from Mount Tai in Dongyue weighs 136 tons and has traveled more than 2,000 kilometers to dominate the entrance to Donglai.

The simple and beautiful texture retains the memory of the Zen of the past dynasties.

Supporting objects to express ambitions: Let the will to build a stable and harmonious society "poetically reside" on a stable carrier; use the prominent sequence of stones from other mountains to publicize Jieyang's inclusive and pioneering spirit.

The nine cultural columns reaching the sky are respectively 9.8 meters in height and 1.6 meters in diameter.

The sculptures on the pillar body reflect the traditional Chinese idea of ??"heaven, earth, and man" and express the harmony of the "nine treasures" of the sun, moon, stars, wind, fire, water, spirit, energy, and spirit in abstract language.

The artist uniquely expresses the Eastern aesthetics of tranquility, elegance and beauty through the unity of lines, shapes and textures, and the harmony of momentum, shape and rhyme. He also implicitly expresses the traditional Chinese stance of pursuing harmony and profoundly interprets nature.

The law of development, and the realm of humanistic spirit.

12 tall and tall Double Ninth Festival trees form green screens in the north and south of the square. They not only set off the graceful atmosphere of the square, but also provide tourists with a place to rest and shade.

As an evergreen tree that blooms with small light green flowers in late spring and early summer, it has inherent resistance to mixed gases dominated by chlorine and will make great contributions to environmental protection in purification and anti-pollution.

The 130-meter Lotus Trail, built with reference to the historical corridor of the China Millennium Monument, starts from the Taishan Square landmark stone inscribed by Chairman Li Ruihuan, passes through the pillars of heaven, earth, and culture to reach the calyx of the lotus. It is a historical period from the Baiyue era to the socialist period.

The footprints left by the sages of Jieyang today.

Wandering there, you can appreciate the splendid culture of Jieyang and arouse your enthusiasm for the construction of your hometown.

The arrangement of cultural columns circles two large arcs, strengthening the vision of “heaven, earth, and people”.

The two emerald green flower ponds are the stretched green leaves of lotus flowers, and at the same time standardize the direction of progress.

The huge reliefs of the Eight Scenes are the cultural highlights of "Jieyang Creation" in its long history.

Whether it belongs to the political, economic or cultural categories, they all reflect the humanistic spirit of hard work, gratitude and dedication.

The lotus pattern landscape covers an area of ??19,000 square meters, firmly occupying the largest position among the single pattern landscapes in China.

The use of crimson and white crystal mosaics to create this crystal clear and huge landscape is a generous effort by the people of Jieyang who are striving for a stronger generation - the people of Jieyang who were born and grew up on the "water lotus" treasure land have an almost religious worship of the lotus.

This also created the noble and elegant people's character in Jieyang.

If crimson symbolizes love, the persistent attachment of children at home and abroad to their "roots" in Jieyang is fully revealed.

The Jieyang Eight Scenery Cultural Wall takes the New Commentary Eight Scenery as its theme. The magnificent scene is completely different from the previous Eight Scenery.

This is the accumulation of creations by our ancestors and a display of the innovations of today's people.

From the beginning of the Mongolian period to the information society, the people of Jieyang have constantly opened up new horizons.

The traditional form of artistic expression has left a trail from the Jinxianmen era to the Jieyang Tower era.